" o ' N E " B O O K: Ağustos 2012

29 Ağustos 2012 Çarşamba

PAiNT STRETCH i n g; " versus " ;digital equal VAKUM window ; " the " piX e l i n g.. " ..

John,

I think; partial " stretching " the ; original PAiNT i n g, -till there o c c u r e s; a figure;- ; is more creative , and goes with the conscious; -better for the artisttic aesthe tics- .

.u p in the KLEE L i k e, work; there are pixels; because; resolution; of the source photo of Konovalov' s; w a s low..

..oil paint -especially- i s; an elastic and flexable ; d o u g h; and if Artist' s SOUL; -or BODy- has b e en installed ; into i t; ; .W h e n s t r e c tc h e d; t h e y; become visible ; but; as they were in an " other world " -like in a dream- their material i s an " under-matter " ; -non atomic- ; one.. SO paint, has to be stretched; with a computer; e d i t.. (and paint has to b e Poured on a canvas; so when your spatula Moves in the paint colours can s w i m ; in the PAiNT; to make stretchable l i n e s & , surfaces.. - three dimensionally- ..

..these l i n e s; and surFACEs can , achieve; FACEs or F i g u r e s; when stretched; with the conscioUS -of pure RATiO use in computer programs- .. i n the computer' s ; " o t h e r under -space."

I think..

I should put paintings; 4 eXample; a s I DO; al way s.. and a T i t l e.. to this writing..

..this i s one of my ; O R i G i N A L painting' s; detail..

..SO " SPATULA " ; c a n; " SPRAY "; " STRETCH" ; and ( {V} collect, save, accumulate, amass, gather, keep back, lay aside, lay by, put aside, put away, put by, roll up, salt, set apart, set by, set aside, treasure up ) t h e P A i N T.. (as above in the original paint work..)

....T h i s means; all these ACTings; has b e g u n; simultaneously, in the ; PainT- w o r k; o f ART.w i t h the HAND;&ARM; (so spatula installs U' r BODy into the art-work..) and "SPATULA" ..t h e n; they can GO ON; with the -spatula like inert acting- computer programs.. 1- with the paint;& spatula& U' r hand; U are socialist laboror, 4 the sake of the OBJECT; ..2- with the computer; U are Capitalist with U' r RATiO; & ConscioUS ; 4 thePUBLic.

ALPHABETH L E T T E R; w i t h ; BOTH; 2 WAYs. (SO A PAiNTiNG; b e g i n s with a WRiTiNG; first..)

I think; I m a k e; m y; " digitalizatiON s " ; i n m y; w r i t i n g s..(4 every l e t t e r of Alphabeth; i s a " P i X e l "; as w e l l. .. a n Alphabeth l e t t e r; work in two ways.both; express a feeling; and ;o p e n an " e m p t y " ; " digital square window; PiXEL i n g "; to this e X p r e s s e d; DEED..

E M P T Y; " SPACE " ; i n THROUGH; A R T- W O R K..:

...so digital computer is a digitalizor; " there is an e m p t y H O L E; -passing inthrough- ; in the computer " ; too. -Reverse and parallel thinking-, ART WORK; has to H A V E; t h i s; " EMPTY; P A S S A G E; " i n i t; SO W E; can " instaLL -or locate- " ; computer WORK; (stretching, spraying, seting aside; -a s copy paste cut turn miror image-) i n A R T. O T H E R; w i s e; " " transFormed Human " ; (as is in the art area Today..too..), w i l l b e installed; i n the work;as a computer -being; & as i f ; " computerized Human i s ; " the ART ".. (b u t N O W; computer has been pulled o u t; f r o m Human Brain & p u t; outside; the H U M A N..i t has to pass through ART; L i k e a " SPATULA " ; D O E S; i n through; t h e PAiNT..)

I think; t h i s " SPRAYing " ; i s to F i l l i n; the " EMPTy E D; SPACE; P i X E L s.. " .. or;

TO; E M P T Y; and TORN a P a r t; and ERASE; w h a t; has BEEN; the " m u l t i UNiTED " ..ONE s ..i n the World..

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POUL KLEE; " CONTEMPORARy CONCEPT " ; T H E O R y; - an application i n abstract. a r t.-

"____4-for é WorD .. "

"WALKiNG; i n through; t h e ART-WORK;" (with the " transparent STEP traces " o f the Computers; o n l y; t o find OUT; -or see- ; that; " if the c r e a t o r of this ART-WORK; h a s ; "WALKED; i n t h r o u g h ; ART; -or that artwork- ; as a pioneer " MOON WALKER " ,on that L a n d ,,o f; A R T ' s..(U can describe some thing or a land scape, b u t, did U b e; there; 4 a WALK..) (Ican w e a r; " MOON CLOTHEs &SHOEs, -if I can b e ; in ART; i n M E; & in t h e; COMPUTER- that are transparent to the l a n d, to find out, " the MAN; o n the MOON;" .. " t h e M E N "; I shall c a l l ; it ,there.

I take it serious, " THE READing " ; S O,

i f I r e a d; that W O R K; o f,

Alexander Konovalov' s

I shall READ; this WORK; by miror i m a g e s o f the, Computer program..

...this is an essay, o n, READing i t..(ONLY 1 ESSAY..)

...ABSTRACTion; ; h a s a " natural " -original STORY- b e f o r e.. ABSTRACTiOn

;t h e n ; i t has been; " broken; i n t o p i e c e s " ..- t o r n into pieces-.. t o OPEN; a SPACE; " i n t h r o u g h " ; t h e; TRADiTional S T O R Y .. ( S O; it is possible w h e n STORY is ; A b s t r a c t e d. (the original classic story; i s abstracted..)

L E T ' S; " i N S T A L L " a; " MODEL S T O R Y " ; i n that;

(if installation i n ART; i s UNiversaL..)

MY STORY; " M O D EL " ; to this ABSTRACTiON; i s

-theN A M E; of the story- :

" THE REVERSiDE; " district "; in the C i t y.." ..

S O; M A N; has Abstracted; (as an Abstract-aRT W o r k)..

..and t h e n; W E; can LOOK4 ;& f i n d, " the M E N "; i n the ; abstractARtWORK..

SO " d i d "; PAUL KLEE; has written a BOOK about; " CONTEMPORARy ART ;CONCEPT THEORY " ..(something like that was the tittle,I guess..)

PouL KLEE; paintings, a r e; L i k e; the last step; Painting A b o v e..

Poul Klee; recommanded; " t h a t; S T E P " ; has had to b e; WORKED; - AT O N C E- ; a s an ART-WORK..( b u t; h e has passed; these steps A B O V E;.. b u t; the TRUE-W A Y; -geniune PATH- i s;

... " first TRUELY ABSTRACT; i t - TOTALLy i n t o TORN p i e c e s;- t h e n,

F i n d O U T; " the M E N " ; that has " L E A K E D " -and has been installed i n the art medium- ; while ; this; TORNiNG apart;( & d e l u t e d, ; extracted, crunch e d, grind e d,) Abstraction process ; -w h i l e; artist; w a s ABSTRACTing- . ( in fact; a r t i s t extracts himself; and then it c a n appear i n the a r t M E D i U M; a s " the M E N " ;if worked reverse, by a computer' s inert JOB.. ..) (ARTist ABSTRACTs; b u t; while this process, h e has s o u l has LEAK e d ; i n t o; yhe ART; r i v e r ..a.nd there appears; "the M e n " ; i n the ART; M E D i A.. -from this l e a k e d- ..spontaneously. .i f WORKED ; r e v e r s e; -by a computer-.. so computer is a inert catalyst; here; that d o e s not chance; any thing -only with; copy-cut paste-turn- ; what has been o c c u r e d; spontaneously -in artist' s hands- i n the a r t ; m e d i u m.. )

...and " the " Computer i s; capable, o f, D O ing ; this; r e v e r se action, i n the art w o r k... S O; D O ; M A K E; these " STEPs using a COMPUTER ";..There are artists telling; that THEY M A K E; all these STEPs; i n their M i N D s..They exist as an artist because they used their brains as computers, b u t; these days; w e have computers; and acting like a computer, i s not making ART.a n y m o r e.

....first; TRUELy; & TOTALLy, " make U' r P U R E AbstractiON " ; -a s a true Worker-.. t h e n; COMPUTER; h a s to M AK E; t h e R E S T..(and we can see the STEPs; that ART i s WALKing..) (do not put U' r selves; in the p l a c e ; o f ; computers.b u t use computers w h e n T h i n k i n g; A R T; only..) (when computers TAKE; their PLACE; i n ART M a k i n g; ; a r t; & atists ; will B E; M O R E; F R E E.and with the TRUE STEPs o f M a k i n g, genuine a r t..i n the future..)..USE COMPUTERS; B U T DO NOT BECOME A COMPUTER (U' r Brain become ); WHEN M A K i N G; A R T..b e c a u s e; i f U ' r brain has transFormed to a computer then; this " corrapted alien; " can b e ; recognised a s a ; fantastic ; a r t creation.. but computr work l e t us s e e ; all and every STEP; o f ART..(then a r t ; can b e ; true , .and genuine art creations can b e recognizaable.

SO; this i s a TRUE; a b s t r a c t, W O R K; Alexander Konovalov' S..

Poul KLEE; " to the CONTEMPORARy; PASSAGE; from A B S T R A C T iO N;" ; -THEORy i n CONCEPTUAL METHOD- ; ; approves T h i s; I ;G U ESS..

P.S. " the M E N " ; o c c u r e d; i n,

" CONTEMPORARY ;K L E E CONCEPT " ; a r t;

; " the MEN " PORTRATEs.. :

-" CONTEMPORARized "; i n The Computer.. - " ; Abstracted images.."

24 Ağustos 2012 Cuma

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N U D E; SCULPTURE -shut; ;& N U D E; PAiNTing -O P E N -..

N U D E ; -with the L i n e in STYLE ; BRAND o n..-; from OUT S i D E ..:

SO; this i s " N U D E " ity; from ; the O U T S i D E..

-with the L i n e; o r i g i N; .. to pass , i n TRUely..-

.....OPEN E D ; i N SİDE; o f t h e ; " N U D E ":

....and t h i s W A S; TRUE N U D E; P A i N T; ,and than w i t h ; a Spatula; U S E; w e can s e e ; the i n n e r; S i d e..what has happened; o r ; WHAT W A S; i n the PAint; o r WHAT H A S; PASSED; i n; to b e i n s t a l l e d ; i n the; PAiNT..

....S O; when U spray ; t h e paint; from the " mouth " o f the " spray c a n "; ; it i s very hard; these " creatures " b e i n s t a l l e d ; i n the P a i n t.. S O; I can say; SPRAYing PAiNT; O U T; o f the ; origin o f the NUDE; h a s to b e; " WRiTiNG ".. -which still has some ready-made shapes, - the letters- ; to b e placed; i n t o; sentences..-

SPATULA; H A S T O U C H E D; " the N U D E; P A i N T " ..with the NUDE BRAND L i n e; -concrete a s spatula metal- .. a n d O P E N E D; the " i n S i D E.." as a ..painting.
I
S O; there are many traces o f; SPATULA MADE; L i n e s; -MADE from i n S i d e-.. -the L i n e s o f SPATULA; a r e the L i n e s M A D E; b y the ART; and these are convex , ;not unic and concave a s GOD H a s m a d e ; on female..-

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" Paint , i s N U D E.."

PAiNT HAS t o B E; N U D E; in the begining.. then SPATULA; i s the ; t r a n s i t i o n; instrument; between the B O D Y; & theA R T..

.................w h e n PAiNT; i s poured o n a canvas o r; a " s u r F A C E " .. such a s PAPER; e.c.t.

......for U to; NOT DiSTURB; " t h e N U D E itiy " ; tthere i s a t i P;

in the nature..o f the Female , FORM.. T H E R E; i s a " L i n e " ; a straight L i n e ; t h e r e..THAT M E A N s; i f U will t o u c h; to " the NUDE i t y; " than ; U have to M A K E , it; " i n t h e L i n e "..

WHAT c a n ; this L i n e; b e M A D E By... -how it has occured,, - WHAT M A D E; t h i s L i n e..

(because GOD has made it ; it still keeps ; " to B E " ; there , ....so; - but , what did HE u s e ; to make this ; stroke to shape that straight L i n e ;trace....-

(it might be ; a n AXE; a knife, o r a SPATULA..)

MY P O i N T is; WOMAN i s L i k e Paint ; too; (or woman BRAin) (or united Brains in the s e x) and when M A N; touch to that paint; H e has to use; " spatula..L i N E " ..( o r there has to b e; a SPATULA WORK; i n there.. o r there is this spatula work being; -happening - there..i n fact..)

AS A N ARTist; I s e e NUDity a s ; - L i k e,-

- as it is becoming i n the BODies; (or in , making s e x) ,-

....it has to b e REPEATED; i n A R T M A K i N g; -the same style o f DO i n g- ....... that has to b e the BASE; o f MAKing A R T.too.- b e c a u s e ,there i s NO differance between; nature o f BODy; and the nature o f ART; i n the e a r l y; B A S E s..and ART has to begin from u' r BODy; also i n the " art ; m e d i u m" -; , too.

.............S O; M A K E; A R T; with a S P A T U L A; to T O U C H; the;

" NAKED; -BARE- o r N U D E.. P A i N T ".. than; ART m a y begin, after this ; " TRUE; transitiON.. "

s o ; a r t ; C A N; b e, SANE..too..

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SPRAY T H E " C A N " i f U c a n..

SPRAY T H E " C A N "; (not to BE; L a z y..)

" SPRAYiN G; ; t HE; B O D y.." - that has been; WRiTTEN; - ;-in theHAND- " .. ; &then; " the HAND "; will S P R AY ; t h e ;" k e y BOARD ".. MACHiNE..

I , m u s t c o n f e s s..

I have b e e n; thinking f o r SOME t i m e; that; m y , Writing S T Y L E; h e r e; i s L i k e ; a SPRAY GRAFiti P a i n t e r; -or Grafiti -WRiTEr -..

..S O ; I can take-ON; M E; d i s c u s s i o n that i s being ; or ; h a p p e n i n g; h e r e..

(I sprayed; letters; again i n the a i r ..to OPEN THiNGs ; i n to the a i r.. to the O2 M o l e c u l e s to c a r r y; t h e m; thats all I wish.... o r i f ; , here on this WALL of the Forum ; SOME; can a c t; L i k e OXyGen Molecules.. ..give some OXyigen ; to the a r t ; by carring S O M E; t h i n g s, THAT A R E; SPRAYED; (h e l d UP ED) to S O M E; " hight s.." -but not s a c t i f i e d ; as some art history masters or " PASTOR s "; WORDs ; in art wold; ; D O E S..- (A NORMAL; W A Y 4 art; s e r v e d ;(and hightened) to the lavel NORMAL; people..but t h e y think; that; NORMAL; i s OWNED b y; SOME PASTORs..d o e s NORMAL; n e e d; these PASTORs..o r people that are NORMAL can c r e a t e a ROAD; to w a l k on; only w i t h ; " b e i n g NORMAL "; a s an OBViOUS; T H i N g..

...( o r say; I am S P R A Y i n g, these WORDs; o r L E T T E R s; because I n e e d; s o m e O N E; o r some THiNG s; t o CARRY; w h a t I am , thinking o f..

F i r s t of all; The FiRST; eXpressiON; up in the " picture "..

" if U can say " :

i f U can SAY; (I would proceed O N ; a s ); .......... " THEN W R i T E ; i T.."..

Then there is the problem ; where to write.. and what to use ,to w r i t e.. This is the main POiNT.. S O, I take this ; s e r i o u s; and MAKE a WRiTiNG ROOM..Write on A4 Papers with a 0.5 UniBall black; p e n..o n l y..I NEED; a FORMAT; -a writing FORM- so; I created O N E.. " O N E PAGE " F O R M A T..WHEN I D O; W R i T E; on " ONE PAGE " 4 other; writing s,,I DO NOT SPRAY..i f ONE PAGE ; writing; i s a " ONE MOUTH " ; then all written letters are in the Mouth; ..I f I am s p r a y i n g; w h a t ; I WROTE; i n a " ONE PAGE " Writings o f M i n e; (in my , one page Format; writings; I am the ONE; who is carrying the ISSUE; all b y my self; for 1.5 hours; i n 4 sections.. -in 4 writings on a page..- ...................because I have carried them ; -and hightened them- in my ONE PAGE 4 Writings FORMAT; t h e n if I t e l l; them h e r e ; a g a i n; t h e n ; I must go O N; making THEM; H i g h e r; i n the A i R.. S O; w h e n I D O; this; t h i s i s a " SYSTEM; o f SPRAY i n g; " ..and it h a s; a ; S Y S T E M.. (in F A C T; street SPRAY e r s; are anarcishts; t h a t a r e to; r u n aWAY; f r o m ; t h e ; S Y S T E M..

....STREET S P R A Y e r s; complain from their beeing; o u t s i d e ; -their Home; & their ROOMs..- they want to W r i t e; in their ROOM; on the Papers b u t; they see; they are On the Street; o r i n; a Train.. S O; they N E E D; to ; write..in this case, I have paper and pen; and I begin to write on my paper with m y p e n....( because I need; w h a t I write L a t e r..o n ;why should I write i t; on the wall o f a train..and leave it there..so writing; i s ; Look afterwards..) ..S O; GRAFiti i s; a protest A C T; to say; I WANT to; b e in my HOME; -in my room-; S O; " WHOi s HOLDing M E; OUTSiDE " .. U give an ANSWER; to m y; Question i n M i n d; t h e n; NOW; t h e n if U can give an answer; I will a s k; U the ; M A i N; QUESTiON; .. " WHY DO U HAVE to; HOLD M E; OUTSiDE; m y H O M E.. " ..

...but l a t e r; O N; PASTORs will o v e r c o m e this protest acting; ( NOT iN THE SOURCE; A S I DiD; iN MY ROOM; by my ONE PAGE WRiTiNGs..)..... i t become s; a m e d i u m o f ART D O i n g.. ..(Grafiti a r t )..I can tell U ; at least; 40 art; making style ; and seven fundemantal arts; ..i s t h i s N O T;; a " SPRAYi n g , o f; A R T s " ...(how can U fallow r e a l art ; acting s; -from other acts-.. " ; in these; S P R A Y i n g ; o f art s..h a s H a p p e n e d..)

MAY B E I H A V E; t o, " SPRAY " M Y S E L F " ; i n t o; the A i R (not on the wall s); to b e able to o w n; a " U T U R N "; f r o m; " this SPRAYing o f A R T s "; -a situation ,that has b e e n, M A D E ; by thePASORs o f ARTs..- (this means I am, too; i n the TRACE; o f them, when I SPRAY -M Y WHOLE S E L F- ; i n the dedication to; t h e S PRAY i n g..(spray o f a BODy; that has; made GOD; b y m e..M y BODy..)

..then again , I shall s a y; m y; " S P R A Y i g "; M E; i n the WORDs; ,has a BODY; i n my "ONE PAGE " Format; WRitings.. (and all sorts o f things ; I have been DOing i n DOORs.. under m y, " g l o b e " ..to i n s t a l l; t h e ; SYSTEM; o f a GOD; -i n m y B O D y-.. ) (am I to b e a GOD..N O; i t is only to b e ; SPRAYED; o u t ; i n the A i r; ..o n l y..what DO; I get, with this SPRAYing M y self..I am loosing (spraying) m y ; BODy i n t o a i r..(here on artslant space; a r e we writing on wall s..o r are these words h e r e are s u s p e n d e d ; i n the A i r; i n these f r e e ; s p a c e s ; " i m a g i n a r y "..

I am the " SPRAYing; C A N "; -ME,My BODy- h e r e.. and I am s p r a y i n g MY-SHELF; a s, a PAiNT.. am I TOXic.. ..(Street Sprayers; USE; READY-MADE; SPRAY C A N s; in their pockets..and they are manifectured a s toXic; Paints by the chemicial Factories; & when they a r e u s e d; they are affirmed i n a r t ; ; t o o..and this is an other spraying i n the p r e s e n c e ; o f a r t i n g..

(I am a chemical engineer; & I know what is t o x i c; or not..at least I did not worked in any of these factories..o r I am not in anything that i s toxic to; l i f e..no alcohol, o r even; cigarette, o r woman work, e.c.t. b u t, there i s a ISSUE; o f 2 SEXes; MALE; and FEMALE.. and who does not Talk; anything about s e x; a r e ; m o r e toxic then; WHO " c a n " ; TALK O N SEX; ; too..Whwn U w r i t e ; any thing DAWN; then i t i s ; CLEAR; & CLEANED ; even from it' s ; OBJECT..so writing i s better than e v e n saying o r Talking..) (Listen to the " Talking H e a d s " ; o r; b e t t e r; h e a r; the Group; " TALK TALK "..i n m u s i c..

" THE SPRAY; C A N; " of M i n e; " :ONE PAGE " FORMAT; W R i T i n g ..

O; ; this might b e; " MY SPRAY CAN " ..(that has been produced b y M e..)

( but there is a difference; ; I do not put it into my pocket; -as street sprayers- ; I carry i t in my M i n d; ..but NO BODy C A R E s; ,,the streeters; only LOOK; WHAT; -or WHO- put something; i n their; POCKETs; 4 free..b u t; concrete; O B J E C T; mani fuc tured..not the ones melted in an " original " ; m i n d; of the Bra i n.they think they have to u s e ; the BRAiN ; who got used to U S E; their Brain; o n l y..)

...Can U write; in this " ONE PAGE " FORMAT; at least; O N E; piece..or can U SPRAY; U' r B O D y; a s m u c h a s ; I can..ART; is a b o u t some ; " UNLOST; QUANTiTies "..-and some qualities,as well..- .

WRiTE a WRiTiNG F i r s t..-to put U' r BODy; i n a CAN..-as a Whole thing- ..then; SPRAY; i t; with the ; inner prassure.. -t h a t; will; l e a s t; 4 a long ; period o f t i m e- ..t h e n; this i s a geniune a c t; i n L i f e ; and in ART; ; then..

D O; not ; B E; " s c a t t e r E D " ; b y; " O T H E R s " ; o f; C O U R S E.. in the first hand.. i n D a i l y; -NORMAL- ; l i f e ..

SCATTER U' r self; O N C E; S O; I can pass i n t r o u g h; YOU; O N CE,,in the t i m e & space..

( Quantity; i s important, to m a k e; the TExT; " transparent; t o be, " passable intrough " ..o r should; I wait for a night ; o f s e x; to pass intrough a BODY..that everyone does but never talk..o n..)

I am n o t;" S C A T T E R E D; " S O; " M Y RATs " ; a r e ; i n M E..s t i l l .... (ALiVE) ... (Sprayed, b u t; still hanging o n; m y FACE..) ..

...p.s. Don DeLillo' s COSMOPOLiS; film; has sprayed M e; O U T.. then I must; " SPRAY; M Y S E L F "; ; 4 -BY- MYSELF; TOO..

16 Ağustos 2012 Perşembe

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Traditional CONTEMPORARy; : to the ; the M O D E R N ; M U L T i - C O N T E M P O RARy ..

i f U have a creative opinion..first U h a v e to write a " thesis ".. o n the p a p e r..(WHAT U A R E THiNKiNG o f...)

...then Y o u; MODELize; the CONCEPT.. (mathematically..-i n a n equation-..)

....(.t h e n; U have to know that; " T h i n k i n g has MANY T h i n G s " i n; i t..That means t h e r e is ; a " B R U S H " in U' r m i n d; S O all these THiNGs; are m i x e d; and N E S T E D; i n each o t h e r.. (SO; thinking is a creative ; i ll u s iO N .. -every object are nested in the thinking-..)

(SO THERE iS A " B R U S H " ; i n U ' r BRAiN..)... -when U THiNK..SOME T H i N G- )

T O C O N V E R T; this " BRUSH " ; to; t h e " S P A T U L A " : (AS A CONTEMPORARiAN A C T; )

U M U S T; F i n D; READY-M A D E; (still working and stabile OBJECTS..i n society ; these can TALK; TRUE; J U S T L i k e a " SPATULA " CAN TALK; -or A C T-; w h e n i t is i n t h e ; PAiNT..)

...for e X ample; i f I will e x p r e s s; a state o f " sleeping " t h e n ; t h e r e will b e; a B E D; presenting SOME THiNG; i n the sleeping concept..T h e n; e x p r e s s i n g I D E A; with the O B J E C T s ( -OBJECTs should a c t L i k e SPATULAs t o M O V E; i n the e x p r e s s i o n- ) will not b e; B L U R R Y; i t will b e; a very cristal C L E A R; and SiMPLE; & n e t; s t a t e o f; e X p r e s s i ON..(that will b e related - CALLing- to ; the logic and the R A T i O; t o behave t o; solve " WHAT HAS B E E N ; TOLD; " T h e r e..) T H A N T H i s; P R O C E SS; (the PROCESS OF; p u t t i n g; " SPATULA L i K E; -working- O B J E C T S; " i n; will b e ; described a s ; " t h e CONTEMPORARY " ..

SO; M a k i n g a Concept; b e ; CONTEMPORARY A R T ; has a mathematical MODELisation..(arranging an equation where = ; p r o v i d e; the c u r c u i t.. of thinking..on the work..) T h i s ; first STATE; determines and defines; the b a s i C s.. S O; THiS i s a TRADiTiONAL; C O N T E M P O R A R y; S T A G E..

4a " CONTEMPORARy A R T "; M A D E; .....

p i e c e..

T h a n; if U s a y; JOB CONTEMPRARy M A K i N G; h a s; " f i n i s h e d "; t h e n U will; M A K E; an o t h e r; O N E. and begin a g a i n ; to t h e P R O C E SS; A B O V E.. but this will b e a Tradition -like a fashion- ; to M A K E; Every thing; CONTEMPORARY..SO CONTEPORARY T H i N G S; H A P P E N; around.. -as a tradition; or E R A of the Contemporary MADE; T H i N G s..-

......TRADiTiONAL C O N T E M P O RARY; APPEARS; TOTALLy i n the M i N D; -inthe RATiO; they are realized- o f, the A R T i s t; -i n mathematical BASES;- (that is we can not s e e; t h e S T E P s; W e want to s e e; i n DOing..all has been DONE by the RATiO; and w e will travel b a c t; to find out the d e e d s; artist h a s l i v e d; t o M A K E; this STATE..)

....i f SOMETHiNG; i s a " C O N T E M P O R A R Y; T H i N G; "

(they say artists has to MAKE t h e m Contemporary; o r if w e ; find something contemporary i n the N a t u r e; t h e n; GOD must have acted; ARTiSTiC , t h e r e.. SO GOD has b e e n artist; t h e r e..)

...t h e n; c a n U a c t; O N i T; (ON A CONTEMPORARY THiNG) STiLL.. (With U' r M i n d; and RATio..-that means U put this contemporary thing i n U' r M i n d; and process i t by U' r RATiO- ; with ;O N T H E OBJECTive BASES; O F (that means provided b y the computer..) the C O M P U T E R..

S O; WORKing O N a CONTEMPORARY T H i N G; w i l l b e ; ON A C O M P U T E R; S O; i t c a n; B E; M U L T i- CONTEMPORARY; e v e n U

;A D D; U' r S O U L; (a very BRUSHy T H i N g) -and the things from U' r M i n d- , d r e a m s from U' r s l e e p i n g s; or every kind o f thing that a r e in U; that can b e called as " flowing i n the river o f ;art things..-

.....and t h i s can b e; DEFiNED; A S; A R T; D O i n g; because every STEP; i s RECORDED; O N the COMPUTER M E D i U M.. -as images M A D E..or WORKED..- M O R E; THAN

TRADiTiONAL; MAKiNG ; CONTEMPORARY; A R T..

T h e r e happens ; a " V A K U U M " ; or a " fatness" -a b a l l o o n- ; in " traditiONaLCONTEMPORARY A R T; o f T O D A Y ' s " ... i t can not proceed O N; to the ; " M U L T i; C O N T E M PORARY;" ; o r it can not G O; B A C; to A P P L Y; b a s i C s o f; " the CONTEMPORARY M A K i N G " to the PAiNTiNG; that has b e e n declared a s ; D E A D..(PAiNTiNG i s DEAD; ;by Post Moderns..)

S O; I T H i N K; " SPATULA " O B J E C T; i t self; has to B E; -or PUT - i n the ; PAiNTiNG; to MAKE i t SOULLESS; first..(where brush u s e ; had carried painting to a silent death)..(SPATULA; can -is to- MAKE PAiNTiNG; CONCEPTUAL; & CONTEMPORARily M A D E..) T h e n; these; PAiNTings c a n; b e; Worked; to the " MULTi CONTEMPORARy STATES; T OO..(to A D D; t h e S O U L; T O THEM; too..)

BRUSH; has worked to c h a n g e PAiNTiNGS; t o ; " PHOTOGRAPHs " ... NOWDAYS reverse is happening; WE TAKE PHOTOGRAPHS; o f contemporary STAGE; a r r a n g e d ; OBJECTs a s; b e ing.. CONTEMPORARY A R T s.

I A M; G L A D; this WORK; i s CONTEMPORARY; Ly " M A D E "..-and then photographed-..

i f; a PAiNTer h a s had; painted i t; - a s a Painting-; ; h i s/her S O U L; -and senses or feelings- ; s h o l u l d B E; o n -&in- ; i t..

(then I would' nt put my soul, senses and feelings PURELy o n -or in- i t.. and my perceptions w o u l d n t b e OPEN; than these REAL OBJECTs, h e r e ; CAN O P E N; my perceptions....)

...that i s; i f SOMETHiNg; H A S BEEN M A D E; " CONTEMPORARY "; (that is ;" SPATULA- T E D " ; -by the OBJECTs ; a s objects a r e multiSPATULAS- ,

t h e n; O N T h e COMPUTER B A S E D; (edit programs has " imaginary " Spatulas, t o use; -like, cut, copy, paste, stretch, rotate, e.c.t-.)MEDiUM;

-when ;going ON; with t h e W O R K; with the SPATULAs to multi CONTEMPORARy A C T s;-

I could; a d d ; m y S O U L; - my senses, m y feelings;- a s I wish; and there a r e ; plenty o f PLACE; -ROOM- f o r m y; FREE; A D D s; to the;

REAL CONTEMPORARy; T H i N G.-that can C H A N G E ;., t o o ...(that is still c l e a r, i n transparent computer medium..)( CONTEMPORARy S T A T E; i s very S O L i D..i n fact.. i t has been STOPED; A B S O L U T E L y; -frozen i n ice- and can ne v e r b e ; CHANGED..and shouldn't b e changed, i f it is A b s o l u t e.. -but computer and Spatula WORK can keep this " absolute " s t a t e; alive, even when changing the object..-

F i n a l l y; there a r e 2 W A Y s; to G O; 4 the Traditional C O N T E M P O RARy..

1- go B A C K to BE; AVANT-Garde; to the PAiNTiNG M E D i U M.. P U T; " SPATULA " ; i n t o; the Painting. (.instead o f putting OBJECTs; into work o f ART; a s they would act like -or present- SPATULA..for thet will b e the CONTEMPORARy A R T..M A K i N G..)

2- go AHEAD -forward-; to put contemporary THiNG; i n t o, COMPUTER; then PUT U' r S E L F; i n t o that thing; and WATCH; h o w D O E S; this CONTEMPORARY; T H i N G A C T; with U' r soul; and LOOKfor; A R T; D E E D s; i n these D Oings..

multi SPATULA ated; in the absolute COMPUTER; M E D i U M..