29 Ağustos 2012 Çarşamba

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PAiNT  STRETCH i n g;   " versus "  ;digital equal VAKUM window ; " the     "  piX e l i n g.. "  ..

John,
I think;      partial  " stretching  "     the ;    original  PAiNT i n g,    -till there o c c u r e s;  a  figure;-    ; is  more creative ,  and goes with the conscious;  -better for the artisttic aesthe tics-   .
.u p in the KLEE L i k e,  work; there are pixels; because; resolution; of the source photo of Konovalov' s; w a s  low..
..oil  paint   -especially-    i s; an    elastic and flexable ; d o u g h;     and if Artist' s SOUL; -or BODy- has  b e en  installed  ; into i t;  ; .W h e n   s t r e c tc h e d;     t h e y;  become visible ;    but; as they were in an  " other world "  -like in a dream-  their material i s  an    "  under-matter  "    ;   -non atomic-    ; one..      SO paint, has to be stretched;     with a computer; e d i t..   (and paint has to b e Poured on a canvas; so  when  your spatula Moves in the paint  colours can s w i m ; in the PAiNT;  to  make stretchable l i n e s  & , surfaces..   - three dimensionally- ..
..these l i n e s; and surFACEs can , achieve;       FACEs     or F i g u r e s;      when stretched;      with the conscioUS  -of pure RATiO use in computer programs-     .. i n the computer' s      ; " o t h e r  under   -space."
I think..

I should put paintings; 4 eXample; a s I  DO; al way s..  and a T i t l e..      to this writing..

..this i s one of my    ; O R i G i N A L   painting' s;     detail..
  


    

..SO  " SPATULA "  ; c a n;  " SPRAY ";  " STRETCH"  ; and (    {V} collect, save, accumulate, amass, gather, keep back, lay aside, lay by, put aside, put away, put by, roll up, salt, set apart, set by, set aside, treasure up )  t h e P A i N T.. (as above in the original paint work..)
....T h i s  means; all these ACTings; has b e g u n;  simultaneously, in the ; PainT- w o r k; o f  ART.w i t h the HAND;&ARM; (so spatula installs U' r BODy into the art-work..) and "SPATULA" ..t  h  e  n;  they can  GO ON; with the  -spatula like inert acting- computer programs..  1-  with the paint;& spatula& U' r hand; U are socialist laboror, 4 the sake of the OBJECT; ..2- with the computer; U are Capitalist with U' r RATiO; & ConscioUS ; 4  thePUBLic.

ALPHABETH L E T T E R; w i t h ;        BOTH; 2 WAYs.   (SO A PAiNTiNG; b e g i n s  with a WRiTiNG; first..)
I think; I   m a k e;  m y;   "  digitalizatiON s   "   ;  i n  m y;  w r i t i n g s..(4 every l e t t e r  of Alphabeth; i s   a  " P i X e l "; as w e l l.  .. a n  Alphabeth  l e t t e  r;  work in two ways.both; express a feeling; and ;o p e n an  "   e m p t y   "      ; " digital square window; PiXEL i n g ";       to this   e X p r e s s e d;  DEED..
E M P T Y;  " SPACE " ; i n THROUGH;  A R T- W O R K..:
...so digital computer is a  digitalizor;  " there is an    e m p t y  H O L E;    -passing inthrough-    ;  in the computer " ; too.   -Reverse and parallel thinking-,    ART WORK; has to  H A V E;   t h i s; " EMPTY; P A S S A G E;  "  i n   i t;  SO  W E; can " instaLL -or locate- "  ; computer WORK; (stretching, spraying, seting aside;    -a s copy paste cut turn miror image-)  i  n   A R T.    O T H E R;  w i s e;  " " transFormed Human "  ; (as is in the art area Today..too..), w i l l  b e installed; i n the work;as a computer -being;   &   as i f ;   " computerized Human i s ;     " the ART  "..   (b u t  N O W; computer has been pulled o u t;  f r o m  Human Brain & p u t; outside;  the H U M A N..i t has to pass through ART; L i k e  a " SPATULA "   ; D O E S;  i n  through;       t h e  PAiNT..)
I think;  t h i s  " SPRAYing " ; i s to F i l l   i n;  the  " EMPTy  E D;  SPACE; P i X E L s.. "  ..  or;
TO; E M P T Y;  and      TORN  a  P  a  r  t;      and  ERASE;          w h a t; has BEEN;  the     "    m u l t i UNiTED  " ..ONE s ..i n the World..


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POUL KLEE; " CONTEMPORARy CONCEPT "  ; T H E O R y; - an application i n    abstract.  a r t.-


"____4-for é WorD  .. "
"WALKiNG; i n through; t h e ART-WORK;"  (with the  " transparent STEP traces "  o f the Computers; o n l y;  t  o find  OUT;  -or see-  ; that; " if the c r e a t o r  of this ART-WORK; h a s ; "WALKED; i n t h r o u g h ; ART; -or that artwork- ;  as a pioneer " MOON WALKER "  ,on that L a n d  ,,o f;  A R T ' s..(U can describe some thing or a land scape, b u t, did U b e; there;  4 a WALK..)  (Ican w e a r; " MOON CLOTHEs &SHOEs,              -if I can b e ; in ART; i n M E; & in  t h e;  COMPUTER-         that are transparent to the l a n d,  to find out,  " the MAN; o n the MOON;" .. " t h e  M E N "; I shall c a l l ; it ,there.

take it serious, " THE READing " ;  S  O,
i  f  I      r e a d;      that  W O R K;   o f,

I shall READ; this WORK;  by miror i m a g e s  o f the,  Computer program..
...this is an essay, o n, READing i t..(ONLY 1 ESSAY..)
...ABSTRACTion;         ; h a s   a   " natural " -original STORY-   b e f o r e..    ABSTRACTiOn    
  ;t h e n   ;  i t     has been;  "  broken; i n t o  p i e c e s   "   ..- t o r n  into pieces-..      t  o   OPEN; a SPACE;  " i  n  t h  r o u g h " ;  t h e;  TRADiTional  S T O R Y .. ( S O;  it is possible  w  h  e  n  STORY is  ; A  b  s  t r  a  c t e d.  (the original classic story;  i s  abstracted..)

L E T ' S;  " i N S T A L L "   a;  " MODEL S T O R Y "  ; i n that;
(if installation i n  ART;     i s UNiversaL..)

MY STORY;   " M O D EL "  ;  to this ABSTRACTiON;  i s
-theN   A  M  E; of the story- :
"  THE REVERSiDE;  " district "; in the C i t y.." ..

  

  

 

  

  
S O; M A N;  has Abstracted;    (as an Abstract-aRT W o r k)..
..and t h e n; W E;  can  LOOK4 ;& f i n d,  " the M E N ";  i n the ; abstractARtWORK..

SO  " d i d ";  PAUL KLEE;  has written a BOOK about; " CONTEMPORARy ART ;CONCEPT THEORY " ..(something like that was the tittle,I guess..)
PouL KLEE; paintings,  a r  e;  L i k e;  the  last step; Painting A b o v e..
Poul Klee;  recommanded; " t h a t;  S T E P "   ; has had to b e;  WORKED;    - AT O N C E-      ; a s an ART-WORK..(  b u  t;    h e  has passed; these steps  A B O V E;..  b u t; the TRUE-W A Y;  -geniune PATH-  i s;

... " first TRUELY ABSTRACT; i t   - TOTALLy i n t o   TORN p i e c e s;-     t h e n,  
F i n d  O U T;    "   the M E N   " ;    that  has " L E A K E D "     -and  has been  installed i n  the  art medium-       ;   while ;  this; TORNiNG  apart;( & d e l u t e d, ; extracted, crunch e d, grind e d,) Abstraction process     ;    -w  h  i l  e;   artist;         w a s  ABSTRACTing-      . ( in fact; a r t i s t  extracts himself; and then it  c a n  appear i n the  a r t M E D i U M;    a s     " the M E N "   ;if worked reverse, by a computer' s inert JOB.. ..)   (ARTist ABSTRACTs; b u t;  while this process, h e has  s o u l  has  LEAK e d ; i n t o;  yhe   ART;  r i v e r  ..a.nd there appears;     "the M  e  n "   ; i n the ART;  M E D i A.. -from this l e a k e d- ..spontaneously.      .i f  WORKED    ; r e v e r s e;     -by a computer-.. so computer is a  inert catalyst; here; that d o e s not chance; any thing     -only with; copy-cut paste-turn-       ; what has been o c c u r e d;    spontaneously     -in artist' s hands-           i n  the    a r t ; m e d i u m..  )
...and " the "  Computer i s; capable,  o  f,    D O ing ;  this; r e v e r se    action, i n the art w o  r k... S O; D O ;   M A K E; these  "  STEPs using  a COMPUTER ";..There are artists telling; that  THEY M A K E; all these STEPs; i n their M i N D s..They exist as an artist because they used their brains as computers, b u t; these days;  w e have computers;  and acting like a computer, i s not making ART.a n y  m o r e.
....first;  TRUELy;  & TOTALLy,  " make U' r P U R E AbstractiON "  ; -a s  a  true Worker-..  t h e n;  COMPUTER; h a s to  M AK E;  t h e  R E S T..(and we can see the STEPs; that ART i s WALKing..) (do not put U' r selves; in the p l a c e ; o f ;  computers.b u t use computers  w h e n  T h i n k i n g;  A R T; only..) (when computers TAKE; their PLACE; i  n ART M a k i n g; ;  a  r  t;  & atists    ; will   B E;  M O R E;  F R E E.and with the TRUE STEPs o f  M a k i n g, genuine a r t..i n the future..)..USE COMPUTERS; B U T DO NOT BECOME A COMPUTER  (U' r Brain become ); WHEN  M A K i N G;  A R T..b e c a u s e; i f U ' r brain has transFormed to a computer then; this " corrapted alien; "  can b e ; recognised a s   a ; fantastic   ; a r t  creation.. but computr work l e t us s e e ; all and every STEP; o f  ART..(then a r t ; can  b e  ;  true ,  .and genuine art creations can b e recognizaable.

SO; this i s   a TRUE; a b s t r a c t,  W O R K;  Alexander Konovalov'   S..
Poul KLEE;  " to the CONTEMPORARy;   PASSAGE;  from A B S T R A C T iO N;"   ;     -THEORy i n CONCEPTUAL METHOD-   ;            ; approves T h i s;  I     ;G  U  ESS..

P.S.  " the M E N "  ; o c c u r e d;  i n,
" CONTEMPORARY ;K L E E CONCEPT "  ; a r t; 
;  " the MEN "  PORTRATEs..  :
     
     
     
   

-" CONTEMPORARized "; i n The Computer.. -    " ; Abstracted images.."


24 Ağustos 2012 Cuma

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N U D E;  SCULPTURE  -shut;           ;& N U D E;  PAiNTing -O P E N -..

N U D E    ;   -with the  L i n e  in  STYLE  ;  BRAND  o n..-;         from   OUT  S i D E ..:
   
SO;  this i s  " N U D E "  ity; from  ; the O U T  S i D E..
-with the  L i n e;  o r i g i N;                   .. to pass , i  n  TRUely..-

.....OPEN  E  D     ; i N SİDE;  o f    t h e   ;  "  N   U   D   E  ":
 
....and  t h i s    W A S;   TRUE N U D E;   P  A   i  N  T;   ,and  than w i t h ; a  Spatula;  U S E;  w  e   can  s e e ;  the  i  n  n  e  r;  S i d e..what has happened;  o r  ;  WHAT  W A S;  i  n  the PAint;  o r  WHAT  H A S;  PASSED; i n;     to  b e  i n s t a l l e d ;   i n  the;  PAiNT..

....S  O;  when U  spray ; t h e  paint;  from the  " mouth " o f  the " spray c a n ";    ;  it i s very hard; these  " creatures "  b e i n s t a l l e d ; i n the P a i n t..  S  O;  I can  say;  SPRAYing  PAiNT;  O U T;  o f  the  ; origin o f the NUDE;   h  a  s   to   b  e;  " WRiTiNG "..    -which still has some ready-made shapes,   - the letters-  ; to b e  placed; i n t o;     sentences..-

SPATULA; H A S  T  O  U  C  H  E  D;      " the    N    U    D    E;    P   A  i   N  T  "  ..with the NUDE BRAND L i n e;  -concrete a s spatula metal-  ..   a  n d   O P E N E D;   the    " i n   S i D E.."   as a ..painting.
I
S O; there are many traces o f; SPATULA MADE; L i n e s;     -MADE from  i n S i d e-..    -the L i n e s  o f SPATULA; a r e the L i n e s M A D E;  b  y  the  ART;  and these are convex ,   ;not unic and concave  a s GOD H a s m a d e ; on female..-

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    "  Paint  , i s  N U D E.."  
PAiNT HAS t o B  E;  N U D E; in the begining.. then SPATULA; i s  the ; t r a n s i t i o n; instrument; between the B O D Y; & theA R T..

.................w h e n        PAiNT;    i s   poured  o  n  a    canvas   o r;    a    " s u r F A C E " .. such  a s  PAPER;  e.c.t.
......for U to;        NOT DiSTURB;          " t h e   N U D E  itiy "  ;  tthere  i s  a  t i P;  in the nature..o f  the Female , FORM..  T H E R E;  i s  a     "   L i n e "   ; a  straight L i n e ;  t h e r e..THAT  M E A N s;  i f   U will  t o u c h; to    " the NUDE i t y;  "   than ; U  have to M A K E ,   it;       " i n      t h e L i n e "..
WHAT c a n  ;        this L i n e;  b e       M A D E   By... -how it has  occured,, -    WHAT M A D E;    t h i s   L  i n e..
(because GOD has made it   ; it still  keeps    ;  "   to  B E  "   ;  there  ,     ....so;     - but    ,   what did    HE u s e    ; to make this  ;   stroke   to shape     that straight  L i n e    ;trace....-
(it might be    ; a n  AXE;    a knife,     o r  a  SPATULA..)
MY  P O i N T  is;         WOMAN    i s  L i k e  Paint  ;  too;   (or woman BRAin)  (or united Brains in the s e x)  and  when M A N;  touch to that paint; H e  has to use;    " spatula..L  i  N  E " ..(  o r  there has to b e; a   SPATULA WORK;  i n there..  o r there is this spatula work being;  -happening -  there..i n  fact..)

AS    A N  ARTist;      I  s e e        NUDity   a  s ;    - L i k e,-
   - as it is becoming    i n  the  BODies;  (or    in   , making  s e x)   ,-
  ....it  has to b e REPEATED; i n  A R T  M A K i N g;  -the same style  o f  DO i n g-  ....... that    has to  b e  the BASE; o f  MAKing  A R T.too.-  b e c a u s e   ,there i s    NO differance between;  nature o f BODy;      and the nature o f  ART;       i n     the      e a r l y;  B A S E  s..and ART has to begin from u' r  BODy;  also i n the             "  art ; m e d i u m"   -;      , too.
.............S  O;  M A K E;    A  R  T;           with  a   S P A T U L A;   to      T O U C H;  the;    
"   NAKED;  -BARE-  o r  N   U  D  E..    P A i N T  ".. than;  ART m a y  begin, after this    ;     "    TRUE; transitiON.. "

s   o ;      a   r t ;   C  A  N;     b    e,    SANE..too..



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SPRAY   T H E     " C A N "   i   f   U    c   a   n..

I
SPRAY T H E  "  C A N ";  (not to BE; L a z y..)

" SPRAYiN G;      ; t HE;  B O D y.."    - that has been; WRiTTEN; - ;-in theHAND- " ..  ; &then; " the HAND "; will S P R AY ;   t  h  e  ;" k e y BOARD "..  MACHiNE..

I , m u s t  c o n f e s s..
I have b e e n; thinking  f o r  SOME t i m e;     that;  m y     , Writing   S T Y L E;  h e r e;     i s  L  i k e ;     a  SPRAY GRAFiti  P a i n t e r;  -or  Grafiti -WRiTEr -..            
..S O  ;  I  can take-ON;  M E;   d i s c u s s i o n    that i  s  being   ;  or ;  h a p p e n i n g;    h   e  r   e..    
    (I sprayed; letters; again i n the   a  i   r  ..to OPEN THiNGs  ; i n to the  a i r.. to the O2  M o l e c  u l e s  to  c a r r y;  t h e m; thats all I  wish....   o  r  i f  ;  , here on this WALL of the Forum  ; SOME;    can a c t;    L i k e  OXyGen Molecules..  ..give some OXyigen  ;    to  the  a r t ;  by carring  S O M E;  t h i n g s,  THAT  A R E;  SPRAYED;  (h e l d  UP ED)  to  S O M E;      " hight s.."   -but not    s a c t i f i e d ;      as some art history masters or  "  PASTOR s ";  WORDs ;   in art wold;      ;  D O E S..-  (A NORMAL; W A Y  4 art; s e r v e d ;(and  hightened)  to the lavel NORMAL;  people..but t h e y  think; that; NORMAL; i s  OWNED  b y;  SOME PASTORs..d o e s  NORMAL; n e e d; these PASTORs..o r people that are NORMAL can c r e a t e  a   ROAD; to  w a l k   on;  only  w i t h ;  " b e i n g NORMAL ";  a s an OBViOUS; T H i N g..
...( o r  say;  I am S P R A Y i n g,  these WORDs;  o r  L E T T E R s;  because I     n e e d;  s o m e O N E;  o r some THiNG s; t o  CARRY;  w h a t  I am  , thinking  o f..

F i r s t  of  all;  The   FiRST;  eXpressiON;  up in the  " picture "..
" if U can say "  :
i f  U  can SAY;    (I would proceed  O N  ; a s );     ..........  " THEN   W  R  i  T  E  ;  i T.."..  
Then there is the problem ;    where to write..    and what to use ,to  w r i t e..  This is the main POiNT..    S O, I take this ; s e r i o u s;  and MAKE a WRiTiNG ROOM..Write on A4 Papers with a 0.5 UniBall black; p e n..o n l y..I NEED; a FORMAT;  -a writing FORM-  so; I created  O N E.. " O N E PAGE " F  O R M A T..WHEN I D O;  W R i T E;  on  " ONE PAGE " 4 other; writing s,,I DO NOT SPRAY..i f ONE PAGE ; writing;  i s  a  " ONE MOUTH " ; then all written letters are in the Mouth; ..I f  I  am   s p r a y i n g; w h a t ;  I   WROTE; i n a  " ONE PAGE " Writings  o f  M i n e;  (in my , one page Format; writings; I am the ONE; who is carrying the ISSUE; all b y my self;  for 1.5 hours; i n 4 sections..   -in 4 writings on a page..-      ...................because I have carried them ; -and hightened them-  in my ONE PAGE 4 Writings FORMAT;  t h e n  if  I  t e l l; them  h e r e ;   a g a i n;   t h e n ; I must go O N;  making THEM;  H i g h e r; i n the  A i R..  S  O;  w h e n  I  D O;  this;  t h i s     i s   a  "   SYSTEM;  o f   SPRAY i n g;  "  ..and it h a s;  a ;      S Y S T E M..   (in F A C T;  street  SPRAY e r s; are  anarcishts;  t h a t  a r e   to;  r u n  aWAY; f r o m ;    t   h  e ;   S Y S T E M..
....STREET  S P R A Y  e r s;  complain from their beeing; o u t s i d e ;   -their Home; & their ROOMs..-  they want to  W r i t e; in their ROOM; on the Papers  b u t;  they see; they are On the Street; o r    i n; a Train..  S O;  they  N E E D;  to ;  write..in this case, I have paper and pen; and I begin to write on my paper with m y p e n....( because I need; w h a t I write L  a t e r..o n ;why should I write i t; on the wall o f a train..and leave it there..so writing; i s ; Look afterwards..) ..S  O;  GRAFiti i s;  a protest A C T; to  say;  I  WANT  to;  b e in my HOME; -in my room-; S O;   " WHOi s HOLDing  M E; OUTSiDE " ..  U  give an ANSWER;  to  m y; Question i n M i n d;  t h e n;  NOW;  t h e n if U can give an answer;  I will a s k;  U  the ;  M A i N;  QUESTiON;  ..       " WHY DO U HAVE to; HOLD M E; OUTSiDE;  m y  H O M E.. "  ..
...but   l a t e  r; O N;   PASTORs  will  o v e r c o m e  this  protest  acting; ( NOT iN THE SOURCE;   A S I DiD; iN MY ROOM; by my ONE PAGE WRiTiNGs..)..... i t  become s;  a     m e d i u m  o f     ART   D O i n g..  ..(Grafiti a r t )..I can tell U ; at least; 40 art; making style ; and seven fundemantal  arts;  ..i  s   t h i s   N O T;;     a     "  SPRAYi n g  , o  f;  A R T s " ...(how can U fallow  r e a l  art ; acting s; -from other acts-.. "  ; in these;  S P R A Y i n g  ;  o f  art s..h a s  H a p p e n e d..)
MAY B E     I  H A V E;     t o,  " SPRAY    " M Y  S E L F "  ;   i n t o;  the  A i R (not on the wall s); to  b  e  able  to  o w n;       a   " U  T U R N ";  f r o m;  " this SPRAYing o f A R T s ";   -a situation ,that has b e e n,  M A D E   ; by  thePASORs o f ARTs..-  (this means I am, too; i n the TRACE; o f them, when I SPRAY  -M Y  WHOLE  S E L F-  ;  i n  the   dedication to;    t h e  S PRAY i n g..(spray o f  a  BODy; that has; made GOD; b y m e..M y  BODy..)
..then again   ,    I shall s a y;  m  y;  " S P R A Y i  g ";  M E;  i n  the  WORDs;  ,has a BODY; i n my  "ONE PAGE " Format; WRitings..  (and all sorts o f things ; I have been DOing i n DOORs.. under m y, " g l o b e " ..to i n s t a l l;  t h e ;  SYSTEM; o f a GOD;  -i n  m y  B O D y-.. )  (am I to b e a GOD..N  O;  i t is only to b e ;  SPRAYED;  o u t  ; i n the A i r;  ..o n l y..what DO; I get, with this SPRAYing M y self..I am loosing  (spraying) m y ; BODy i n t o  a i r..(here on artslant space;   a r e we writing on wall s..o r  are these words h e r e are s u s p e n d e d ; i n the A i r;  i n  these   f r e e ;  s p a c e s ; " i m a g i n a r y "..
I am the    " SPRAYing;  C A N ";  -ME,My BODy-   h e r e..  and I am s p r a y i n g  MY-SHELF; a s,  a PAiNT.. am I TOXic..  ..(Street Sprayers; USE; READY-MADE; SPRAY C A N s; in their pockets..and they are manifectured a s toXic;  Paints by the chemicial Factories; & when they a r e    u s e d;  they are affirmed i n  a r t ;    ; t  o  o..and this is an other spraying i n the   p r e s e n c e ;  o f a r  t   i n g..
(I am a chemical engineer; & I know what is t o x i c; or not..at least I did not worked in any of these factories..o r I am not in anything  that i s toxic to; l i f e..no alcohol, o r even; cigarette, o r woman work, e.c.t.  b  u  t,  there i s   a  ISSUE; o f  2 SEXes; MALE; and FEMALE..  and who does not Talk; anything about s e x; a r e ; m o r e toxic then; WHO "   c a n   "    ;  TALK O N SEX;    ; too..Whwn U  w r i t e ; any thing DAWN;  then i t i s ;  CLEAR;  & CLEANED ; even from it' s  ; OBJECT..so writing i s better than  e v e n saying o r Talking..)  (Listen to the " Talking H e a d s " ; o r;  b e t t e r;  h e a r;  the Group; " TALK TALK "..i n m u s i c..
   
" THE SPRAY; C A N; " of M i n e;  "    :ONE PAGE " FORMAT; W R i T i n g ..
S
O;  ;  this  might b  e;  " MY SPRAY CAN "  ..(that has been produced b y M e..)
( but there is a difference; ;  I do not put it     into my pocket;  -as street sprayers-    ;  I carry i t in my M i n d; ..but NO BODy C A R E s;  ,,the streeters; only LOOK; WHAT; -or WHO- put  something; i n their;  POCKETs;  4 free..b u t;  concrete;  O B J E C T;  mani fuc tured..not the ones melted in an   " original  "   ;  m i n d; of   the Bra i n.they think they have to u s e ; the BRAiN ; who got used to U S E; their Brain;  o n l y..)  
...Can U write; in this " ONE PAGE "  FORMAT; at least;  O N E; piece..or can U  SPRAY; U' r  B O D y;  a s  m u c h  a s ;  I  can..ART; is a b o u t  some ;   " UNLOST; QUANTiTies "..-and some qualities,as well..-  .

 WRiTE a WRiTiNG F i r s t..-to put U' r BODy; i n a CAN..-as a Whole thing-  ..then; SPRAY; i t; with the  ; inner prassure..  -t h a t; will;  l e a s t;  4 a long ; period o f  t i m e-  ..t  h  e   n;      this i s a geniune a c  t;   i n  L i f e ;  and   in ART;  ; then..
D  O;   not ;  B E;  " s c a t t  e r   E D "     ;    b y;  " O T H E R s " ;  o  f;   C O U R S E.. in the first hand.. i  n   D a i l y;  -NORMAL-   ;  l i f e ..
SCATTER  U' r self; O N C E; S O; I can pass i n t r o u g h;  YOU;  O N CE,,in the t i m e  & space..
( Quantity; i s important, to m a k e; the TExT;  " transparent; t o be, "  passable intrough " ..o r should;    I wait for a night   ;  o f s e x;    to pass intrough a BODY..that everyone does but never talk..o  n..)
  
 
I am n o t;"  S C A T T E R E D; "     S  O;   " M Y    RATs  "      ;  a r e ;  i  n   M E..s t i l l ....   (ALiVE)  ...  (Sprayed, b u t; still hanging o  n;  m y FACE..)  ..
...p.s. Don DeLillo' s COSMOPOLiS; film; has sprayed M e;  O U T.. then I must; " SPRAY; M Y  S E L F ";  ;   4  -BY- MYSELF;    TOO..

 

16 Ağustos 2012 Perşembe

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murat danis
Traditional  CONTEMPORARy;  :   to    the     ;    the M   O   D   E R N    ;                    M U L T i  -   C O N T E M P O RARy  ..

i f  U  have a  creative opinion..first U h a v e  to write  a  " thesis "..  o  n    the  p a p e r..(WHAT  U  A R E  THiNKiNG  o f...)
...then Y o u;  MODELize;  the  CONCEPT.. (mathematically..-i n   a n  equation-..)
....(.t h e n;  U have to know  that;  " T h i n k i n g  has MANY T h i n G s "  i  n;  i t..That means t h e r e is     ;    a " B R U S H " in  U' r  m i n d;     S O all these  THiNGs;     are m i x e d;     and  N E S T E D;     i  n   each  o t h e r..   (SO; thinking   is a creative ;   i ll u s iO N ..   -every object are nested    in the thinking-..)
  (SO THERE iS A   " B R U S H "   ;  i n  U ' r  BRAiN..)...    -when U THiNK..SOME  T H i N G- )

T O   C O N V E R T;  this    " BRUSH "   ;  to;   t   h  e   "  S P A T U L A "   :                 (AS A  CONTEMPORARiAN  A  C  T; )
U   M U S T;   F i n D;   READY-M A D E;  (still working and stabile OBJECTS..i n society  ; these can TALK; TRUE;        J U S T  L i k e  a " SPATULA "  CAN TALK;       -or  A C T-;        w h e n  i t is  i n  t h e  ;     PAiNT..)
...for e X ample;   i f  I will e x p r e s s;  a  state o f  " sleeping "  t h e n ;  t h e r e  will   b  e;     a     B E D;  presenting SOME THiNG; i n the  sleeping concept..T  h  e  n;  e x p r e s s i n g   I D E A;    with the  O B J E C T s        ( -OBJECTs should  a c t  L i k e  SPATULAs  t o  M O V E; i n the e x p r e s s i o n-  )   will not  b e;  B L U R R Y;    i t  will b e;    a  very cristal  C L E A R;  and  SiMPLE; & n e t;     s t a t e  o f;  e X p r e s s i ON..(that will b e related    - CALLing-    to ; the    logic and    the  R A T i O;     t o   behave      t o; solve     "    WHAT HAS B E E N  ;  TOLD;  "         T  h  e  r  e..)                               T H A N   T H i s;   P R O C E SS;   (the PROCESS OF;   p u t t i n g;      " SPATULA L i K E;   -working-  O B J E C T S; "  i  n;  will  b  e  ; described  a s ;  " t h e  CONTEMPORARY "  ..
SO;   M a k i n g  a  Concept; b e  ; CONTEMPORARY  A R T ;  has   a   mathematical  MODELisation..(arranging an equation where = ; p r o v i d e;  the c u r c u i t.. of thinking..on the work..)  T  h  i  s  ;  first  STATE;  determines  and defines;  the   b a s i C s..  S O;  THiS i s  a  TRADiTiONAL;  C O N T E M P O R A R y;      S    T    A    G     E..
4a     " CONTEMPORARy  A R T  ";  M A D E;   .....
    p i e c e..

h a n;    if   U  s a y;     JOB    CONTEMPRARy  M A K i N G;   h a s;    " f i n i s h e d ";   t  h  e  n    U  will;  M A K E; an   o t h e r;  O N E.  and  begin  a g a i n ;  to   t h e    P R O C E SS;    A   B   O   V  E..    but this will  b e  a  Tradition   -like a fashion-  ; to M A K E; Every thing;  CONTEMPORARY..SO CONTEPORARY   T H i N G S;   H   A   P  P    E   N;    around..  -as   a tradition;    or E R A  of  the  Contemporary  MADE;  T H i N G s..-
I
......TRADiTiONAL   C O N T E M P O RARY;  APPEARS;  TOTALLy     i  n   the   M i N D;   -inthe RATiO; they are realized-      o  f,   the  A R T i s t;        -i n mathematical BASES;-                (that is we can not  s e e;   t h e    S T E P s;   W  e  want to s e e; i n DOing..all  has been DONE by the RATiO; and  w e will   travel b a c t;  to  find out the d e e d s;  artist h a s  l i v e d;  t o   M A K E;   this  STATE..)


....i   f     SOMETHiNG;   i  s     a           "     C O N T E M P O R A R Y;     T    H    i   N    G;  "  
(they say artists has to MAKE t h e m  Contemporary; o r  if  w e ; find something  contemporary i n the N a t u r e; t h e n;  GOD must have acted; ARTiSTiC  , t h e r e..      SO GOD has b e e n artist;  t h e r e..)
...t h e n;  c a n   U   a c t;   O N  i T;        (ON A CONTEMPORARY THiNG)      STiLL.. (With U' r  M i n d; and RATio..-that means U put this contemporary thing i n U' r  M i n d;  and process i t by  U' r  RATiO-     ; with      ;O N T H E   OBJECTive  BASES;      O F    (that means provided b y the computer..)  the   C O M P U T E R..  
S  O;  WORKing O N  a  CONTEMPORARY  T H i N G;   w i l l   b e ;  ON   A        C  O   M P U T E R;   S O;  i t    c a n;   B  E;   M U L T i- CONTEMPORARY;   e  v  e  n    U                
    ;A D D;   U' r   S  O  U  L;  (a  very  BRUSHy   T H i N g)                            -and the things  from U' r  M i n d-  ,   d r e a m s   from  U' r   s l e e p i n g s;  or every kind o f thing that a r e   in  U;  that can b e called as  " flowing i n the   river o f     ;art   things..-
.....and  t h i s      can   b   e;   DEFiNED;  A S;   A R T;   D O i n g;  because every STEP;  i s  RECORDED;  O  N  the COMPUTER  M E D i U M.. -as images  M A D E..or WORKED..-   M O R E;  THAN  
TRADiTiONAL;        MAKiNG  ;  CONTEMPORARY;        A R T..

T h e r e   happens    ; a     " V A K U U M "   ;  or    a   " fatness"      -a    b a l l o o n-       ;   in      "  traditiONaLCONTEMPORARY A R T; o f   T O D A Y ' s "  ...  i  t   can   not  proceed  O N;       to       the  ; " M U L T i;  C O N T E M PORARY;"     ;   o r   it  can   not  G O;  B A C;  to   A  P   P   L   Y;      b a s i C s   o f;                " the CONTEMPORARY  M A K i N G "     to   the   PAiNTiNG;    that has b e e n  declared  a s ;  D E A D..(PAiNTiNG i s  DEAD;    ;by Post Moderns..)
S   O;  I   T H i N K;    " SPATULA "  O B J E C T;    i t self;  has to  B  E;  -or PUT -   i n   the   ;  PAiNTiNG;  to  MAKE  i t  SOULLESS;  first..(where brush u s e ; had carried painting to a silent death)..(SPATULA; can      -is  to-     MAKE  PAiNTiNG;  CONCEPTUAL; & CONTEMPORARily M A D E..)    T  h  e  n;  these;  PAiNTings  c a n;  b e;  Worked;   to the  " MULTi CONTEMPORARy  STATES;  T OO..(to A D D;  t h e  S  O  U  L;  T O  THEM;  too..)
BRUSH;  has  worked to  c h a n g e  PAiNTiNGS;  t o  ;  " PHOTOGRAPHs "  ...  NOWDAYS reverse is happening; WE TAKE PHOTOGRAPHS; o f  contemporary STAGE;   a r r a n g e d ;  OBJECTs  a s; b e ing..  CONTEMPORARY  A R T s.

I    A  M;     G L A D;  this  WORK; i s  CONTEMPORARY;  Ly  "   M  A  D  E  "..-and then photographed-..
i  f;  a  PAiNTer  h a s  had; painted  i  t;      - a s  a  Painting-;      ; h i s/her  S O U L;         -and senses or feelings-       ;  s h o l u l d   B E;      o n  -&in-      ;   i t..
(then I would' nt   put my soul, senses and feelings  PURELy  o n -or in-  i t..  and  my perceptions w o u l d n t  b e OPEN; than these  REAL OBJECTs, h e r e  ; CAN  O P E N;  my perceptions....)
...that  i  s;     i f  SOMETHiNg;  H A S  BEEN   M  A   D  E;  " CONTEMPORARY ";   (that is    ;" SPATULA- T E D "    ;  -by the OBJECTs ;    a s objects a r e multiSPATULAS-   ,
 t h e n;  O N T h e  COMPUTER  B A S E D; (edit programs has " imaginary " Spatulas, t o use; -like, cut, copy, paste, stretch, rotate, e.c.t-.)MEDiUM;  
  -when    ;going ON;    with t h e  W O R K;  with the SPATULAs to multi CONTEMPORARy  A C T s;-  
I  could;   a   d  d ;   m  y     S  O  U  L;  - my senses, m y feelings;-   a  s  I  wish;  and  there a r e  ; plenty o f  PLACE;    -ROOM-  f o r   m y;  FREE;  A D D s;  to the;  
REAL CONTEMPORARy;  T H i N G.-that can C  H  A  N   G   E    ;., t o o ...(that is still c l e a r, i n transparent computer medium..)( CONTEMPORARy  S T A T E;  i s  very  S O L i D..i n fact.. i t   has  been  STOPED;  A B S O L U T E L y;      -frozen i n ice-  and  can  ne v e r  b e ; CHANGED..and  shouldn't b e changed, i f  it is A b s o l u t e..     -but computer  and Spatula WORK can keep this  " absolute "  s t a t e;  alive,  even when changing the object..-



F i n a l l y;  there a r e 2  W A Y s;  to   G O;  4  the Traditional C O N T E M P O RARy..
1-  go B A C K   to BE;  AVANT-Garde;   to  the   PAiNTiNG  M E D i U M..  P U T; " SPATULA " ;  i n t o;  the Painting.  (.instead o f putting OBJECTs; into work o f ART;  a s they would act like  -or present- SPATULA..for thet will b e the CONTEMPORARy A R T..M A K i N G..)
2-  go AHEAD  -forward-;     to put contemporary  THiNG;     i n t o,  COMPUTER;  then  PUT  U' r  S E L F;  i n t o  that  thing;  and  WATCH;  h o w   D O E S;  this CONTEMPORARY; T H i N G  A C T;  with  U' r soul; and  LOOKfor;         A R T;  D E E D s;       i n  these  D Oings..
multi SPATULA ated;           in the absolute COMPUTER; M E D i U M..


o  r;  
" SPATULATED CONTEMPORARY OBJECTiVism  to
the       multiCONTEMPORARY..

15 Ağustos 2012 Çarşamba


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murat danis
FROM; "  the CONTEMPORARY  W O M A N ";    ;  B  a  c K    TO;   theM O D E R N    WOMAN..          -by the S P A T U L A  STROKEs  ; O  N  L  y..-

D O E S;   T H i S      " F E M A L E "   ;     H   A   S;                      A          "   M    A     L     E "   ..."
............L        E         T;     g o   ;   BACk t o;  MODERNism;   -with the TOOL o f     ; "  S P A T U L A  "-
.... g   i   v    e      ;       U      S;         the ,    a n s w e r..

 
" WOMAN  SiTTiNG O N;       E G G s.."
 
"    M A L E;        as an  ABSOLUTE  iNTERVAL K i N G.  ."
         
    " t h e   M A L E;     i n t e r v a l  i  n    ; the  Mitosis  division "
 
" WOMAN W i T H   ; t h e      DNA    K i N G  "
" FEMALE  FACE;  i n   DNA; MODERN "
"  H i D E- &- SEEK ;  4 DNA s "
 
                                                                       MODERN  WOMAN " FACE MASK "      ;  i   n   the   S e  X..
(Like MarYline MONROE; MODERN WOMAN F A C E)
....o f   course  ,I am  e x agger a t  i n g.