6 Aralık 2016 Salı

-2- STEPS - of - t h e - ART - MAKiNG ..

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MAKiNG - art 2. STEP ; :
- GLOBAL - FORMAT of -FiGURiNG :

NAME oF THE ; - ExAMPLE - PiCTURE : ,, is : ,

- " EGYPTiON ROMAN BLACK - WARiOR s . "          

         
 -  /( 7 11 2016 )
: ; 
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.. 2- STEP s - ,,
...   of -      - t h e - 
-   "  ART - - M A K i N G  "  :
.. __________________________________

1- STEP -1 :Loading the  E. KANT - Aesthetics - Aesthetic - Concept - - expressed - in -
-  the improvision . = DOiNG ART with PAiNT .


2- - STEP- 2 : " the -  " CRiTiC - 

-  of - the - PRACTiCAL - REASON " - 
- that has - Dropped -into the -
PAiNT - & Painting . = Global-Figuring -WiTH REASON ..

-with the RATiO - in -the - COMPUTER' s absolute volume . ..

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- how ı understand that  sentence .
" Kant’s Logic in the Critique of Practical Reason "

- due to Kant - Aesthetics - there has to be 2 steps in MAKiNG art .

1-  - Easthetic expression and DOing art with the Paint

2-   MAKiNG - Criticsm of the PRACTiCAL REASON that has Leaked in the PAiNT &Painting .


- so ART - Critic ing -  - is to be - " THE - HALF " , of the - ART - MAkİNG .
.. O.K . these - classical - Art - WORKs  .. where - can be - their - 2. STEP - of art Making ..  what are their - MADE - CRiTiC - ERA ..  . by some - reasonable - art critics , that only talk - or - write - something - on that art work

PAiNT a PAiNTiNG and then - give to someone that can - MAKE - the - REST of your - ART - MAKiNG , in advance and - additionally
.. now two - art - work - - in STEP 1 , and - step 2 ,, as examples

http://muratdanis.blogspot.com.tr/2016/11/blog-

http://muratdanis.blogspot.com.tr/2016/12/2-steps-of-t-h-e-art-making.html
..
..

/( - also - E. -KANT-has - PREDiCTED - THiS -would happen. )
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..
,,

- T h e - ART - of - 
the - - PAiNTiNG - PERFORMANCE -
-    in 2- steps ..   :

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1. STEP : LOADiNG - the - Aesthetics :



- improvised - EXPRESSiON  with - the - PAiNT :








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beginning - the - GLOBAL - ART - FiGURE - FRAMiNG . : with :









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ART Criticing has to be :
- framing - AND FORMATTiNG - the - PAiNTiNG - in a GLOBAL - Figuring ,, :
and  that - is ........................... :
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2. S T E P : .__________________


2 -    - "  t h e  - CRiTiC - to the - PRACTiCAL - OBJECTiVE - REASONiNG&  -
-  of the AESTHETiC EXPERiENCE  - " : ..................................................................

- - that is the TRUE - "  CRiTiC "  - of the - original painting -art work .
/( because it adds noting - to the art - work - itself ) ..
/( every art critic has to add some things and - come new thinkings to
the original art work .. but in that - case ; the CRiTiC has to only ,, cut -
turn, stretch , " mirror image " , and - PASTE , the original - painting image . )





























... WHO ARE THESE - " BLACK - WARiORs " ,, up in the picture above :
..
.. -  where did they come from - and - - to the EARTH ..
- into a - war - of the ancient - EGYPTiANs .. on the battle - field .
- and - does that - FiGURiNG - can - PROViDE - KNOWLEDGE ,
US - about - THEM ..
- WHAT - WERE - they ,
or - W H O -  --  --  - T H E Y  - -  W E R E .
,,
" KNOWLEDGE - is - important - and -
ART - HAS TO BE ABLE -
to - PRODUCE - KNOWLEDGE -
to U  S ,
- f r  o  m -  FAR - A - WAY - - OTHER - SiDE - REALMs -
-- and - from - unreachable - Distance ..
..
and - if some - thing - includes - KNOWLEDGE ,,
- then , it has to be - taken , as  "  a - KNOWLEDGE "  ..
,,
it is not important - where they - CAME ..
..
.. " KNOWLEDGE -is - KNOWLEDGE " ..
/( some will be - useful some will be - real .. ) ..
,, knowledge is identified as , :
it comes -* from - REAL- REALMs ,
 -  "  the OTHER - SiDE  " - ..
..





N O T E S : ..

.purpose of the aesthetics is " purpose " ,itself . you are to target/purpose- - to be able - pass -or WALK - -in to the - " OTHER-SiDE " , of the REAL . because only art can bring us the " knowledge of the REAL " / the - ABSOLUTE -OTHER-SiDE .. 

.. and all " KNOWLEDGE " , we know also are - from that - REAL-SiDE .. some are useful , some still we do not know where to use . /( but production of the knowledge has to go on .. so one day - they will begin to be addable and - will be useful - also , ) .. .. also -in Real worlds. if we can go there with our feet .. so in ARTs - - " REAL's - KNOWLEDGE " has to be - DONE - / and reached - - by - THE - HANDs of the HUMAN .. .. if we can create - LAND - of ART's ,, with our hands then we can create - also - - /&walk -on that - LAND - of - THE - " AREAs - of THE - R E A L " also , with - our FEET . . one day .


..BiLL - why can not you come to that: .political -LEFT - and - political RiGHT ; was a game - for people to play ,internationally - to learn , the " Mirror - image " , .. and - " mirror imaging in their - brains " - - also ,.. can you imagine " A - THiNG - " /or-ıSSUES ,, from LEFT - to the right , ; or - From RiGHT - to the Left - occur .

.. in Making - arts , /( not like - in POLitic acts - &tactics ..) we do not need to be - lost in the conversation - like in politics . . because nowadays we have -photo - EDiTiNG - programs in our computers and we can , take - " mirror - images " , and , that - includes , both , from RiGHT - to the LEFT - and - Left to the RiGHT . if WE HAVE A - USEFUL-THiNG - ofTHE" Abstarcted - art " .SO - we can - use , that ,, LEFT and RiGHT- images both in ART - FiGURiNG . then , no need to talk acts in the politics .
,,

IDEAL -CAPiTALiSM ; is Unique . it is to PRESENT-REAL-EXTENDED - VOLUMES /( and - SPACE -for -freeWiSDOM-USE- -also in)4US



































4 Aralık 2016 Pazar

- QUADROPHONiC AESTHETiC - L i N E s ..

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 "       N E W  - K A  N T  - i A N   "   -


-  QUADROPHONiC - ..........................................
 AESTHETiC - ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
-----   d e s  i  G     N    -   L i N E
,,  ;
-  W     O     R     K     s .


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note  :  click on the image - to ZOOM .                 ______________________________________



















































































































































































































































































































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Murat Oktay Danış 
Re : Stephan : " momentary integrated sensory occurance " .
/( as ı understand - this - in my - way ) 
- that might - be the beginning - point . 4 - the - aesthetic - to happen -in a line .
,,
- every - POiNT - on a - LiNE , /( aesthetic - including , a l i n e )
- every point in that - line - has to be - located -
- in " momentary integrated sensory occurance " .. style .
,,
- in a graphic of an - scientific - experiment -
- the - POiNTs -on a - " graphic - line " - are the acts - of the facts.
- that will happen with - " momentary integrated sensory occurance " - also ..
,,
- as - it will be - AESTHETiC - experience - 
- it might be the - experimentation of the - HUMAN . and - 
experience - of the human - thinking ,
and - also - with deeds - and - imagination at the - same - time .

-DEEDs - will bring - the - OBJECT - in art - design ,
and - imagination will locate -
- multi - - dimensions - of the T i m e - in - the SPACE - of the art .







Murat Oktay Danış
 - if aesthetic - is - a s c i e n c e , - or scientific - , 
,,
- when -" aesthetic - L i n e s " /( design - Lines of the ART)
- are to be driven -
- these lines - has to include - the - " human - experience " -
and - thinking , .. and - intelligence . under - graphicOF - design - -Lines .

- ı was very much - interested in - " physical - chemistry " -
- about - - the - the acts - &facts - of the -
" MATTER 's - - behavior s " - - - graphics
when ı was educating - - Chemical Engineering -

- and - ı thought - that - HUMAN - BEHAViOR - should be - put into -
the some - STYLE - " EXPERiMENT - of the - - - DEEDs - 
-of PHYSiCs - -&FORMs -of CHEMiSTRY - 
-in the SAME - LiNE "

- HUMAN - behavior - - L i n e s , of human - thinking 
that can - include -
both - physical -DEEDs - of Human , /( CONTENT of - ART ) 
and - the - LOGiC - or - WiSDOM - as the - 
- /( FORMs- of the - ART's . ) .
- also - in the - SAME - - " aesthetic - L i N E s ".






Murat Oktay Danış - so aesthetic - 
- and - AESTHETiC - LiNES : had to have , 
,,
- " the - experience - - of - the - ESTETiCiZED - HUMAN - Him - / herSELF " .
..
- driven - into graphical - lines - of the aesthetics -
.. asHUMAN - still is happening - as -
- the - drawing - of the - experience - and
the - drawing - L i n e - graphics of ,
- t h e - physical - DEEDs - and 
- WiSDOM - as - FORMs ,
at the - 
- SAME - TiME ,, 

when - - every artist has to - locate - install - 
the - " ACTUALLy - ACTiNG -HUMAN " -
- that - he/she -is experiencing , when - drawing - the - 
DESiGN - L i n e s - - also ..
,,
,,
SO - artist - has to open - Mind - DOORs , in THE - LiNES of the AESTHETiC's
simultaneously - - to the Human - experiencing - 
- also - " content - of the OBJECT - - of the - ART 's ,
and - the REAL .. FORM ,of the WiSDOM - - SiMULTANEOUSLY . 
,
/( that should be the TRUE - DUALiTY - - of the ARTs . )





Murat Oktay Danış - 
ARTiSTiC - - & " REAL - -ZERO - AESTHETiC - L i n e s " , :

- FiRST -ARTiST - has to - BE - A - " MACHiNE - - digital "
- while drawing - aesthetic - Lines ,
/( with - 1 & 0 , asONLY-dimensions )

,, or -
- " DRAW - REAL - MACHiNEs " , only.
- or
-will -become -a " MACHiNE - ROBOT "
- that - has to DRAW , the - LiNES -
- ofTHE
" MACHiNE - ZERO " aesthetical - L in e s .
..
WHAT ı Am - saying - is , :
- first - bend - drawing - lines - very very little
that -
- human - aesthetics - should not - leak - in ,,
/( only - - FORM - or Machine - - ZERO - aesthetics - - will be - drawn -
- or put into - the Lines - - by the - artist )

.. then - you can - begin - to bend - Lines - more ,
so that - human - body - and - acts thatAREhappening - at that - moment -
can - begin to - locate- - human-DEEDs- /( and - human -as an - object ) ,,

but - - " TOPiC - of - the - art 's " 
will have - to be add- in ART
- with - some -

-EXCESS -&EXTENTiON - -techniques



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