29 Şubat 2012 Çarşamba

20101104010236-dsc06033
murat danis
..T H E    M O O N   L A N D   ; A R T  " .   .... moon L i g h t;   on  ; -&i N-  ....
..........'subtle contrast'         - &       " C O N T O U R  s " -      .................


Thinking O N  Yin& YANG,  I t took m e ,  the SUN&    the MOON..
B a s i C   O B J E C T s;   at t h e   origin  o f  Y i n& Y a n g   may  b e ;   t h e s e   2.
SUN & MOON     together      b o t h      must h a v e taken r o l e;     o n  life occuring     o n earth..    Some o f   our talents     must have come    from sun, and some    must have been coming     from moon     i   n   us..      (tell  m e; which o n e represents moon on our bodies;Our  heads  o r our Pen is heads..-4 sometimes w e  think  ; p e n is centered-        ..although ratio says opposite..I always like to write " p e n  is " because, I write my writings o n paper, not o n people.)
............d o e s   moon l i g h t  romantism  i n c l  u d e basiCs o  f   W i s d o m,  that w e do not want t o  O b e y     4 w e  are in the A r e a  of  LOVE of t h e S U N.(When we are in l o v e  with some other woman  -other than our w i f e s-  i t  is a trip to MOON     -in the shade o f moon light      oriented     W i s d o m talks there-  from the land o f  SUN' s..
,,,,,,I n d i v i d u a l can  not   produce  SUN;SYSTEM;       all b y himself     i f not a n ARTist..   so h e i s  at the moon with his romantism &MOON LiGHT oriented  W i s D O M..(then w e must say, i f ART i s  a individual ME thing,  t h e n  there must b e  RATiO & Wisdom, i n ART WORK..S  O;   Alan,    these   'subtle contrasts' ;  may  b e;    PUTTiNG;  W i S D O M;   or  MOON;  into  ART WORK..   so if art is made by an individual then it m u s t  " had to h a v e "  WiSDOM  i n  it,   so i t  can  carry   sUN to the MOON;   o r  socialism to CAPiTALism WORLD..
SUN h a s socialism  VALUEs,   a n d ;    MOON  H a s capitalism   VALUES..SUN L i g h t    4 creativeness  & MOON   l i g h t    4  W i s d o m....SUN    for ART;      MOON    for  picturing.     .SUN 4  tradition, &  MOON    4  MODERN.  e. c .t.
    
These i  s     a    " c o n t o u r ED "  paint i n g...  -Occured i n SUNLight    -in the D O i n G s o f A R T  W O R K-  ,,  b u t I found that they w e r e from the MOON the L a n D   o f  RATiO  & W i S D O M-... (so I puLL t h e m  to  t h e SUR FACE..)
(T h i s  M e a n s    , I  PUT  M y RATio;   -or WiSDOM-     O N    -or i n -    the painting  to  " D E S C R i B E "   SOME  T H i n g...)   that means I  w a s  in the control o f  MOON;    -a t  that  t i m e-    ,  and what was made from the LOVE o f  S U N;  -PURE ART DOings-     w a s not,  telling  M u c h  to   the     n e e d s of  my  RATiO;     so  art c o u l d not make;  m e   W i S E;     -as  I needed to be at that t i m -       ;   S O  I  put these       " contours "      o f my M i n d 's;-or RATiO' s-     to  CARRY;       the SUN L a n d   to  T H E  MOON   L A N D..(this is convinient because, moon light is provided from sun light too..)
... b u t   this kind   o f   " C O N T O U R i n g ",     i s   MODERN ,        b u t , not   " O r i g i n  A L" ..
because,,  RATiO  -or M i n d-  ;  o f individual' s      has t o  be; "  i n s t a l l e d ";  - untouched-     ;  i n TO;  the  P A i N T   ing..  
THAT  M E A N s;   WE  MUST;  be A B L E  to   P u t   the MOON;       i n t o   the S U N...(Wisdom  -Land-MUST  O C C U R  TOO;       i n t h e   SUN  L i k e; occurings;  o f  A RT   DO in g s...    -to b e UNiC-   ...)

....h e r e ;        t h e r e   are      " W i S D O M carry i n g  i M A G E S ";      , are B e i n g  BORN;      i n the PAiNT;  a s    N A T U R A LLy OCCURiNG..o r b  e  ing.   .(NO ADDİtiONAL  C O N T O U R s; afterwards..)
SO;  U N i C  N a t u r e ;   o f  A R T;         c a n  ;    "  B E "..       - i n  the     ART WoRK..-
..to    " B E "    ; is  a  "  Wisdom L a n d WORD ";  t o    M  e..    (that can b e  only ON  ; -the MODERNity o f-    theMOON L A N D..)
.........b u t  there is  a " secondary " i s s u e   here,  t h a t   has importance...
......PUTTing; D A R K;  -black-  L i n e s ,  a s CONTOURS;  or 'subtle contrasts'   can add       MOON; W i s d o m, or RATiO      to what ART offers; ...(That i s obvioUS; i f   w e  need to g e t  RATiO -or romantism- from A R T WORK..)
....b u t   Adding  , Black L i n e s;        -these L i n e s    can be    adding DARKness; o r the dark side; to complate t h e  t h i n G..-   means,  adding smething  to  a m e a l  , that is  already   COOK e d ..  -U might  s a y,  i t  w a s  part of the thing, or when there is not darkness w e can not say there is  L i g h t,  t h e r although  w e seem to think it must have been light to o u r  eyes..-   I  WOULD A G R E E...   b u t,  I would take the chance o f  ;  " ADDiNG  NOTHNG " to A R T;  " CUT &ASTE "  could  T A K E  P A R T;   a d d i t i O N ALLy...
.....W h e n  U    " C U T "       ;;  a piece  from ART WORK,   and  PASTE it  ON The ART Work; That could B E  N A M E D  as,  SUN L i g h t s,   CHANGing  PLACE      .".Changing  PLAC E"  should be " d e s c r i b e d ";   as  " SHADOWs o f MOON O N T h e S U N "..   can that happen i n fact.. b u t  OU M i n D s;  or RATiO  c a n   a c h i V e      t h i s...
(THAT puts MOON LAND i n the  CREATiON  P O T -of S U N s-..  " OTHERLANDS M A Y  B E;  creatE D   O N  the MOON; W O R L D S,  may   B   E..)   ( MOON i s;  an A T O M   T O T E M;   H a n g i n g  in the A i r  Above U S......no creation of N a t u r e of GOD' s, occur   t h e r e;   b u t  by  a d d i n g  ; CUT& PASTE  (- minus   things )   could m a k e  a   creation F i e l d;   o n   the MOON;   - or  SAY  O N  M A R S::-   .... 
" the nature o f OTHER WORLDS "     i s i n ATOMiC L A N D  i n F a c t..S  O   ART  o f  SU N ' s,,   c a n   b e   reversed  ;  to   ATOMiC;  W O R L D; N A T UR E;   that L i f e on atomic L a n d s,  can  b e  PUT i n ART;  instead o f;  B E i n g PUT into worlD;  - a s   M U S L i M s-  -are the MOON Peple ON E a r t h..-...
CUT& PASTE;  needs  M i n D   or RATiO and the atmosphare o f W i s d o m;(&machine o f computer)   to  make the  MOVES of AREAS; only,       b u t RATiO shouldn't  add, anything additionAL..-it might  erase something instead..-
....my w i s h  , is,  these  CUT& PASTE;  process  t o TAKE PLACE;  i n  the COMPUTER then delivered to Nations 4 their TransFORMation;        -a s  ART of OTHER WORLDs-    ..   a s   an ART i s t..  but what I do in computer with m y RATiO -CUT& PASTE-    is taking place a s   w a r    actions         o n t h e WORLD  A R E A; ..OTHER WORLS  WALKing  on the L A N D  of  E A R T H 's...
S o m e   other worLD;  A R T s,,  that would  b e  on EARTH  a s  ART WORK  -not WAR WORK-
I
I
THESE ARE     2;to    "  B E   "      ExHibitED;   O  n  the  MOON;       b e c a USE   ,      the L i g h t;    ON    -& iN-          them  A R E;        M  O  O  N   L i g h T..(as LOUis ARMSTRONG;  says a s   MOON R i v e r..)
          
 TALiBAN  OTOBAHn- 
..
  POWERed  F A C E  s                                                               


..there i s a SECULAR ism  betweeN;  " STATE  & RELiGi  O N.."
S   O        D   O   E  S;    A R T    " H  A  S    TO;2    H   A   V    E ";   if  i  t   s H o u LD   B E    T O L D   as   a    " STATE ",,  PROPERTy..  (of  A R T    of   STATE;   or STATE of ARTs..)    ART HAS TO  B  E;  CREATED  O N    M O O N;   -orsay M A R S &VEN U S-  then     transPORTED    - from  t h e r e-         to   E A R T H...    so ideolog makings of worlds are not  A R T;  because there is NO I d e OLOGy O n  the M O O N;  onlY the L i g h t   o f W i s d o m ;  and  the LOGiCAL  R A T i O;  A C T i n g..o n  ..-the M O O N-..

26 Şubat 2012 Pazar

W h e r e are, " iMPROVisations" o f these; ARCHitect B u i l d; ART M A S T E R s..

20101104010236-dsc06033
murat danis
....Y i n& YanG   ,  t h e  w a y   of   N A T U R E;      ;o c c u r    i  n g...
T h e  Philosopher S P i N O Z A' s  philosoph y, w a s  based o n;  F a r  e a s t 's , ART   o f  L i v i n g..( go to the roots o f   the  n a t u r e..)
S  O   does  A R T;  h a s   a  N a t u r e..that w e c a n   S a y;     "  W O R L D  of  A R T.."..  Other wise w e should say;   "  ART -of-   W O R L D' s.."  (or ART WORLD)  o  f       A  R   C  H i t e c ts..
Yin& Yang, then , t h e n  ; male &female  t h e n;     i m p r e s s i O N  &eXpressiO N;   e.c.t.  .these are nature's  e l e m e n t s..b u t  ;   va g i n a  &P e n is; man &woman   ;   IMPRESSiON  i s M,  eX P R E SSiON i s M;   o r  ALL  " i s M    s "  are the ProJect  o f  ARCHiTECTs..I t is different;  i f  Y o u  say  MODERN;  -as a nature-  or;  M O D E R N  i s M   -as a methot o f  ARChitects..-
S  o  there is; a  differance between;  yin&Yang o f     Nature  to create      ,   &  M a c h i n e s   of  ARChitectural M i n d s;  with opposites to obscure..F i n e  ARTs;  and  A r c h i t e c t u r e ;  are  slightly  d i f f e r e n t;   & they may be slightly different &opposite  ;to kill t h e other..If something  i s  WRiGHT;  i n  Geniune A R T;  t h e n   these  t w o;  have to  b e  friends..one  a f t e r     , the O T H  e r..
I f  U have i m p r e s s i o n s;-or eXpressions  ;    - that U are living-     ;     t h a n;    U can   p u t  them  i n ART DOings; as t h e y L  i  v  e    a      L i f e.      .-o f course ART DOing with Material will change them,  -affact them-  a   l i t t l e  then there occures the nature o f o b j e c t  occuring     ..SO       "  ART R i v e r, "     OCCURES  parallel to   "   L i F E  R i v e r.."     ..T h i s  is      un t o u c h e d  N A T U R E;   o  f   F i N E    A R T s..  - o r the OBJECt-  .......( SO i m p r o v i s a t i o n   is vital, for  F i n e ARTs..n a t u r e   t o  o c c u r..)(i m p r o v i s a t i o n  is SO  f a s t;  than  ARChitect's MACHiNE;  c a n    not,  L E A K  i n;      the u n i c &primitive &wild  n a t u r e  of  the   ART river..
W  h  e  r e   are,  " iMPROVisations"  o f  these;  ARCHitect  B u i l d;  ART M A S T E R s..  W h e r e is,  t h e i R;  N a t u r e of; true impressions &eXpressions,  i  n    -at-     the  S a m e  W O R K...ALL w e have i s ARCHitecturalLy  PLANED; and PROCESSED; A R T WORK  BUiLDi n G s...    Where  i  s  the  T R U E  NATURE;  W i d e r       -& WiLD er-    than L i f e;  t h a t  will b e running  i n the  B E D of  ART..R i V E R... ( if this ART River o f W i l D  nature e X i s t s;  then   R i v e r of L i F E  will OCCUR;  W i L D.      .-REAL L i f e;  o f  ARCHitects..- )
S  O;  I will;  s a y;  where are U' r;  " i m p r o V i s a t i O N s "  that  h a s both  impressions &e X pressiO N s;   -if U are a HUMAN than U' r nature has to have them b o t h; just like ; nature having  ;yin&Yang;-  to  an  ARTist,  i n ART World..
...but I can understand; ARCHitectS o f Western C i v i l i s a t i o n s;  t  o  o..  T  h e r e  many  t h i N G s;  that has to b e  p u t  A P A R t..(W e  are  mainLy  M A D E  of  ATOMs;  and  t h e y  are A PART;  an  " indiviDUALs"..if U can not separate;  ReliGiON &STATE;  or ReLiGiON &A R T;   then,  U can N O T  REACH;   " STATE "    that i s in A R T....that  i s,  if U put STATE i n A R Ts  then,  U won' t  need  STATE BUiLDiNGs  a s  U are   ;buiLding  STATEs..  or can U S i M P L iFy;    -shorten-   STATE CONCEPT; w h e n U are U n i t e d  States;  U.S.of America.)                                                                                                                                                                                                      N a t u r e  has a SyMeTRy;  d u e  to yin& YanG;      and  everything is Located d u e to this r u l e in our nature ..    t o o ..ART MAKing; i s  with matter,mass, material;       b u t  human becomes >Material  t o L e a d e r s  -as they are ARTists-    of  IDEOLOGies..to give shape to,  h u m a n..   if U have t a l e n t,     then give shape t o M a t e r i a l Matter; f i r s t;       t h e n  ART will F i l t e r;  natural Occurings      to i n F o r m      ,  m a  n...
THESE ALL S A Y;  ART M u s t  have  a N a t u r e -nature o g being Human   -both, impressive& eXpressive-;  f l o w i n g;  a s  " i m PRO V i s a t i ONs "..."  PER FORM A N C E  ART "  inCludeS; everyThiNg that has to b e,  i  n ART  D O ing &Making; simultaneously, as an  ACT..           i m p r o w i s e d ,          then C h a n g e d,         then  ;    trans F iguraTiON  ED..   There are PERFORMANS ARTists; i n the first hand;  o  f  ART ARcHitecture makers   -creators-  ...  S  O  where  a r e  PAiNTiNG; P  e r FORM a n c e  ARTists..  Similar to that,  there  a r e   " i n s t a l l a t i o n " ARTists AROUND;  b u t   N o  BODY  T a l k s,  t h a t;   a PAiNTER has to b e  a " installation M a k e r " into  PAiNT..    because  p a i n t i n g  could not a c h i v e  this step;  ARCHitectS; TOOK  THE  J O B;  to  M A K E;  " installation " A     A R T..   and INSTALLATion  MAKiNG  ARTiSTs..  t h e y  produced..       -a  w a y   from       the   N a t u r e of  ART-...
W E S T E R N  C i v i l i s a t i ON;  has a    " m i s s i ON "   of,  PUTTinG  every tHinG  APART..Money d e f i n e s; this APART fielD.M O N E Y   itself n e e d s  this MAKiNG APART Process..Money has to b e APRT o f  NEEDS o f Human L i f e..I would prefer a semi-social capitalism, this is,  bring m y  needs  to my door, without m e paying 4 them with t h e  Money..t h e n  give M e Money  to BUiLD a s an ARCHitect..S u r v i v a l  voudn' t  be  b o u n d  with  M O N E Y   CONCEPT..(MONEY must be clean apart , from instincts.. but totally in the area o f  RATiO..)
E  a  s  t;   nests  e v e r y thiNg  i n..-opposite to puting every thing  apart-..  but this n e s t ing will b e  s i m P L e;   to a basic sYmetRy, at  t h e  EAST o f EAST..(what was E a s t of EADEN)..    N a t u r e  of   NATURE    is   PURE;  (ATOMiC MATTER)     and so does L i f e (east of east)  i s;  then  i t may  be  APART;   A w a y   from  e v e r y  thing  as well..     S O Aparting Process       is  LOGiCaL..
W h a t   s h o u l D   W E;  SEEK,   i n  DOing or having ART,..West o f WEST; being F o r m e d by;  A R C H i teCts...FEELing     -the MATTER FORMed  i n N a t u r e-       i s Western..       and THiNKing  i s EASTERn..SyMphony ORChestras; a r e east o f the e a s t  in the WEST..Classical M u s i C of west creation  a i m s  to  H A V E;   the E A S T  of  T H E  E A S T..West of the west is THECNOLogy, then,  a l l   H  u m a n  and  b e ing     has b e e n   SURROUNDED.   .U    e i t h e r , be able to B E;     at the e a s t of  EAST;  or be with ThecNOLogy       to be at     the WEST of the west..         b e   B O T h;  if U are  ; INDiVi D U A L..   ART Should;  reach these  B O R D E R s, too..     4 individualS... Artist has to BE 4 MAN..Writer, painter, dancer ,sound maker.. t h e n; U can reach -eXpand- to these B o r d e rs.(everyONE ,people  makes, -does- many    miXed things..ART Doings, a r e saparate -APART- D O ings,  to  D O  much  MORE; geniunely DOings.)
S  O;  i m p r o v i s a t i o nS;  i  n  every  ART  f i e l d;      with the parts o f ATOM; (Lifht of colors, SOUND, DANCE of an orbital, MASS,,e.c.t.)  is essencila t o  produce,  A R T  R i v e r 's  N A T U R E;  where w e can find; East o f E a s t; & West o f WEST  Both..
I  n e v e r;  resist     to the    mission o f the  w e s t..     S o  I am,  p u t APART from  " PUBLiC  IDEOLOgy ";  -apply ers  of    " APART i s m  "..-        ..      I  have to say ;      " W h a t  they did w a s  R İ G H T "...at the WEST of t h e West.        .M  y  J o b  should  b e ;         try to  r e a c h;       to the E A S T  of  the EAST;       with  m y  DOings     i n ART  not in PUBLic or IDEOLOGy  area..          because; L i k e   Yin& YanG;        they  should  n e  e d;     e a s t  of  t h e  e a s t;         O N E  D A y...      GOD  ONLy  OCCURES;  i n betWeen these     2   p e a k  s..  H i b r i d s;  are not  to b e; ARABESQUE;  b u t,      GOD should  P U T  them A P A R T     too  ...a s    ,HOBBiTS; or ELFs , or e.c.t.    of TOLKiENs..   (GOD i s walk i n through t h e  MOVies;  o  r  F i l ms..o r       i m a g e s        a s being    i n     ADVERTising WORLD ..
S   O   EVERY  T H i N G    i s  " R i G H T ";  -at the R i g h t -   NOWADAYs i n ART  WORLD  too..E v e r y thing i s W e s t; b u t  is C h i n a  coming from  t h e  E A S T...   b u  t   they  w e r e  under the COMin ism REGime;  and t h e y  must have been  " smashed "  ;-or crushed-..I  g u e s s..and they will b e put in capitalism imidiately,  s  o,  e a s t  of  e a s t  procect,  will b e  missed i n that h u rr y..L e f t & R i G H T;  Ideology   proce s s  ; c a n  b e  presented i n A R T;    a s Miror İ m a g e s;  so  ; there will not b e LEFT Politics..AROUND..   so   l e t   s a Y;     Everything i s  RiGHT i n W O R L D...(Just L i k e Rick has said..)THERe is NO ART WORLD;  then,  w h e r e  is                   A R T s   N A T U R E   as,  a paralel l a y e r         of    -to-       the     N   a   t   u   r     e.
W  h  e  n  it  is N a t u r a l;    i t  O c c u r es;  with  C i r c l e s  Combined..(just like the  spiral o f DNA) (SO  sound is more natural than l i g h t..) ( S o, J.PollocK' s  dripping c i r c l e s  are acting like sound  o r  more natural..they a r e   to the ATOMic ORBiTAL M o v e ments..)
t h e n  A few ExAMPles
 
T  h  i  s     iS;        "  i m p r o v i s a t i ON;   AT  O N C E  "        ;to  the N a t u r e   of  ART..(All occur i n cycles;  )
as  a habit o f  m i n e ;  see  t h e  4 S i d e s;  t h e n

N a t u r e;   just L i k e Nature o f L i f  e;     i s  ABSTRACT;  H  i D i n G  itself;    (as nature of FEMALE Hides, too)
SO  w e  are  to   GO;  F r o M;  this CONTENT of ART' s N a t u r e to;  the R E A L;     "  F   O   R  M  "...ation..
T hen  W E   C A N;  h a v e;  these,,







I   w a s   TO;   B E   a   Mathmatic i A N    ;  o r   a     G E O M E T ry     GENi U S;                to  DRAW  a  Picture;   with these ExTREMLy COMPL E X; L i N E S..          to   F i G U R E;   S O C i A L;     i SSUEs;   with  this  H i g h Quality  o f          F O R M ATiON...in  A R Ts...
........but, computer M A C H i n e;      gives m e the opportunity;     t o;  BECOME;  " to h a v e been DRAW N "      these,      CompleX L i n e s..   only by      basic     ;   cut & PASTEs..
...because,  t h e s e  L i n e s  could b e Obteined;  from the nature o f improvised ART  ONLy ;  then  we can say,      t h e y  w e r e  there        i n the ABSTRACT i O N... o f improvisation...
....OR;  A R T  F i e l d    ; WAS  to  H i R E;     a   GEOMETRy  G E N i US;   4 this  socialy bounded L i n e s to;  OCCUR..( and this should  JUMP the  P r i c e s  o f  art selling  ..)
SO  CONTAMPORARY;(Using basic  Machine; to READy -MADEs)       i s   a PASSAGE;  between; NATURE;             and  The R E A L  of   MATHEMATiCs..
SO                           ;ART NATURE   & CONTEMPORARy                          are               Y i N&YanG    too,          i n this Process..of            ARTs..O N L y..
SO  ART i s  NOT;  M A D E;      -or created-      i n  the Machines o r Mathmatics;  b u t    B a s i c,;  Mechanic a c t    w a s  enough  t o  transFORM;         arts nature t o          the  FORM  o f ART' s..
" UN  t o u c h e d;"     N a t u r e  of  ART;          improvised  at ONCE  ;       Proceeds ON i n CON T E M P O  rary.  PROBLEM i s;    -that is " NOT WRiGHT" ;-  contemporary o f   " CONTEMPO rariANs  " changes  the w a y  n a t u r e   , b e have s..

24 Şubat 2012 Cuma

PASTE is to M O V E; the A B S O L U T E V o L U M e

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murat danis
" to touch continuously is to love continuously or have compassion continuously, to care continuously, etc. Make your touch to the world a positive touch."
" Reach out to the world "..or a simple 'Hello!'
These
  s  a  y   M e;   W   H   A   T         S P O R T;   i s         aLL   A B O U T...(Like some made J a z z after classical music..i t  gives U a s i m p l e   SMYle..)
....when come to digital ARTs  S i l a n c e;   and  A B S O L U T E; VOLUME -space-    M O V E s;
I say t h e r e is,  2 S i d e s  o f   t h e MOON..
o r;   2 different, F i e l d s,  ON  E A R T h..( or two sectiONs i n US too;    B O D Y  &BRA i N..Socialism &Capitalism, e.c.t.)
WHEN A R T;  it is the s a m e , I  think..
1-  Socialist WAY o f   D O i n G    art;    : is to use;LABOR    ;  U' r  HAND..(Paint i s a HAND too..U touch every thing then every thing becomes U' r H a n d.. & there is  creative mind forces ,this is to b e clever..)
2- Capitalist W A Y;of MAKinG   A R T;    :    to   U S E;   O N L Y;   your W i s d o m   &  RATiO...(no hands no paint no canvas ,no lines to d r a w e.c.t.)   that m e a n s;  G O  Around some thing ,do not try to pass i n t h r o u g h  i T.   -.when i t becomes an Obstacle..-  T H i S    i S;  M o v e  the A B S O L U T E  SPACE instead o f  moving t h e  O b j e c t, with U' r  Hand..  change U'r place, instead o f trying to change a thinG..

so, U need,  t w o  steps,   w h e n   DOing, & Making   A R T..
U are to be a person o f  b e l i e f;(be with GOD)   & b e in Sports; -o r dance-  (be with U 'r  BODY    -of GOD's- & U' r '  s..);  D  O  the   L A B O R...first.. (ART must b e B A S E d  on, our creatiON -that has occured i n millions o f years &still going ON)
...t h e n  O N;  t h e s e;  L a b o r  WORKs;  U  can  L  e  t;   y o u r   BRAiN, -U' r RATiO-  proceSS O N..important t h i n G   i s;  DO not M i X;     t h e s e   TWO  A  C  T s..  DO not put U' r RATiO; i n your L a b o r  -or H a n d-..  so art labour i s  a b s t r a c t;  i n    f a c t;        -&not R E A L    to  the E Y E S..-  t h i s  step  I  say,  i s   for  T h e   E A R;   to   S E E ..    ( Jackson PolloCks drippings are like a  e a r  hearing  circles o f the  sound..so abstraction d u e to hearing i s   a b s t r a v t   to  the E Y E s..)
W  h  e  n   it comes   t o   the   W i S D O M   A C T  AREA;  (the MOVE of ABSOLUT SPACE)  U shouldn' t  put any color,any l i n e,  anything that w i l l  be   t o u c h i n g..T h i s  AREA  i s  ; " non T O U C H " a r e a.    ( U  can cut and paste,  t u r n,    o  r   " strech "   but,  do  not  a d d   anything   N e w -or additiONAL-   to   t h e  N a t u r e of LABOR; o r  " N A T U R E   Created "  i n belief a r e a   of  socialism o r religion o r s p o r tS...)
s  o  both;  Socialism;  & Capitalism;   h   a  s;  brilliant,  V a l u e s,   to  be  produced..(both body & brain)     .........(both     body & machine)  ...
... b    u   t;   PRObLEM   i   s;       " D O  not, M i X;  them".. e v i l   OCCUREs  , if U miX t h e s e  two AREAs and  CLASS  o f  V A L U e s..
an e X AMPLE;
...there a r e ;   N O;  L i n e s , d r i W e n;   ON   t h i s  P a i n t i n g; (it is all i n A S L i D E of a SPATULA).. all o c c u r  e d;  a s there  w e r e  L i n e s     -made b y  HAND..-
.......... b   u   t;  t h e n,  I   s h o u l D;  a d d,  " CONTOUR "  -L i n e s-  on this painting to magniFy, -strenghten-  the REALity o f  these  s u r r e a l  image s.  using My RATiO;  an give ABSOLUTE Space;     -&perspective o f course-   to   the painting 4 it' s RATiO -or capitalist -  V A L U E S  to  b e ;    hightenED...
... i f  I  MAKE;  t h i s,,  then  there o c c u r e s,  the HiBRiD;  positiON..and  l a b o r of HAND;  i t 's  SURREAL  V A L U E S  will b e E R A S E d..(these surreal V a l u e s; m a k e  the painting B E;  with  " 4 S i d e s ";    U can s e e, 4 other paintigs i f U turn the HAND made C A N V A S; automatically..H i b r i t;  kills t h i s  ABLE  i t y..
........ i   n  s   t  e  A  D;   we go t o the  M  a  c   h  i  N  E; -computer-   to  draw  with  tha  K N i F E  o f  ;   CUT&  P A S T E...the l i n e s  of  W i s d o m;  -&RatiO-  i  s   invisable  &  U  n    T O U C H E D....(U only  U S E;  MOViNg  o f  SPACEs       i n  ABSOLUTE..   SO  this  c a n  be  a    " reverse  a b s t r a c t i ON "..            -to the  a r e  a    o f ART' s.. o r passage  t o  " OTHERWORLDs..-   )

T h i  s   i   S;     L i k e   some O N E  h a s;  
D r i w e n   the " L  i n e s   "  &then;     P a i n t e d   ,, iT....
......but  i t  i s  eXactLy  t h e OPPOs i t e;  W A Y;
i  t  has  O C C U R E D....  w i s d o m  -or RATiO- has M A D E; i t
....U  N   T O U C H E D   by   H A N D...
to  " C U T "   ; is not drawing  a  l i n e,  w i t h  U' r HAND;  I suppose...PASTE is to  M O V E;            the   A B S O L U T E      V  o L  U M e....

to F E E L ; U must; T O U C H, continuousLy

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A l a n,    S O  w e      GO   O  N;       "     e   X    P      a        n    D   i n g,   "         ; the    C O N C E P t..
...to  F   E    E     L         ;  U   must;           T O U C H,    continuousLy,,  .....-  and then to t o u c h  to a painting, -while creating- is not to touch i t every day 4 a   few strokes..-  "  SO how can  W e    MAKE a S i t u a t i O N;        ;   "       to  T O U C H  continuO U S L y  "..
..M y  WAY;  to  e s t a b l i s h,  this  s i t u a t i o n;  is  to  USE a   " SPAN-W i d e"  SPATULA..  (a span of a H a n d is  an element of   B O D y..) ..   i f  U   DRAW;  -with the pencil-  then thinking   b e g i n s,      - which W a y ;  to  G O,  o r  H o W ,,-...  b  u  t  with  a  SPATULA;  your drawing i s  highly  bloc k e d;  -or p r o h i b i ed-    (J.POLLOCK has begun dripping the paint, 4 the s a m e  reason,, h e did not want to d r a w  with his  H a n d..
p.s.  1-  ... becaUSE I play basketball, m y  s p a n  always "   t o u c h es "      ; the BALL -OBJECT- and L e a d s;    -or comands-  it..   SO W h e n it comes to P a i n t i n g,  instead o f  the B a  l l;  there   is  a  SPATULA;  to  present;  m y  S P A N;    O  N  the P A i N T. 
2- I  write m y "  w r i t i n g s "   with    m y  H A N d...      that  m e a n s;   I  have     " e n L a r g e d "; - eXpanded-  " M Y   D r a W i n g  I D E A S "   ;  -or my thinkings o f D r a w i n g-  with  t  h  e   drawing of  A l pha b e t h   L E T T E R s,  alREADy...  t  h   i  s    i   s;  I  am  READY  4 the second  S T  E P;    o  f      e X p an d i n g;  m y    "  thinkings o f  Drawings "  ;  w h i L e    U S i N g;   SPATULA; i n s t e a d   of  USiNG  A L P H A b e t h;   t h i s   T i M E...
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S  O;      I  P o u r,,           -instead o f PolloCk' s    dripping the painT-       PAiNT;       -all the colors that will constitute the painting-    TOTALLy,   o n  t h e  CANVAS..    - or T u v a l-...  then,   S P A T U L A;   T O U C H E s  all  t h e P a i n t;      -or let' s say;  spatula touches to the whole painting at the same time-       ;
....S  O      ;  FEEL  A L L  the Painting,      all t h e C o l o r s,       all the  figures, or L i n e s   - that are constituting the picture-  ...  i f   U  can  T O U C H;   all the painting,        t h e n;     U ' r    thinkinG         shall   O C C U R    simultaneousLy;        witH i N; the ACT of SpatuLa..(U' r  thinking  shouldn' t comand  the paint  b e c a u s e;  U 'r  thinking      h a s Commanded    ,  to  U 'r  " W r i t i n g s " ALready.       -or U'2 r thinkinG has been;  A B S T R A C T E D;   i n  TO;      the " Spatula of ALPHA b e t H ";    alREADy-
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W h e n     I  begin to      P a i n t;SESSi O N              -with  a       span-wide   s p a t u L a-        then , " I  h a v e   A   B L i N D   E   Y   E  ";       -thisBlind e y e    i s " SPATULA.."  -   so,  I c a n  not  s e e;         the  " things"  o r  O B J E C t s         -that are in M E; my BODY-        i  n  T h e paintings,   -o  r   P a i nt   - (because I did not M A K E them, b y the m e a n s  o  f  MY  thinkiNgs..);     T    h   e    r  e    OCCURes  a n O T H E R;  P O S S i B L E  itY;   OBJECT c a n  T U R N;  i n the painting;       - with parallel  to   the +4 SiDES of  theCANVAS-  that  m e a n s   i f  U  A V O i d  U' r   s e l f;  f r o m  thinking;  t h e n;   R A T i O  begins  t o  T A K E    P L A C E;   to d e v i d e Object    i n t o 4 V i s i O N s....   -+4Sides of Object can OCCUR.-.  M O D E R N    A C T....RATiO begins the J O B; directly i f U avoid  T H i N K i n g....
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I  f   U;  begin A B S T R A C t  i  n g;   do not  STUCK  i nthe  step 1 or  2;   - U  shouldn' t  STUCK-    ...(i f U stuck i n first steps then, U go to Idealism; " thinking o f   thinking "..   S  O  there  i s  M O D E R N;  to proceed   O  N...  to USE RatiO;  to devide  T h i n g or OBJECT; i n t o,      "  +4 S i D E S  ABSTRACTed.."
H O  W   Do  you;   LOC A T E;  " S C i E N C E "   i n  A R T...  (MARx ism; says,,abstract & concr e t e; are to stay very  c l o s e..to eX a m i n e  if abstrACT;      g o e s  SCiENTific ALLy ;  - SCHOLarLy-    -or AChedemiC-.. )     S  O  my; Paintings  that has " 4 Sided eXpansions"   o f  MODERNLy U s e d ; RATiO;   t h e n    T H E Y   HAVE   T O;  G O to " CONCR E T E;   OBJECT  f i g u r a t i o n s.."  ..
an Ex a M P L E;


..T h i s   PAiNTinG;   h a s  w e a r e d;    the  ABSTRACTi O N;   o r  " T h e B L i N D   E Y E "  of    " A  S P A T U L A "      -or say  BLinD E Y E  of A  WOMAN;"  V a  Gina  TUBE, (instead o f U Tu b e)  "..-
L i k e  ;  a   V i O L i n i sT;   sLiDE s     h i s   BOW;  o n the  strinGs;          Painter m u s t be    ; V i R T u O S O      with the SpatuLA...   (S O,,      L i k e the music FORM;      sYmPhonY; with  4 PARTs;      a n d  A P a i n Ting; with 4 S i d e s;       ........... A PAiNTER  W i t h  a S P A T U L A;  i s  L i K E  a V i o l i n  Player   with t h e B O W...h e r e..)  (Paint i s what they call industrial O i L  P a i n t,   t o  paint doors or windows, o r O b j e c t s ;   to  defend material..J u s t l i k e  J. PolloCk has used to p o u r,too but not ALL POURED   at the begining ;&, but he prefers  acrilic..)
ı
...When  M y  A R T;        A B S T R A Ct i O N;   m e a n s,  t o    PUT  i N;     to;2   " 4 S i D E S "...    (in thecnical drawing    u make 3 sides o f an object to d e f i n e  it ;      so mechanic can m a k e    ;this  p i e c e of O b j e c t..  just like   i t is...)  
...o r  if  U ask  m e, what i s  Abstrac t i o n  in art;  then I might say,,   d e s t r o y i n g,  " to b r e a k into pieces ",     s m a s h  and   s w i n g  ahead;  o r     a r o u n d..When b r e a k i n g,  p a r t s  o f  this  OBJEct  w i l l  apear,  s e p a r a t e L y..(My writing STYLe with a machine -a computer- i s to b r e a k; e v e r y  W o r d; and t h e n  SWi N G  them A R O U N D;  to  collect these P a r T s; and L E T T E Rs,,   a f t e r W A R D s..)         (so I can r e cycle; BY PASS;  the L e t t e r s that has been written, i n the teXt..   while I go O N , writing i n TeXt..)
S O  ABSTACT i O N;  is  to     ; " H i D E  ONLy "      to   M E...  i f   U   Could      H i D E;  something,   -b y AbstraCt i O N-;   A N D;  i f it is  S C i E N T i F i C;     then      they  s h o u l d  T e l l   U    to;       M A K E   it    CONCR E T E;  afterwards,  a G a  i n..... i f  U ' r  abstaction,  i s ScientifiC..       ( o f  course after religion and   I d e a l ogy  ERA;      there CAME;    the E R A  of Science; & thecNOlogy  -E R A-..  A R T i S T    H A S  to    P  U  T;   S C i E N C E;  LABOR, or M E T H O T;  i n between;  his acting i n A R T..witH h i s R A T i O; ,  too...)
...S  O  if  A R T;  i s  to b e  s a i d;     to  include   ,   S C i E N C E;;    i t  must   H O L D;  both  AbstraCt; &CONCR E T E;     very N E A R,, a n d the w a y  to  DO  this  i  s;  to  U S E   SCiENCE  tifiC  R A T i O;  instead o f,    " thinkinGs ABSTACT i O N s "  - that constitudes indicates WHAT i s   , M O D E R N..   
........as an eX AMPLE..  (a   SiMLE icity  producing     ; Process  STEP   ;&architecTURE)







S  O;  I C a n,  S E E;   w i t h   M Y     E   Y    E   S;  these  R  E  A  L  T  h i N G s..(these  a r e to b e s e e n  by  E Y E S; and the " RATiO related E Y E s "  -so they  a r e R E A L by the RATiO-)

S   O  ;  using o f RATiO      ; i n  MODERN  4SiDED eXpansiO N;       o f  I D EA L     O B J e ct        -from    I D E A  Land o f PLATONs-   i s  SCiENTiF i C;  (with the a i m s of MARx     ;ism     philosopy..)   P r o d u c e s;   M A N Y;   i n BetW e e n; (L.W. B ETWEEN)  STEPs  o f  ;  E N T i T y,,   P i c t u r i n g...PAiNTiNGs...
F i r s t   P r o b l e m;   i n TODAYs  A R T;   is they can not find  w h e r e to  p u t;            S C i eN C E;  i n    A R T   M A K ing.
SEConD;  i s  ;  ABSTRACTiON;   but  they  t h e y  trawel  i n      I D E A L i sm;  b u t  they can not LAND ; on    -or i nTO-   to;2  IDEAa L A N D of Platon' s ;   to   F  O  R  M;   IDEAL  O B J E C T    F  O  R  M  i n g;   " the    -i d e a l-   the iMAGE as a T H i N g "...
...(so A l a n ; I can undersatand why U stand i n  PORTRAits; o f M a n  F O R M;  b a s i C allY..outside is  " dirty "     i d e a l i s m, a r e a.  even i n ART  too...& only SPORT ACT can clean this I d e a l isM, in our Brain &inOUR BODies..  to reach clean waters o f God's L a n d..  o r  b e li e f   L a n d,     - this i s O U R  B O D i e s-..)
SPORT i s;      -includes-     SCiENTiFiC;       because,   there i s,  abstractiON; in U' r thinking; t o  D O something -some ACT- ;        t   h   e   n     there comes CONCR E T E;   S T E P     ;eXperiment    ; when D O this ACT with your BODY;     -o r B A L L-;    i t  is  a  " basket "   o r  not .........       -U' r shooting abstractiONs-  just after t h e assumptions o f  ABSTRACT i O N....so e X p e r i m e n t a t i O N  takes place i n sports, & this makes i t;  s c i e n t i F i C...  T H E R E   is RELiGi O N; i n sports, b e c a u s e  if  U' r  b e l i e f  is  geniune;  t h e n   U  can SUCCeeD..-with U' r DEEDs-  S O   SPORT ; b o t h  is SCientiFiC  & religioUS.. a b r i d g e between, religion &-to- Science..
W h e n  I  TOUCH  P A i N T;    there   a r e ;  20  Tuvals   -canvases-   t o b e painted,  every d a y  to b e satisfied t h a t   t h e   I d e a l  O b j e c t  has  be e n   included,  i n the P a i n t..this w i ll  continue

for weeks or monts m a y  B E..   to TOUCH & F E E L, the automatii s m  o f  the  SURREAL...
SUMMARY; :  when abstracted; to " 4SIDEs " (Scientifically) then it is a SLiDED ,Ereased,broken i m a g e   ;situation  OCCUREs    -i n The ART T R E E-      with  a " B L i N D  EYE ";     S P A T U L A.....
...t h e n;     abstraction has to b e eXamined b y,      M A K i n g  it  CONCRETE; - R E A L,-      o n   t   h e  Computer..    U can C U T  this BODy (ART TREE); &PASTE;       and LOOK  i f there is any thing that can be d e f i n e d   as; CONCRETE;   - o r R E A L,,-........this will bring  U S;  t h e  REAL LOOK  o f the  E Y E...  - realized b y RATiO process i n  the painting    &in the computer.-
 

ART " I D E A L; &O R i G iN AL& thE NE W "in t h e " I D E A " LAND of P L A T O N 's......

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..ART    " I D E  A L; &O R i G iN AL& thE NE W "in t h e   " I D E A "  LAND of  P L A T O N 's......

ART T R E E:      CONCEPT

T h i s   is;   A  Branch;    f r o m;
O N E of My ART TREEs;  that has GROWN  i n    m e  ...(i n   ,My  B O D y  and B R A i N)
......every ART TREE;  eXpress to canvas;  (may b e   a 100 of branches, to find the brach  w i T H theF R U i t.)
i f   w e come  to the QuestiON;  W h a t is N E W,   a G a i n..
..I t  is  not   MY   RATiO that   c a t h s    ;  the   N E W.          It   i s;   MY   M i  N  D;          that  c  a T cH s;       the  "  IDEAL  O B J E C T "..(I can tell the OBJECT is      I D E A L      ;  ORiGiN A L;    &  N E W;         because,   my M i N D;     -the V a g i n a  of MY B R A   i N-   has cought  i t.    but I had to write, make sound on piano, play basketball t o  move the object e.c.t.   4 my m i n d;   t o  be ABLE to;2   C A T C H..)
MY  R A T i O  is,  PLANTED;  -o r iNSTALLED-  ;    i n t o;  PAinTing;          (if painting has been m y M i n d s  eXpressiON)    then I am l e f t  R A T i O Less  i n the PuB L i C..
M  y   RatiO  has A JOB;   TransFORM ing   " M i n D  C o U g Ht  I D E A L   oBJECT "  ;   i n to  " 4 SiDEs "  OBJEcts      ( OBJECT  t;2    +"   4    i m a G e s ")   ..S O  I won't  b e ;  i n    " WHAT i s  T O BE  CLAiMED  as N E W " i n T h e  PUBLic;    -a s  POPULARism  o f e r s  to be RATiO iNTELLECTUALs-..)
M Y   ART;     is  to  G i v e  EVERY  O B J E C T;  AROUND  U S;      to  the  Original C A T C H  of  M Y   M i n d..  ( L i k e I have a W a G i n A   -my M i n d-  in m y Brain and  every  OBJect in this world  i  s,   to b e P a n i s   to my M i n d..then,  ARTist; h a s a continious f l o w of his OWN  to  M A K E   T h i n g s;       I D E A L;& N E W& ORiGiN aL   by the  ORiGiNAL; IDEAL; NEW catch o f the M i n d..
MODERN  e X p a n s  i  ON;   takes PLACE;   w h e n  an        "  I D E A L;ORiGiNAL;N E W   OBject  "  is devided  t o  +4 i m a G e s,,b y ratiO..4Parts of a SYMphony, 4 chapter NOVEL, 4 Episode Theater, e c t ..  & 4SiDED CANVAS..of course..
Contemporary,  instrument  takes place, with  READy-M A D E S.. i n the Painting area..that is READY-MADES are paintings too..

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I do not know  " what i s to B E ;  N  E  W "  i n   th begining..( I can feelthere is something i n me that can b e N e w..only)
Then m y J o b  is;  to  eXpress;  t h e  ART TREE;     that I had PLANTED   i n m e;  4 some T i M E...(in my BODY & Brain,  b y  DOings o f; writing, making sounds o n piano, dancing, playing basketball,, e . c . t.  these are all D O N E;  to only produce a ART TREE in my BODY& BRAin.)        I am not with m y RATiO;  that knowss  WHAT THE N E W  is..   b u t  L A T E R     O N,  -after 100 pieces o f B r a n c h s;  of ART TREE-   I    will begin  t o   i nV e s t i GATE;       the  N E W   BJECT o r F i g u r e;   (the  r u i t of M i n d  TREE)  ..

W H A T   i S        N     E     W;     the  probleM
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1- A   N e w    ART T R E E;  indicates;   a N E W  F R U i t..can be  there, on some branch e s.. -a  N E W   OBJECT;  that has been C O U G H t  by my  M i n d;.. MADEbotH;  IDEAL&ORiiNAL&N E W,,   i f   m y M i n d  c a tt c h e s  i t;        aspeciallY ;TODAY,,..
2- ..or  IDEAL  O B J E C T;    DEViDED by 4  (4 i m a G e   s)     as  a  MODERN  eXpansi O N  ..CREATES  t h e N E W ..
SO there a r e       ;2  STEPS   o f  MAKiNG   " NEW "     - &IDEAL& ORiGiNAL-     ; P R O CESSes     , all h a v e  b e e n  W A L K E D;  inthrougH  t h e    ;  ART d e e d  s..  then   I   add  the  THiRD    S  T  E  P;   on  t h e COMPUTER  as a READY- MADE  CONTEMPORARY  S T A T E;  -Globalization-
S   O    P  i  c   A  S    S  O;   tree steps i n a ART TREE; - grown i n M Y  B  o  d Y  &B RAi  n.-.   to  R e a c h  t h e  N E W.. in CONCEPT..
S  O;  is is  easy  w a y        to   C L A i M;     Some ThinG  a s  it is the  N E W:..(+4  the  " 4X RATiO HOLDERs "  like" 4X Jeep " goes evy where..
P.S.  F i r s t;  I  will   a s k;  where have  U   put religion;  i n U 'r L i f e..   an  A RTist  has to make the transFORMation;  to ACT in SPORTs   firs      ; t h e n T e l l   me;   U   c a n     A C T;    i n  ART F i e l   TOO..
 
ZIPPED  MOUTH  of  W i D E  OPEN  M i N D

THE HUSBAND  MOTHER       ;& THE B A B Y

BLACK& WHiTE     " VA GiNA "     ; D A N C E R..

aND; &  THiS   i S  THE   THiRD  N  E   W   of  The  " THiRD K i N D "
contempoRARy  P r o d u c e d;   by   READY-M A D E;  PAiNTingS..
(Painting s as READy-MADE s for a CONTEMPORARY painting)..




19 Şubat 2012 Pazar

" W O O M A N S E X "

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murat danis
i  f      M E      ;        t   o   u    c  h Y         w i t h          W O    M   A  N ;       t  h  e  n   ;           s  o  m  e        "    m e   m  o  r  i    e s.. "
..."   W O  O  M A N      S      E        X   "; :