25 Aralık 2012 Salı

Murat Oktay DanışMurat Oktay Danış 




http://www.linkedin.com/groupAnswers?viewQuestionAndAnswers=&discussionID=184693443&gid=124177&commentID=107873846&trk=view_disc&ut=3Ro77yaEJDBRw1




What do you think of people who work in the abstract way without any experience in figurative art?


Murat Oktay Danış  I did not read,any comments, here..yet..(I will, ,..as time goes by.. Like, someone who jumps in, a r t; area, I will jump in the s u b j e c t...as ; I was the first person, to write h e r e..) 
i f U dare to; act in a r t; area; -b y DO i n g ; i t- , -with NO; education in art- , U might be thinking; ; " u w e r e " the last of the Mohicans " ; , W h o could make -some kind of a r t- ;art; in the world. i f U; D O; n o t make, (or DO) that " a r t ; t h i n g; " , t h e n; t h e r e will b e, NO other chance, that, W o r l d C A N; h a v e; " s u c h a T h i n g " ; afterwards.. 

..a r e U that " p u r e ".. and what U are to do; i s,(or will b e ); from " h e a v e n ".. ( a Last TRAin that comes from the H e a v e n.. -that c o u l d carry " h e a v e n l y t h i n g s , to; t h e; e a r t h-.. ).. 

Murat Oktay Danış  What is WTF..

Murat Oktay Danış  Andrew, thank U for the " soft layer ".I was in artslant forums for one year every day.in opinion section. W e were in these issues ..The last chapter was " This is Abstract " ..I think I was lost in these intellectual ; quarrels; and made a test here, i f there are angry people around.because I hoped these waters were not under strain, a n d; calm talks should easily go somewhere..I love intellectualism.

http://www.artslant.com/forums/2/topics/1129?site=la

..these were what I said, in the issue of "the Abstract " .. o f course; there is an other discussion going on here and I would like to be included; only if I have " a light " to add in that , what is being looked at.h e r e.

Murat Oktay Danış  What do you think of people who work in the abstract way without any experience in figurative art?

M y answer to that question is, : in my abstractions -if they are done, fine- I do wait for -I lookfor- some f i g u r e s, to occure.in the e n d. of course artists are affected by " figures " -or objects- in their daily lives. and if U are abstracting in U' r art, (going far away from daily life into absolute volumes ) U' r intellect must have to remember, these figures that has been " deeds "; in U' r brain, o n c e. -and somehow- .. This might be a control to the whole abstraction process, (if figures occure in abstraction) , i f these abstractions have been m a d e; right; and TRUE.
S O; problem is, " is abstracting is genuine; d u e to the " a b s o l u t e " ; itself.. " (because ,I think that, absolute is the m a i n driver to abstraction )
S O; we live in -and with- figures..Somehow we feel them; and our hands provide deeds of these f i g u r e s , to our brains, as we use our hands using these figures (objects) ..SO, " we have an experiance l i v e d; with these f i g u r e s; " , in the base of our HANDs..(artist had to use his hands to send deeds -of figures - -and objects- into the brain..and all abstractions does not change (abstraction is a transformation method that does not change things; but change the way of DOing..) f i g u r e s; and w e n e e d; to see; some figures; p u r e l y ; occured; in the " tunnel " o f the A b s o l u t e.. in the art medium. 
...and w e call these; objects; -or figures- that has occured -in; the abstracting a c t i o n, of artist's- ;as, " a r t i s t i c O b j e c t s " -or ; " multi-figur i n g s " , i n a r t i n g- .. and abstraction process will b e; the Artizalator..( a translator for obcets; into art objects.. -and un touched-.. S O, Heavenly, figures, t h e y are..from our feelings inside ,directly to the mediums of a r t i n g. ..)

I hope it hasn't been, to long, or; away from the topic.

Murat Oktay Danış  What DO; we see; i n an abstract a r t; piece.-a painting- ..first of all; tuval is 4 sided -in general-..SO, there is an opportunity to i n s t a l l; 4 P i c t u r e s; in one tuval. (as we turn tuval,on it's 4 sides- we can see an other picture there, i f there i s.) 

" THAT "; should tell US; : figuration that may o c c u r in " a b s t r a c t i o n " ; may b e; in 4 WAYs..(that is, onr object in art work; can have "4-figurations" ;and if w e turn the tuval; we see one o f 4..of course in perfection that " 4-figure " ; occures..but there must b e MORE; than o n e; -at least- , i f we did not take lessons o n " how to make an object ; i n ," just 1-figure "..) 

SO; i s there any one ; around; w h o can draw " 4-figurations " ; a t O N C E..of course, that needs; a true " transandantal mood " and a very slippery medium a s "paint " ; , and a improvisation;very quick; -fast- at O N C E; with, " NO-c a r e ". (SO, " what has occured in artist " ; can freely come o u t..but there are rules; o f r e a l i t y..when reaching out-side. . the tuval is 4 sided; .. s o, " free-figuration " in abstraction, can be located; -or installed- ,i n 4 different w a y s.. (tuval tells that reality to the creature that should come out o f the brain.." U can s h a p e ,U'r self in 4 shapes; i f U l i k e " ..if conditions are perfect, then it shall be seen as 4 figures; to o u r , e y e s.. 
-that is a way " to t a m e " ;" S a t a n, maybe i n art..because abstraction is a knife with sharpened two-sides.. -duality of art is there- " ..) 

M u s i c i a n s; did that; in " 4 parted " -*perfect FORM -; ; reached; a s SYMPHONy; already. 
This is the same reality, that shall happen; ; for painting, too.. I t h i n k. 
..only differance i s; " paint " can fix; and capture; "m u l t i - figures " ;much more than s o u n d, ; D o e s.

Murat Oktay Danış  Vincent, I am sure, there will b e;" images " that can catch U..(about the t h i n g s that; I write..- if it can help- to keep U , in conversation, ; I can offer U my images, , they talk more direct; , of course then letters d o e s. and U can say " some ", o n them.. ; if U l i k e..
http://www.artslant.com/global/artists/show/104580-murat-danis


Murat Oktay Danış  Andrew, my writings are difficult to me too, when I read them, either. I think, I am forcing my " inner voice " into these letters, that are already abstract. ( let's say this is my respect to something that has " that asolute " and abstraction in it, already.before we shall exemine our ways of abstractions in arts..) Forcing inner voice into some labirinths (letters) shall clean-up the sound in me..and it seems I need a ride on a clear voice when I write.On the other hand difficult-&eaisy is an other big issue to discuss on.and there is a danger in easy-rides on images instead of trying to understand some hard talks.on the issues of Art history.if problem is difficult to solve then there will be some difficult writings on that issue; to stay in reserve.Every thing shouldn't be that eaisy, I need to know that there is something that is difficult to understand left -still exists- in this world..
if there is something difficult then we can come -step by step- to make them eaisy.if there is not any" difficult " then every one has a defination to their difficulties.there will be many kinds of difficulties; but none are genuine, or TRUE. I think, this is the main problem in contemporary art structuring. but they say this is the freedom to abstraction..make it difficult then curators can carry them to the meaning. but Alphabeth and letters has a constant and a steady difficulty that can be masured by every intellect at least.
We came to " suggestions " step, too easily and quickly.Vincent is waiting behind, Ican see.I do not wish this writing area was an other " a eaisy-ride pool " for the providings to these eaisy suggestion sessions.every pool area are slippery as U know.
I think the question here w a s not, to find out who has a more interesting technique then others -the name of the play- can be ahead in the cleverness compation of a cntemprary nation.I thought there was a great question here and I have written ;-and added- some hidden questions to that question..but wind is not going to that way yet.it seems.I never take any suggestions o n art. art has to ;talk to it's self. (that means cinema is the 7.art..so there are 6 other..if I need any suggestions I shall make an other art..I shall dance, write, make sounds on Piano, e.c.t. to find out where my colors and lines should travel in these mediums. Artist needs to DO; these deeds if art has to be on genuine-bases and higher-graunds. U need Rahmaninov first to see what Tshaikovsky can do in the contemporary. It shouldn't be that eaisy-disconnection, in the deciplines ov , art' s.there still is much to DO; and much to think on art history and with inter-decipliner, potential possibilities i n arts. and I think the question to that session was in that field.
p.s. there is a argument on " they were architectures , who made art history that eaisy..to come to that contemporary. ." there is a need now to carry " what has been made in contemporary " to the traditional art DOings..(to fill in the blancs ..that architectural approach has left in the planning of the art history.. )

..that has been too long, and this makes this writing difficult to read, too..but I shall make them eaisier,..First I am testing if there are some patient readders, here.that can swim in deep sea.(the eaisy swiming pool is here and it would'nt go anywhere..)

..it is difficult to " be in " the sound; color, letter movement e.c.t...to go in them..to make a true walk inthrough these mediums.instead of riding on them.

Murat Oktay Danış  Vincent, if U can read words from pictures ,that is a talent. then. I met that talent when with Italinas.they can breath in art somehow. in color in sound in the true way that aesthetics flow.. e.c.t. Artist can say many things in his art work but it may be reflection of the nature.(I am O.K. with that..if art can talk in the language -nature- of the object ..the nature that can talk in nature is ,adequate, and f i n e , in art.. ) but when talking on art; ; we have to read some words, that are based on the mecanisms of the art, itself..U are right when theory comes ,there occures ....zzzzzzzzzz. I think ,I have some fresh ideas on the mecanism of art.and they are not these techniques of contemporary art.l e t me tell U something..When I see a contemporary art, &talking , I go zzzzz... too..U need a text to look and understand the meaning. SO, this ...zzzzzzzzzz.. problem is chronic..and the source can not be defined easily..That is a good point U are touching.

Murat Oktay Danış  I have to put these; " reserve writings " here.first..Sorry; 4 that.(one might not read whole of them..take a sentence then go on the way with it..) 
..and my original writing style; i s; TO; W A K E; m e, up..from that...zzzz..that is being named as ;difficult..then..but theory is difficult..as a matter of fact.

Murat Oktay Danış  Andrew, ..M y heart i s; " B l e s e d. " .. and still, my a r t; i s ; too.
I did, all these things , with my blesed he a r t..o n l y.
Yes ,I've tried hard, to be an artist; it has been 40 years, that I am in ,art field as an art maker.5000 paintings, 20000 artistic writings 200 Piano sessions; and 150 000 baskets (in basketball ) per year ; for 50 years..(baskets are important; because they tell U if something D O E S; w o r k..)..this was too hard; ;in 4 fields of art, -and simultaneously-
T h i n k of that..U decided to be an artist; ..it is easy w a y; to go to an art scholl and became a painter-4 eXample- ..than U shall locate U'r self in the public -or society- as a painter..and all U'r other works, will be for public; o r; society-n e e d s..(not in art deciplines..) ..instead, U may chose; 4 different deciplines -o f art-; t o cover even U' r social L i f e. D i d U ever heard of a painter; that works complately different areas of art' s.a painter, paints with the SOUND; draws with t h e LETTERS; Dances with a BASKETball (not with the balls that are hanging on his body) .. an artist d e e ed s ; ;devided to 4; or by "4" ) ..if his body can work in both that 4 fields; then; his art may have b e e n WORK i n g; ; i n " the ART i n g ".


U can have many things that w o r k ; in U' r life but,it is a different thing when these DOings in 4 deciplines of arts, can work together..One can be with 100 woman in 10 years; and this will work in l i f e; but, that does not mean, that " ONE; Woman can work ", for U.

" A r t ,that W O R K s ". This is a very important thing.(U are saying ) ..Put away what abstraction i s ; -and is not-. 4 now. L e t ' s talk on what is MODERN. I think that all U have mantioned above; are 4 the traditional way of art making. P u t every effort in art making , on one side of a tuval..(and can they work on that o n e plain..) (Live a life that is working in the society is to be a regular person..in public ) ..
MODERN; has an other perspective ; HOW T h i n g s, work..and abstraction has a new " working state " ; in that Modernism..I think, w e are on ,a complately other F i e l D s. (may be ı am on the wrong , platform ) ..if it is traditional a r t ; we are talking h e r e; non of my words can fit in. and maybe the " difficulty " ; w e are discussing about c o m e s ; from that; ; d i f f e r a n c e. (in f a c t; M y punching;and Expressing, abstracting writing; sT Y L e; ; is to; M A K E; e a s i e r; ; to READ.( or READ not..DON't READ..) .I show; W H A T; has to be READ; -or How should U read- m y MOD E R N Ideas.. but that will disturb people who are not in M o d ern.. b u t to EARN; " OTHER THiNGs " than a r t..( things that may make regular life, m o r e e a i s i e r. to b e a r. )

WHERE MOD E R N; W O R K S :
I say; Turn a Painting; ; if it talks o n; more than " one side " ; (best mod e r n Painting can talk on 4 sides..) then ; MOD E R N ism; has done it' s job, and there is " Abstraction of Modern " ; and the 4 figurers, o c c u r e d; -that was created from o n e; ..instead of b e ing ; one ;and ALONE.- ..Modern figures..
U' r land scapes; seem a s; they are Modern..but are they truely modern..(MODERN that work.) .. Let me turn them on 4 sides..if I have U' r permission..

Murat Oktay Danış  I am not against; " every t h i n g ; Work on one p l a n e " .. (L i k e it D o e s, i n a Regularly located; and working ,MODERN-WESTERN-Country )..I would like to live in such a country..( that is where we are located every thing in it' s true position , then nothing is difficult i n L i f e..) ..in our lives in the society..b u t there has been a " MODERN E R A " before that; c o n t e m p o r a r ry- Tradition; Fead-back..(or return against Modern i s m..) 
I think U' r work here( and all in U'r L i f e) is -was- h a r d; and; U'r heart need s a true bless i n g ; b y; " a True; W O M A N " ..this time.. and S O; w e ; D O; all; ; H u MAN s.. I wish that happens 4 US; ALL. (in our failed side of L i v e s..)

Murat Oktay Danış  ABSTRACT i n g ; " WOMAN OBJECT "; w i t h ART DOings.
Harry, good point. " a r t does not come from K N O W L E D G E " ; I say.. (as u say art is not like mathmatics..or f i n e; a r t can not be made by architects..) ..it has to come from feelings, to b e felt by feelings again..SO; art has to be " f e e l able " ..L i k e prople in tribes; touch every object ,that they can see, and have feelings on every object (so U can feel object side of every human , ,-or every human can be an object, too-..) (because they touched things , all day long and translated them into feelings then human can b e an OBJECT; t o o..)
.. M o d e r n L i f e, modernity (not Modern i s m ) should take us to the " o b j e c t- touches " ; w e should be OBJECTs as our human side is translated; and reserved i n our feelings-l e a r n e d.. t h i n g s are ,sensitive, i f w e can feel t h e m.

...feelings talk their language; inbetween;feelings; they occur somehow; " U do not need to tell someone that " U L O V E, him/her " , if there is love occuring t h e r e ; spontaneously.. than it happens between felings; (in a Christian LOVE; t hi n g -STYLe, not to carry that universall -love into bed..) and U do not need to tell; t h e m, i n words..(put them into the " b e d " of words, first..) ..when U tell feelings then they will be deplaced to an other p l a n e.. -or in a thing..but not in an art-thing..an art-work- ..(I think feelings has to b e preserved; i n their original positions..S O; I am; an " artist " ; to , say them; -to transport them; into an art work as they will still b e and -stay- , original t h e r e.
S O; art has to reserve , f e e l ings in their original ; positions.. W e can provide these original feelings by feeding " pets " in our houses.. art has to be in that shape i t shows. but when U urge , a living thing , to live a l i f e; with U; ;that means U are urged to live in seaged positions i n U' r sociey too.. and that sharing c a n not free; U both.. o r U are to w e a r that " religion " ; to b e free..Religion can o p e n a window; if U will share, U' r problems. S h a r e ; than ; W i d e DOOR; shall b e opened by religion..o f " L O V E.."

T h e s e are deep social- science analisis..and they are difficult too..but artist can t o u c h them; too. U can touch difficult things too.
I never was after a w o m a n; all my life. I had my basketball; to be able to t o u c h, woman-heeps ,any t i m e ; -whenever I think. I should touch t h e m- that is a privilege 4 artists.. to touch any object as much as he?she can.. (if an objct hasNO; alternative;then it becomes a m u s t.. t h e n;; U both be put in a prison ; o f must.. - if U combine- .-.I am a chemist and I know what is a compaund..and what happens to compounds..) .. S O; it is hard to be someone; that can think ; h e i s the one; w h o touched woman-heeps much more than anyone d oe s..-or could- ..T h e r e is no lunatic; -other than an a r i s t- w h o ; teaches himself that; ball-touchings a r e similar to; -can be located in bra i n a s; U 've ' touched; woman-heeps- ..as they were touches to a woman .. (in some societies, to touch to a woman is very expensive..so that can push someone to b e an a r t i s t; t o o.un 4tunetely.)

S O; art can; b e an altenative state; other than; s o c i a l; r e l i g i on s..and artist is an " sophisticated f o o l "; that lays i n artificial ; t h i n g s , as they will not be ;a l i v e Things..in art-work as is a biological thing- a f t e r all; ; a r t -work ; shall not t a k e; a l i v e ness ; from an other " created " ; c r e a t u r e.. form..A r t i s t can c r e a t e; but that creation is paralell to l i f e; but is an imitation.(and artist shall put his/her own " l i v i n g " ; in it..if a r t shall l i v e; i n social L i f e..) ( a true support, to that religious-l i f e, and biological-L i v e

Murat Oktay Danış  I can L O V E a WO MAN.because I can LOVE; m y self - a s a Thing I can b e- -and can create me and woman , b o tt h; from t h i n g s- ..S O; ; L i v e -OBECTs will be f r e e. i n their B i o l o g- i e s..- y..


... o f course, this I write h e r e; is not a social science; lecture to everyone..(and it is written by someone talks a different language in his daily o t h e r l i f e , either..) (from an other l i v i n g society in an other country..-so this accent that carries traces of an other language , is an o t her s t o r y; 4 who like to listen to stories..; -should U call an other accent; a story to listen or; a difficulty ; to usefullness. ..) ..but I should say; this " social science lecturing sTYLe ; ; story telling " is NO; different then; ;living social lives as a story that can be " s a i d " ..as tales, , ..as if people were talking as they are looking 4 n e w things , 4 their l i v e s; and searching; ; 4 good i e s -&love i n society-ONLy.. (because mathematics o f Public design has abstracted them, b a d l y..-contrary, i f a n artist; abstracts a living thing ,then; ; it is not negative; i t is for good. .because artist gives his own " l i v e ness" ; to that ; T h i n g of art' s... )

..art TALKs; has to; ; b e on ART.. Talk from U' r self; if U think, " U a r e an a r t i s t." ( ..an o b j e c t; 4 a r t , only..) not an Object to; -4- social l i f e; goodies.
..i f U are a W O M A N; U can talk i n the terms o f -a s- a WOMAN-o b j e c t to teach everyone that U know how to a c t; - i n F a c t -; as a Woman as ; " OBJECT; -o b j e c t i v e " . and I know there are Lades h e r e ; SO, " s u c h. "

Murat Oktay Danış  .. a T a l k O N; ; " t h e M O D E R N; B O D y ".. d e e d s. ( i n a r t; D O i n g s..) 
Harry..N o w a days, scientists a r e; trying to catch, ,t h e , " GOD particle " i n C e r n. I think; a r t i s t 's premier job i s, to MAKE; t h a t; " C e r n T h i n g "; i n h i s/h e r BODy.. a n d U S E; that " GOD Paricle " ;that c a n; -M A K E - DO; t h a t; a r t. - i n ,d e e d s; indeed.. 
S O; WE; c a n; fallow; these DOings;(god particle deeds) ; i n a r t W o r k..s..( if we are Christian; it is easier to f a l l o w; t h a t; "god particule' s U S E " ..because; Christ w a s; the first ONE; who claimed that there w a s that; " God particle " (as an object; -or a t h i n g- that could b e used in daily l i f e too..why not to be able to u s e ; i t ;i n ; a r t DOings.. ) 

I f U ask ; m e.. M y; religion..I am raised u p; i n a modern muslim country; t u r k e y. (SO; being Muslim has be install e d ; in my deep conscious; because Iam not a religious -man on the surface) .. I could reach tecnologies,science ,sports, school, e.c.t. in my childhood.. so, I could be; m o d e r n; & contemporary; and that l e d m e; to; l e a r n; that; my BODY w a s to i n c l u d e; all these; RELiGiONs.(particle that religions c l a i m that they are; fact..) (that means, m y body had to have all these " particles " that has b e e en ; ; captured by religions ; O n c e. and I think; DO i n g a r t ; has to b e ; after DOing; t h e s e sports; -within all these p a r t i c u l e s-; ..(sports for body practice,.....- s e x is the most traditional but compact o n e; i n supports o f these sports , an shall g i v e; the basic simetry; o f -to- the BODy) ) 

S O; I became a Christian; with my long way walks and sufferings;..M y Cubic l i f e ; in a ROOM; ; -of my own- ; led me to , M y Buddha i s m; ; a s My BODy; b e CAME; ; " M y ; " BUDDHA "..e.c.t. ..that; " ALLAH BOZONE " ; " ALLAH p a t r i c l e " ; w a s; always -located- in m e..(put in me..in my people..) and, I have to e v o l v e i t; ;to someWHERE; PLAYing with that; " un identified OBJECT; particle " ; " THE B A L L " ...I put, these ; " ALLAH particles " i n that BALL; o f sports; then, r e v o l v e d ; them to where they; fit; o r r e a c h.(I recognize today that they draw m y; picturings in my; P a i n t i n g s; - a w a y; beyond my knowladge, & by my beliefs- ..) 

...i n my, a r t; all these; " G o d particles "; has to b e; working; together.. 
...and so there has to be " a l o n g W A Y; J o b;" ; that I have TODAY; i s ; to; " f a l l o w "; all t h e s e; " t h a t; H a p p e n; i n a r t -D o i n g s - ..(I can hire many kinds of art critics ; -&curators- to fallow; these, m u l t i - god particle 's, d e e d s ..of course; a r t h i s t o r y, can show t h e m; " the w a y "; -will b e d e f i n ed, by art-History-; ; w h e r e they r e a c h; t o; something; t h a t c a n b e; CALLED; a s; " r e a l ; A R T; D O i n g s; a path of DOings; that can b e dtemined a s ; a r t D O i n g s... 


...i f someone wants to h a v e; " a M O D E R N; B O D Y." . t h a n he/she has to; b e n d; ; " the BONDs of the Human Body " in the n e e d s; o f; all; D O i n g s..-that U have to be able to DO; all these THiNGs i n a r t i n g- ; -that an a r t i s t i c BODy; require.s


Murat Oktay Danış  W h e n T a L K ing o n; MODERN; B O D y.. (or the BODy, of the MODERN) ; -e v e n; modernism , d o e s not; s e r v e, (to the Modern)- (..Modernism is the " contemporary; i n strument that has drived into the modern i t y ; to invade the M o d e r n o b j e c t s. ) 

Touching " art i f i c i a l woman-heeps " all day;(that is to play basketball,) for years could bend my; bones into " woman-body Bones "..T h a t; s h a l l; " abstract " (Modern abstraction with deeds located , on -or i n- the BODy ) m y; man-Body; a l i t t l e; so; m y BODy can b e; i n an " optimum "; HUMAN_B O D y..posiiton.. i n g.( that is a n e e d; ;- to; M A K E- ; or DO; art..that is " a optimum body " ; for all " god particles, " can u s e; in their actions in -&with- the BODy; , simultaneously..) 

other w i s e, t h e r e a r e; M A N Y; C o n t e m p o r a r y; WAYs; to M A K E; ; that; mixed-BODy; ;as productions..gays lesbiens, h e n p e c k e t s, Iron LA D i e s..e.c.t. 

S O; 4 a conclussion.. 
...religions has to b e ,e v o l v e; into a r t ; D O i n g s. f i r s t.. W e need a geniune Modern and optimum h u m a n Body; made by the labor of; t h e; individual; ..4 that..then, w e shall; r e c o g n i z e ; that; ; M o d e r n; A RT; can and spontaneously; b e ; Transfered; o r ; Trans F O R M E D; i n t o; " the CONTEMPORARY " .. that also means; ; already contemporary personalities; can not MAKE; " the CONTEMPORARy a r t "..(U shouldn't b e " a b s t r a c t e d " to b e a contemporary-handicapped; - that can not u s e ; their own hands, t o DO; a r t; they can only " MAKE; a r t ".. - ; a r t..is ; c r i p p l e d; b y these; " Contemporarians " i n "; a r t ". 

p.s. w h e n, M a k i n g U' r Body; M O D E R N; ; -;by Using Sports; (bending body by using sports)- ; i t s e e m s; t h a t, U a r e; L o s e ing; a l o t; o f T i m e. .. that is a t r u e ; a T h i n g ..; i n f a c t..(nobody shall give U anything when U spend time doing sports .. -I am a Table Tennis player a football ;and a basketball player- all with the different kinds of ball s -particles- ..) ..to r e a c h; that; S i Z E; o f CONTEMPORARY-WHOLE N E S S; ; U have to b a s e; U' r; MODERN - B O D Y; and U' r presence i n R E A L; L i f e. ; (4 other, art DOings ;-deciplines- ; ;-in my case, this is 4 deciplines-..write,paint,dance, play piano..e v e r y day..these are 4 other art doings..of my M o d e r n BODy; ; -MODERN M e a n s; devided; b y numbers;in equal parts....- ) S O; in my terms; a g e n u i n e ; art d o i n g; ;has to b e; e x t e n d e d; -or e n l a r g e d-, to that 5 artists i n M e..5.-element- is " my ;personality from god' s genes.." 

...and that; " 5 M o d e r n; -personality " - i n my ; ; BODy; - i n M E ; w o r k ing..-; -working ;simultaneously-; ; c a n; " c o m p r e h e n d " the; " whole-Size-extension o f theWHOLE-CONTEMPORARy-S i Z E .. t h a n. 
A n d r e w; I hope t h e s e can; o p e n a door; -to look i n ; m y Doings; and ; m y a r t, ; U have asked; m e; i f I could say; if U understood ; m e ; , w e l l.. 
( understanding m e; is a long w a y; 4 m e; too,,i n f a c t..that I should have to discover; f i r s t..may b e; ; some can j o i n me; i n DOing that; i f I MADE; myself; " a L i v i n g; a r t -THiNG ".. - not a social personality -a FiGURE- -i n- , of the society..) - that shall b e, a b s t r a c t e d; to many things; i n the regular s o c i e t y..A F i g u r e can not; be devided; ; MODERNLy; ; e v e n i f " Cubism " w a s; invented by PicasSO; and BRAQUE..- )

Murat Oktay Danış  " NinaHlava "; a n d M E; S H O W..(perFORMance..) 
I t, is ; " o b v i O U S "; a f t e r ; all I D i D; h e r e..(when ı look at; WHAT; I did, h e r e ) ..that, t h e r e are; 5 other; OBJECTS; L i V i n g; and acting..-and TALKing; i n M E.. (that t h e y d e v i d e ; M E; i n t o; 5 other objects, all are artists..) Y e s I am , difficult ,to fallow..

W h e n; I watched; N i n a HLava' s video on U tube; , -a few minutes; e g o-..I saw that she; perforMs; such; m u l t i; acts o f; ; m u l t i people and event s. (She is; V e r y flex a b l e; i n the body -flexable to the boned-BODy..and can , L o c a t e ; (install) M a n y; BLACK-&White; " P i c t u r e s; o n; -or i n - her BODy.. (or these Fifures can be w e a r w d; on her BODy; as they are located; i n h e r ; B R A i n. 
http://www.youtube.com/watch?feature=player_embedded&v=1kMomEFTLyc

S h e can T e l l; me; someT h i n g; ( I remembered..that..) that; ; I d i d; need that K i n d of ..H u' m a n , a BODy; ; - " to be installed; i n t o my " B o d y; i n the PUBLiC " - " .. w h e n I begun to a r t; as I was still i n P u b l i c; these T i m e s.. ; (t t h a n I begun to devide; -and c u t - , m y BODy; into 5, t o be i n a genuine a r t; decipline s..F i e l d. )..

N o w; I h a v e; the b a l a n c e; to m y; " 5-MODERN; B O D i e s "; nested; i n M E..-as if equilibrium; with simetry; ; i n society; ; shall fill the EMPTYness; o f that k i n d of a " m a c h i n e; BODy."(that machine BODY role; is suitable to w o m a n, in practice, , or i n public r e a l i t y..) o r; BODY that can act L i k e; Machines. (she has the R i T H M; , of that;"machine " , when; these special shoes, a r e ; ON..)

... i n my Brain; " t h e r e; l i v e s; these; 5 creations " ; that are not; m a c h i n e s.. but I have a " machine " (coordinating them ..) i n M E; t o o. ... and w h e n; I DANCE; with that; M a c h i n e " in M E..I need to see, M E; o n; the; M i R R O R (in my ROOM).. (that WOMAN-M a c h i n e; s p r o u t; O u t; o f M E..) (is she, N i n a..I DO; n o t know..) 
.. s e e 4, U' r self.. 
..

http://muratdanis.blogspot.com/2012/01/blog-post.htmlhttp://muratdanis.blogspot.com/search?updated-min=2011-01-01T00:00:00%2B02:00&updated-max=2012-01-01T00:00:00%2B02:00&max-results=24


Murat Oktay Danış  Martha, I think; t o o, that , " I am e X a g g e r a t e i n g ; i n a " h i g h " ; L a v e l." 
..but, m y proffession is not o n; E n g l i s h, Language; a s U c a n; , s e e. 
..a r t; itself n e e ds; s o m e eXaggeration; t o O P E N; W i n d o w s; to, i m a g i n a t i o n. ..M y Problem is ; -I think- I decided to ; a c t with my imaginative t h i n k i n g s. i n the P u b l i c a r e a. P e r s o n; has to k n o w; (in the P u b l i c ) ; t h a t; ; he/s he can not a c t; with his imagination ; as if p e o p l e around a r e the " i m a g e s " ; i n his/her imaginations, ; a r o u n d. 
... b u t; on the other H a n d; ; a r t i s t has to carry his i m a g i n a t i o n s; outdoors; somehow; sometime, some w h e r e. artists first job, is to p u t, his images; ; i n outdoor-O b j e c t s.. (I think that w e are not outdoors, h e r e ,4 we are taling i n -&on- a r t.) 

A STORY;:-i n English-. . When I was wrting w o r d s ; a l o n e; in m y ROOM; (years &years ago) on white papers; o n a PAiNTED-B L A C K; T A B L E -my PAiNT;h a s , f i r s t, painted, m y Writing T A B L E; to B L A C K; 

(BLACK i s, DARKNESS o f the ABSOLUTE VOLUME; that shall l e a d us to the W o r l d of t h eR E A L; -and when it is made of PAiNT; there i s a SPACE, t h e r e, for written l e t t e r s- , that i s , these black letters c a n take their black-bodies from that; DARK-MATTER, in the rules of true A b s o l u t e .. and walk o n; white p a p e r, P l a n e..as l e t t e r s from, t h e REAL i t y; world.. ) ).. 

before my paintings- ; there w e r e; o n l y those; ; " little black flies " t h a t; should w a l k ; with m y p e n; and " L E A D; t h e W a y "; how to write, black-letters..T h e i r; L e g s; and feet has m i X e d ; i n MY; L E T T E R s..T h a n, I have to; ; begin m y; " A b s t r a c t MODERN ; B L A C K; L i n e s "; E R A; -period- -leasted 6 yers- ; to P i c t u r e ; -or u s e these black l e g s; l e a k e d; into my l e t t e r s;&ALPHA B E T H..- i f it w e r e n' t; t h e m, in M y L e t t e r s; ; I would'nt have to " realize "; &MODERNiZE(devide it by the means o f beeing with the body of menkind) ; the R E A L i t y-s p a c e; ;that " little black f l i e s " has p r e s e n t e d. ....... i n M E; then. 
S O; while these black- l e g s; w e r e; l e a k i n g ; i n; my l e t t e r s;&ALPHA B E T H; ; m y imagination has to h a v e; been L e a k e d; ; i n t o these, L e g s. S O; I had to, D R A W; T h e s e; black L E G s; i n their; ; true R E A L ity. (Some have argued once;-Ludwig Wittgenstein I guess- can w e know what language c a t s; talk ) .. that m e a n s; U have to; walk with fly-legs first; t h e n; ; U c a n; L E A R N; or eXperience; t o DRAW; these; " F L Y- L E G s " ..and U can not calculate the t i m e; it n e e d s; ; to a c t; i n the V O L U M E; o f; R E A L ity; -SPACE..(where fly legs walk- REALLy..) 

.. b u t; I think; t h a t; w h a t; I eXaggerate i n my images; c a n; b e, translated; i n t o; f i n e; English,L a n g u a g e; if English P u b l i c; wants to b e; M A D E.. l a t e r. (as I am begining to; p u t them; ;i n E n g l i s h L a n g u a g e; ; " w o r d F O R M s ". .. (letters a r e ;not British; .. I h o p e ..) 

I wouldn't; d e n y, that, m y P u b l i c (REAL) ; S i d e , is, m i s s i n g.. (but that has kept m e; i n the field of a r t..and my; 5 personality has been e s t a b l i s h e d; i n art; D O ings; S O..and I think they can come to the s i d e; of society &Public l i f e, but still, hasn' t been carried..y e t)) 
..w i t h all m y; , k i n d ness..


Murat Oktay Danış  D e a r; N i n a , 
U' r V i d e o; l e a k e d in; m e, and still, i s, , t h e r e.
..I think that; I have l i v e d; ; L i k e a Czech ; (& socilaist) , for a long period of my t i m e ..(I know Czech aesthetics, from former Czech fotball t e a m s.. I t h i n k, w e m e t; i n that; space,,and U a r e ; f a m i l i e r; to m e; too. (4 I 've not e v e r; met a n y.. Czech g i r l..I must have produced ONE, in m e -or in my Mind it has occured-..; but s h e , hasn't m e t with reallity, " a R E A L; O N E "; in between the e y e s, that I have.. ,this t i m e.) and that can b e described a s; " a REALity shock " happened , t o ; m e-..(and I am happy; that something is REAL; i n a ThinG; that; L i e -or l i v e- in ; m y i m a g i n a t i o n ..and M i n d..)

..I realized, an other thing..M y; typing, ; S T Y L e; has that measure; ; m e n t; and R i T H m; that c o m e s from, ; Feet & L e g s; o f the BODy.. (in the FORM; o f, these; REALity shoes that U w e a r, o n..) .. I think, I w e a r; these ( REALity-S h o e s ); ; i n my; " typing; l e t t e r s. S T Y L e ". (W h e r e; BODy; can b e involved into; the thinking, i n W r i t i n g s..when W A L K i n g; i n ; w r i t i n g s , REALLy- h a p p e n..w i t h the BODy.. )

W h e n, T a l k; ON; " the b e a u i t y; o f the MOVE " .. 
( where I can STAND) 
..it needs that " 5 a r t ist, personality "; that I produce with the deeds..- for them I have to w o r k every day to ; make these deedy-artists l i v e in m e.-..-instead of living with 5 independent artists " that has made a t e a m in social l i f e "..;although I am a t e a m player..- " , 
.they .b e active simultaneously, i n m e.

I n these, w i d e o s; (of m i n e ) I " point at " ; " some w a y " ; or ," someT H i N G s " , ; with my f r e e; H a n d s; ; -with m y; " pointing f i n g e r s "- ..t h e s e; a r e; t h e; REAL i t i e s; (REAL T H i N G s) ; I am; teaching m y s e l f..by showing them to m y; B r a i n.. ( or pushing beauity to r e a l i t y..by the w a y of eyes that can s e e..) 
T h e n; these r e a l T h i n g s; shall b e; WRitings, baskets in ball play, PAiNTiNGs; & " SOUND art Movements and notes " ; o n the P i A N O; -realizations o f the SOUND made, d e e d s- .

S O; I have to, D O; this; D A N C E; ( o f t h e beauity- f i e l d ) ; and express; t h ese real ities ; to; M y s e l f.. 
...o f course; when t h e s e MOVEs; happen i n PAiNT; (4 eXample) and gain r e a l i t y; than there h a p p e n s; clues; o n the questions like; " WHAT is BEAUTY " ; ( the philosopy o f the BEAUTy ) ..if U a r e ; in letters; and words; when traveling i n; t h e L a n d s where p a i n t; i n g can r e a c h; ; then; these other-worlds can T A L K ; to U; (ME) in the n a m e of; t h e s e; letters &words; , i n return.
..this i s just the thing as they tell; " artist a r e to; m a k e (or D O); philosopy; ; m o r e then; philosophers c a n;", T O D A Y..

ps.
..the " R E A L; P e r s o n s " ; that appear on U' r f a c e; i n the W i d e o, , a r e; the P a i n t i n g s; U MAKE; ; o n -&i n - ;U' r F a c e..o n the stage.. I HOPE; U c a n; dress, all that; REALities; o n U' r own, BODy.. and give them a s ; U a r e. b e i n g ,.r e a l; ; .. I c o u l d feel; that; for U' r spirit, -and BODy; ; i n my " B O D y ; F O R M.. "..

..I DO; not know; w h o they really; a r e; w h e n; t h e y ; appear (and can b e realized) i n m y; " P A i N T i N G s " ; w h e r e ; I WALKED a w a y; to -&4- these other-worlds ; and TOOK ; t h e m, -from there- ; , and I am C O M i n g.. to o u r; W O R L d.


Murat Oktay Danış  D e a r, ,N i n a Hlava..U MADE; m e; f e e l; (I felt ) ; ( " a human body; that can act like a " REALiZATiON-M A C H i N E;-Hypothetically- " ; shall o f e r; ; an i n s t a l l a t i o n; i n; someBODy; - BODY o f MAN -; (and where woman r e a l i t y; fits in it' s o r i g i n ) and t h a n; there will b e, N O; n e e d; to provide R E A L i t y; from NO w h e r e. (an automatic r e a l i z a t o r; to Public L i f e; & ; to t h e; society.. depends on the " b e i n g " of a woman i n; it' s reality.. o f course w e ; know, -w e have lived) ; t h i s; feeling from; M i d d l e Europe ; classical music composers when they present " iternal l o v e " in their, m u s i c.. (in romantic period, especilaly..) 

W e; were i n P r a g, for a day; (after R o m e, Paris, Berlin, Viennna..) 1 y e a r ago..(I travel by V a n, to W a l k; on the L a n d, and go anywhere that I am c u r i o u s, for ).. I eXperienced P r a g; & Czech P e o p l e, i n P r a g..(after all these nations ı mantiond above ) ..P r a g, i s the, the " Primitive P a r i s; that has not evolved to a whole-palace in gold, work of fancy..I belive in nativeness; and P r a g; ; has that native character; p r e s e r v e d..b u t, something m o r e ; than t h a t..S i m p l e icity; ; in being " c l e v e r ness " ; ; (and this i s m o r e socialist; than even socilaism , i t s e l f..and that l i e s; i n C z e c h; p e o p l e; walkin i n the c i t y. " C l e v e r that come s from; p u r e; creation of G o d ' s, that has b e e n; S i m p l i fied; for centuries; i n H i g h; L a n d s..(Dvorjak has that simle -s o u n d; i n his m u s i c; that can s h o w, u s the L a n d of the C z ech. ..) 

S O, that w a s; a ; READY-M a d e; graund; ,where a " czech girl " should; ; l i v e; i n m y; M i n d.. 4 REAL..(R e a l; i z e d; with U' r V i d e o.. ) 

.. t h e r e; i s; a " question than. ..C a n U; r e a l i z e; U' r self; i n; U.S.A..(I 've been in :.York; for 2 months..2 years ago, too.. ) ..as a " naturally -&s i m p l e l y - c l e v e r " ; g i r l.. W h e r e D o e s; that; n a t i v e; " c l e v e r ness "; ; f i t, i n. because, ı w a s, depresed; with formal-clever n e s s; that swims, e v e r y.. b u t; it may b e ; described a s; " conservative cleverness " .. because it has been eXpressed; t o; o u t D o o r s. 
..c a n; t h e s e; U.S.A. civilasiton, c i v i l s; belive i n ; t h a t; ; " Simply clever; -naturally-clever-; a r t ; W o r k s;-that has inner cleverness that is natively primitive in the source " ; is to to b e;the b e s t, T H i N G; that can H a p p e n; to that; NATiON; (while social-traditional Chinese Clever;is being installed into -to FORM- -Worlds nature of being c l e v e r-.... L a n d; o f; that (said to b e; SO ) ; C L E V E R N E S S.. (U.S.A.) f o r or from E u r o p e. 
.. that m e a n s; U.S.A. shall collaps o n far E a s t;- that is c h i n a-.. ..begun to locte factories f i r s t; t h e n shall; m a k e; a WAR; with; WAR; e q u i p ments. to capture; the; chinese-clevernes; i n it' s S U P E R; n a t u r e.. 

I T h i n k that; U.S.A. has to E v o l v e ; o n it' s; O r i g i n a l; natives..that a r e; E u r o p e a n. ..isolated & Alienated; USA; citizens has been; " C h i n e s e ; ; citizens f o r; r e n t " ,. Now a days. 

..finally; I shall; finish my stetement; w i t h, N i n a, -as I begun a b o v e - ..I n Europe, p e o p l e; can shut their M o u t h.. (because r e a l things can b e ; n e a r..).. S o, ı felt, t h a t, I shoul b e a b l e; to S H U T; m y; M O U T H.. ..i f I w a s ; i n E u r o p e. n o W.. (Unfortunetely I l i v e; on the land of Turkey where, USA; r i d e s; it' s H o r s e..e v e n; o n ; M E..)..

Murat Oktay Danış  Hi, Harry, I am glad w e can t o u c h, i n. U can; accept as U L i k e; my; writings are; processed.. ..b u t; only radical; muslims say that Selamun al ey Küm; in Turkey.. i t means " take that; H i; that U ; have l e f t; a t; m e.. " .. w i t h, l o v e.

Murat Oktay Danış  .. thank U Harry.. w e are from the secular side; o f the state; i n o u r republic; i n T u r k e y.. ı have NO; problems with muslims, e i t h e r. b u t, w e DO; not meet them; i n T u r k e y; a s ;much as; ; U can m e e t; them; - abroad-, - ;m o r e then w e; do..- 
... for m y; case, I have to say, , " I am L i v i n g in a; " bell glass "; " ..s i n c e , I ' ve decided; ; to adore my self; to t h a t ; " w o r k, o f a r t. " .. 
...and U c a n ; still f i n d me; i n the " L e t t e r s;" ; more than, o n the street..s. 
..thank U for U' r ,being a Friend.

Murat Oktay Danış  Jodam, it seems ,U were atached; (so U are to detach U' r self ) ..W h y; n o t; try to b e " i n " ; this time.. " i n " is, " nobodies "; P L A C E..and here w e are in Lined i n. and s o ; there i s; a free; s p a c e, to install what i s " i n " , U.
A n y O N E; can; install anytime; ; w h a t he has i n side..it D o e s n ' t n e e d; to b e; ; " a S o c i a l l y; i n Group.." ,h e r e ; I g u e s s.
..any one can interrupt a n y thing; -&any social Group- ; with what i s; present " i n s i d e ".. ; 
P e r s o n has to t o u c h ;himself, (inside ); f i r s t..(I shouldn' t give the permission to anyone; to t o u c h m e; before; I D O..) ..and w e can talk o n a " i n " Platform; I g u e s s. t h a n.. (because, e v e r y ONE ; has an i n s i d e; ;and; N O; one can go i n it; in universal U s e of W O R D s; o r L e t t e r s. (and we need to learn these insides when people talk a b o u t ; themselves..)
Social conversations; a c t; ; a s if U are playing , the o t he r.
I T h i n k.

Murat Oktay Danış  John, I was j u s t; i n ; www.facebook.com/StoltzfusDigitalAbstractArt 
..v e r y f i n e; textures..(by the means of the geometry..the machine..) .ı produce these textures; b y stretching iol color surfaces o f original paintings.(of mine)..m y oppinion is; they have to; e v o l v e; to natural f i g u r e s; , or have to begin from; natural f i g u r e s..i f they will e v o l v e to be d e f i n e d ; a s; in the taste o f a painting..a r t, can walk on using e v e r y; and a n y thing. .. b u t when it comes; t o b e; a painting; (printed material can be defined as picture, or a painting, too..) .. i t is; different than; " contemporary a r t i n g ". I really; l i k e d; " very f i n e " textures " ..b u t, m y soul is asking -or looking for- w h e r e ; are t h e s e; angels; that l i v e; i n these; t e X t u r e s. .. i f U can; " c a l l " ; and m a k e them stay; ; i n U' r textures; t h a n, they will b e the most romantic s p a c e s; ; to t h e s e ; " A N G E L s "..(because colors and geometric things U create; a r e ; very very beautiful..) 
I m a y; call; t h e m, " T u n n e l s " to the; L a n d of; A n g e l s. b u t; I need to s e e; -Iwant to s e e- t h e s e ; angels personally, t o o.. 
T h i s; critic o f mine is not an official o n e. 
..i t is subjective..o f course..b u t, I a m, t o ; p u s h; U that W A Y; ; so we will m e e t; in the same ; f i e l d, -space- ; and b e; brothers and sisters, i n ; a r t s. t h a n. 
T h e y are, v e r y; f i n e; again; and there i s a " cm" ; distance that; U' r HAND; i s ,(or will b e ) , i n t h e m..I c a n s e e.. - that is it is too m u c h labor u gave to this much-w o r k s ). a r t; needs; bare hands; ; to b e i n.. i t. I T h i n k.. W h e n I paint with o i l color; I k n o w that; ; there are m y; BODy; parts; that has b e e n; ; d r a g g e d into that; p a i n t; w o r k. -installed; i n ; that oil-paint w o r k-. ..and I n e e d to carry t h e m; to the s u r f a c e ..I think U are doing the reverse; a n d; s o o n; U ' r HAND; will.. g o into , t h e s e ; c o l o r textures..b e c a u s e; geometric textures; o f e r U; original l i n e s; ; that may not be originated; to the geometry; m a c h i n e.. 

I h o p e; I c o u l d, express m y self. and I h o p e; ; U can s e e; some; t h i n g; u s e f u l l, when looking; i n; m e.

Murat Oktay Danış  THE; P R O; T H i N G; ; " T H E RATiO ,theM A G N E T.. "

The most , " p r o " T H i N G; is .. " t h e RATiO " ; of , MAN.

" i n s t a l l " ; RATiO (ALL) .. ,i n t o; the, P a i n T i n g. ...while acting in the paint..-with the paint- -U are painting- ; ( p a i n t = artist's b r a i n melted..and i s in a paint-can ..) 
(S o t h a n, ,painting can provide " P U R E; r a t i o " ; t o, t h e; p e o p l e )

..can any artist, g i v e all his/her RATiO; into an -the- artwork. ( U need some ratio to use in U' r , daily l i f e.)

RATiO shall collect all these feelings and deeds that ,they make art.( L i k e a M a g n e t; in the b r a i n..)Ratio can make angel-like figures ;(we can call them; beings ) .. t o o. S O; U shouldn' t invent; C u b e ism, to convert f i g u r e s..but cubism has to be studied; as it was invented ;on the other hand....U should know how to deform a thing.. ( o r U can b e in an event that shall; deform t h i n g s.. -J.Pollock used to go to " old car cemetery " with a sledgehammer, and deform things ..and reserve them in his ears. S O; h i s drippings are like sound circles. SO; he can see things with his e a r s; and that is an deformation, p r o cess. too. other than geometric C u b i s m.. that was the USA; w a y; for abstraction; and center of art could change, continent and came to N.York. -Pollock went on experiments and was killed; i n a car crash; ; with L a d i e s that had their e a r s; on -or i n - ,too.

S O; artist has to be in the processes o f different , " standart DO i n g s "..That shalL " abstract " t h i n g s,; into; feelings and d e e d s; ; -that shall come FROM -be produced- i n ,THE bodY- ;t h a n ; should became d e e d s; " i n THE BRAi n ". (U should convert t h i n g s; b y ,U' r BODy DO i n g s ) ,,these d e e d s in the brain shall b e , b a s e; to ART; D O i n g s.. t h a n.. S O; " DO i n g s of the BODy "; shall change -and brake,& melt- things, into , a r t - d e e d s..that are waiting in the brain,, ..and a r t has to u s e ; these; deeds; i n the presence o f; t h e " MAGNET "; " TOTAL-RATiO " ..there , , in the Brain..
L i k e a " TOTAL RECALL "; p r o c e s s; can happen, t h e r e..( a recall that can come all t h e way; from " other worlds ", , Angels, Hobbits, cins, beeings and e v e n ; to " F i G U R E s ; and , objects i n a r t s ; ,o f our world..

PAiNt; writings, dancing, making music e.c.t.; these BODy -d e e d s; ; and giving all U' r, M i n d; (where RATiO i s the M a g n e t ..) i n a r t; may; ; " d i s d u p "; that; " o r g a n i c "; a r t ; f o o d ,READy;to be served l i v e ,for e v e r y; ; BODY; &Brain.. . that a r e ; s t i l l; " o r g a n i c " ..

L A D i E S, & GENTLEMEN..

Murat Oktay Danış  ..it should b e; " dish up" that, o r g a n i c; food of a r t food.. ..(that sentence). 
...U can not b e; sure of what U e a t; i n F a n c y, restaurants..w i t h; shining art show-cases. or display-w i n d o w s..

...by the way; it has occured; a n e w; answer; to that; " W H Y; " I am difficult ".. 
..i t is because; I am Talking to my Violinist friend every saturdays; ;for 6 hours, " to his F a c e " and; H e; tries to ; (get ; Paganini UP; , from his grave.. ) 
(4 he has to pass that; " Paganini; F i g u r e "..although I; offered him to b e a psychoanalitic-expressionist, he insists on, CRACKing; that; " F i g u r e..of Paganini ".. I think ; Paganini -soul is in him..and I will try to bring that Paganini; t o; TODAY..i n that; a r t>, W o r l d,of TODAy ' s..;he hasn't have to live where Paganini has l i v e d.. or be that Paganini-BODy; that w a s; O N C E; t h e r e.... ) .. and he gave m e ; a G i f t; about the " Paganini F a c e " (a video), then I should recognize; ; to whom; I am; Talking; t o..

H e is; a perfect; (and professional ) T a b l e; T e n n i s; player..( so we can T a l k ..as white ball falls on that T a b l e))

....i s n ' t it; difficult; to;TALK; to that " a face " .. ; ( it never gives- u p; making that rehersal; i n h i m..)

Murat Oktay Danış  I have these films, (Goya,Modigliani,.Klimt, Pollock, e.c.t. as DVD s.in my Library.) ..too. W h e n; T a l k i n g; o n " originality " , and travel to the " o r i g i n s " ..I think, origins has to be o c c u r e d, in our bodies. ..art has to be a river; f l o w i n g in , u s. ....many deeds has to flow into that river; and artist is a person to make them flow; together..while these deeds, travel -and flow- in our BODies. t h i n g s (as deeds) has to, r e a c t; with each other, and still w e have to add; e v e r y T H i N G ; i n that river.. 
Then, there come s the t i m e, to " improvisation; a t ONCE " ..( where an eXpression happens; i n an art M e d i u m.) ..(there i s a "creature " in the BODy-&Mind-&s o u l.that shall; J u m p;OUTSiDE.. -may b e a " throw up "-; -that; U ate, c a r e less-. l y- 
(ART HAS; t h a t, eXtra Ordinary; THiNG; -or BEing- ,that has been in, but has to be ; p u t; o u t..-maybe, it has to b e; fiXed; ;-into a Media- ;4 ONCE; i t has b e e n; i n the ; BODy ..-brain &soul- ..4 further resurches; o r ; safe-food productions ,4 n e w; generations.)

...this " f l o w " ; -river of t h i n g s- , that reaches; o u t; into p a i n t (4;example) , still has nothing to DO; with, A R T.. (it only has the talent of the artist who; expresses; and how bright (&n e t;&pure&clean) ) that movement can h a p p e n...) ..T h e n, begins the; process of a r t; (and a field to; art-history knowledges.) I usually, t u r n; that Tuval; to recognize, i f there are difinable; T h i n g s; that; has dressed; the Human-shape..( defination of human shape-code; i s important..that makes somthing change into an art-thing) 
..u s u a l l y; I use a hand camera to take photos; (that is to translate paint-madia-art-things, to that reality-Format; , that we l i v e ,i n..) ..there are many angles, that can change the; mood and feelings and the expression..e.c.t.

.. f o r; m E; ; W e can not; (and we shouldn' t ) see and know , while w e; are making a r t..( these things; t h a t; may be defined a s ; a r t; t h i n g s from some angles, and r e a l i z a t i o n; o f them; ;is a process-after; the paint -job; has finished; and use o f; tecNOlogy;(camera-realization ; and usage of art-history knowladge;) will b e added, l a t e r. (complately separate; process s. DOing art; a s a " throw out " ;and, then M A K i n g; of art; ;4 " the art KiNGdoom ";, o f the; organic WORLD .

S O; I think; abstract art; movement has to b e ; abstract i n; any; step , - it may have-. ...technology u s e ; is an other " abstraction " method..but some work; a s; reverse..WE, paint; with our hands and this is totally; a ; "socialist " a c t.(we shouldn't add o u r ratios; 4 realisations w i t h; paint..U S A G E; of Ratio,requires; an other; s t e p..where machines; w o r k,with Ratio.. 
Then t h e r ; comes, the STAGE; o f computer-programs..where our RATiO; M A K E s; it' s SPACE; and PLANET.. (as happens; i n TRON..film as an example..) 
W h e r e; our ratios can L i v e; in OTHERbeing' s; Planets; ;.(where beings dress the " face " o f our; definations -a s h u m a n i s- ..and so they a r e ; visable to our ; m i n d s..if ONLy ; w e Use our , " safe-Ratio-machnes " , sometimes..) 
..I have to say;that artist has to b e working in multi deciplines o f a r t; , then there will b e " art-y Things " ; i n these, throw ups; to the art m e d i u m s. for example ; I do write, paint, make sounds on Piano, and sport as a DANCE..(4 other mediums o f art i n g ) ..S O, U can f o r c e; " t h i n g s flowing i n U; -from all these free fields- ; t o be things; a s, " art-Things "; ONLY..(there is no short cut; to MAKE; art-things; as they t e a c h; i n schools; I think.

..some I wrote; about; J. Pollock & his, a r t. 
http://muratdanis.blogspot.com/2012/09/murat-danis-this-is-abstract.htmlhttp://muratdanis.blogspot.com/2012/09/murat-danis-2.html


Murat Oktay Danış  ...s t i l l, " REAL i z a t i o n " ; o f, M O Z A R T' s; ; " a r t -y T H i n g s.. " ..(that has b e e n ; , " thrown up " ;&m a y be; " G o d; T H i N G " a r e, among , t h e m..)

http://www.youtube.com/watch?v=vYBHf4oydd4
Murat Oktay Danış  http://www.youtube.com/watch?v=AHiX3W644K4&list=PLFD1EDBE6B5876EB5&index=25

...let m e , add; one m o r e. 
..the difficultes appear i n his F A C E; ; are they, the difficulties; o f David Fray' s. o r is h e ; Looking at ; the difficulties; o f what, B a c h; has; planted; i n his m u s i c..

..o f course " sound " (the notes ) is very p u r e i n ; (purified by difficulties; where art t h i n g s , i n m u s i c, STAND..) ; h i s interpretation.. (sound' s genuinety ; i s very difficult to be produced..then; t o add Realities o f the arty-things, shall c o m e ..)


Murat Oktay Danış • L e t, me add, a story-EXAMPLE..as a " MODEL " to, " figuration; and ABSTRACTion, relation" .i s s u e .

..say,, I have, made an abstraction; -w h e n I was 20- ; and ,isolated; " w o m e n " -&relation s , ,out of m y ; l i f e..NO,;(any) - WOMAN-O B J E C t..
T h e n; should my; Brain; and subconscious; a g r e e, with, that..of course, NO.if there is " no woman-object " brain will b e in touch, then; M i n d-and Brain should, produce " a platonic-Woman Object," , i n, my M i n d; a n d; it would eXist..a n d " b e " ,someWAY..i n my; Brain-Body..(that will b e ; the " POEM-BODy; " ( i n my Whole art planet..-or universe-.) .; in my a r t .. though.. a l s o.)

..i f that; ERA; leasts; ; 16 years; ( going platonic ) , then, there l i v e s, a " platonic -woman " ; i n me; and, any woman can; w e a r; that " unknown-BODy;" and come, to b e ; i n my; brain..and I shall say; welcome, t o that; L a d y..if she can w e a r that; BODy; ; i n my, BRAin; t o o..(a secure place to b e ; in, where everything tries to be located , in W o m a n-BODy ies; ; these days..)

...abstraction o f m e; , then; " platonic- m e BODy " ,(that has to b e in female; Form.. ) .. and these " a r e t o be MADE " ; ; not to E n l a r g e; into; " F i G U R A T i o n.." w o r l d.. (to be able to;stay , a w a y, from; ALL; F i g u r a t i o n s. and additionally; I can l i v e; with F i g u r e s, t o o.. .. but DO; not T o u c h them..or b e in relation with ,the figurings..) (if Uare an abstracter; e v e n w i t h U' r self; to the absolute Volumes; ;than; U may not eXist i n the structuring o f; F i g u r a t i o n WORLD..simultaneously..)

I am a sports man..since Iwas a child..a multi sports man. ı know how to; ; roll w i t h; " Figures " and; O b j e c t s , (like ball is teh m o d e l; to that )..
...then, they (Figures ) , will -and c a n- enter my BODy; (as they are; and they shouldn't change, in m e; because, ı wouldn' t react or be in relation; with t h e m) ..they travel in M e..(and my BODy ) ,then; they, h a v e to come out, some how..(if something can enter than should , come out ,too..) S O; a r t; is a " throw up " , for all these; ; traveled-Figures &Objects; , in M e..(in the stomach, acid-process may have abstracted; in different degrees; ..and then appears; ; the steps o f " STRUCTURings " " structuring states " ; ..i n the T h i n g s; a s, they were these steps, for art; D O i n g s..

...if I am an " ABSOULUTE-Volume; ; Platonic-POEM; p e o p l e "; ,but additional to that; I can care fully, roll with the ; Fi g u r e s; t h e n, , these F i g u r e s; can b EXpressed O U T; into m y; Paintings; t o o; as "still , same F i g u r e s " o r they may have m e l t d; i n; the F i g u r i n g; s t e p s; naturall y..(i n the destructuring ,that t i m e )
(but this T i m e; because they have been; i n the A b s o l u t e; ; t h e artistic Form o f that; F i g u r e; has to b e enlarged; t o; ALL-universe, as well as ; i n " anti-matter ", too. .. where " OTHER WORLDs, b e i ng s; " can come to our World as they; c a n; dress; the " F i g u r e s " o f; o u r W o r l d..

S O;" F i g u r a t i o n " is a " w o r l d l y -object-structuring " ,process. and there are; a r t i s t; s that; work; 4 , " Figuration, Company "..(and that is a must, i n culturation of things) ..
..b u t; on the other hand, some u s e, PoE m, (dadication to Edgar Alan P O E.) ..where F i g u r e s; ; travel their way , to t h e E A R T h..( from OTHER WORLDs ) into, a r t; t o o.
(as; E ; a r t; h..)
( " Figure potential " ofObjects ,can keep ;Things in a r t; still n a t u r a l; ;& " organic " ; i n the a r t ; M e d i u m s..) ..SO; I can say; I may be a v eery " STRONG-FiGURE; " , L i v i n g, i n my; l i f e..and ,concrete..socially..
1 ay önce


Murat Oktay Danış • O.K. W e have , " t h o s e invasion s,&occupation s; o f the ALPHABETH " L E T T E R s " ; h e r e.
...any " letter " h e r e; thinks, that they a r e; basic " figures " ..
..after all they are 29 characters, i n my; language..but they can invade l i k e;an army; t o say -and TALK- for ; THEMSELVEs..
W r i t i n g is, someThing l i k e, that..M a i N characters, has to b e; " ALPHABETH; LETTERs " ; and U have to give, t h a t; a b i l i t y ,to; t h e m; " i f U WRiTE; t h e s e letters.."
other w i s e; be a " WRiTER-F i G U R E "; -in the society- ; and put these letters; under pressure; to; b e able , to say; what, U think; -what has o c c u r e d;only in U'r M i n d..- by dressing all these l e t t e r s; ; and letters may not eXpress, t h e m selves..(from the L a n d; of the ALPHABETh.)

I am " WRiTER of the ALPHABETH LETTERs " ; I am not, a F i g u r e ( WRiTER; the Voice of the Public-Thinking..on through; the Alphabeth.. ..)

I am, curious about; WHAT; ALPHABETH; w i l l; s a y; o n the i s s u e; we are o n.
..and I T h i n k; this is a TRUE-B A S E; ; to a " standART; ; iNTELLECTUAL i s m."
..and " social Thinkers " ; D O, n o t; AGREE; w i t h; that..(how,Alphabeth; t h in k s..)

..C A N; Alphabeth; T H i n k ? .. Y e s it can; if U g i v e ; U' r BRAin; t o; i t.. ..W h o; can L i v e; without a, b r a i n, in Social; l i f e..( S O; Social L i f e; swallows; o u r; BRAin s..too..as art can; DO; the same..it is the problem o f; the C h o i c e, in f a c t.
S O; D O E S; ALPHABETH, c a n; ; i f u give permission, t o ALPHABETh..(to ocupy U' r brain..genuine e l y )