6 Aralık 2016 Salı

-2- STEPS - of - t h e - ART - MAKiNG ..

________________________________________
MAKiNG - art 2. STEP ; :
- GLOBAL - FORMAT of -FiGURiNG :

NAME oF THE ; - ExAMPLE - PiCTURE : ,, is : ,

- " EGYPTiON ROMAN BLACK - WARiOR s . "          

         
 -  /( 7 11 2016 )
: ; 
________________________________________
.. 2- STEP s - ,,
...   of -      - t h e - 
-   "  ART - - M A K i N G  "  :
.. __________________________________

1- STEP -1 :Loading the  E. KANT - Aesthetics - Aesthetic - Concept - - expressed - in -
-  the improvision . = DOiNG ART with PAiNT .


2- - STEP- 2 : " the -  " CRiTiC - 

-  of - the - PRACTiCAL - REASON " - 
- that has - Dropped -into the -
PAiNT - & Painting . = Global-Figuring -WiTH REASON ..

-with the RATiO - in -the - COMPUTER' s absolute volume . ..

________________________________________
- how ı understand that  sentence .
" Kant’s Logic in the Critique of Practical Reason "

- due to Kant - Aesthetics - there has to be 2 steps in MAKiNG art .

1-  - Easthetic expression and DOing art with the Paint

2-   MAKiNG - Criticsm of the PRACTiCAL REASON that has Leaked in the PAiNT &Painting .


- so ART - Critic ing -  - is to be - " THE - HALF " , of the - ART - MAkİNG .
.. O.K . these - classical - Art - WORKs  .. where - can be - their - 2. STEP - of art Making ..  what are their - MADE - CRiTiC - ERA ..  . by some - reasonable - art critics , that only talk - or - write - something - on that art work

PAiNT a PAiNTiNG and then - give to someone that can - MAKE - the - REST of your - ART - MAKiNG , in advance and - additionally
.. now two - art - work - - in STEP 1 , and - step 2 ,, as examples

http://muratdanis.blogspot.com.tr/2016/11/blog-

http://muratdanis.blogspot.com.tr/2016/12/2-steps-of-t-h-e-art-making.html
..
..

/( - also - E. -KANT-has - PREDiCTED - THiS -would happen. )
_____________________________________________________
..
,,

- T h e - ART - of - 
the - - PAiNTiNG - PERFORMANCE -
-    in 2- steps ..   :

_________________________________________________________________________________

1. STEP : LOADiNG - the - Aesthetics :



- improvised - EXPRESSiON  with - the - PAiNT :








_______________________________________________________________________________
beginning - the - GLOBAL - ART - FiGURE - FRAMiNG . : with :









______________________________________________________________________________
ART Criticing has to be :
- framing - AND FORMATTiNG - the - PAiNTiNG - in a GLOBAL - Figuring ,, :
and  that - is ........................... :
____________________________________________________________________

2. S T E P : .__________________


2 -    - "  t h e  - CRiTiC - to the - PRACTiCAL - OBJECTiVE - REASONiNG&  -
-  of the AESTHETiC EXPERiENCE  - " : ..................................................................

- - that is the TRUE - "  CRiTiC "  - of the - original painting -art work .
/( because it adds noting - to the art - work - itself ) ..
/( every art critic has to add some things and - come new thinkings to
the original art work .. but in that - case ; the CRiTiC has to only ,, cut -
turn, stretch , " mirror image " , and - PASTE , the original - painting image . )





























... WHO ARE THESE - " BLACK - WARiORs " ,, up in the picture above :
..
.. -  where did they come from - and - - to the EARTH ..
- into a - war - of the ancient - EGYPTiANs .. on the battle - field .
- and - does that - FiGURiNG - can - PROViDE - KNOWLEDGE ,
US - about - THEM ..
- WHAT - WERE - they ,
or - W H O -  --  --  - T H E Y  - -  W E R E .
,,
" KNOWLEDGE - is - important - and -
ART - HAS TO BE ABLE -
to - PRODUCE - KNOWLEDGE -
to U  S ,
- f r  o  m -  FAR - A - WAY - - OTHER - SiDE - REALMs -
-- and - from - unreachable - Distance ..
..
and - if some - thing - includes - KNOWLEDGE ,,
- then , it has to be - taken , as  "  a - KNOWLEDGE "  ..
,,
it is not important - where they - CAME ..
..
.. " KNOWLEDGE -is - KNOWLEDGE " ..
/( some will be - useful some will be - real .. ) ..
,, knowledge is identified as , :
it comes -* from - REAL- REALMs ,
 -  "  the OTHER - SiDE  " - ..
..





N O T E S : ..

.purpose of the aesthetics is " purpose " ,itself . you are to target/purpose- - to be able - pass -or WALK - -in to the - " OTHER-SiDE " , of the REAL . because only art can bring us the " knowledge of the REAL " / the - ABSOLUTE -OTHER-SiDE .. 

.. and all " KNOWLEDGE " , we know also are - from that - REAL-SiDE .. some are useful , some still we do not know where to use . /( but production of the knowledge has to go on .. so one day - they will begin to be addable and - will be useful - also , ) .. .. also -in Real worlds. if we can go there with our feet .. so in ARTs - - " REAL's - KNOWLEDGE " has to be - DONE - / and reached - - by - THE - HANDs of the HUMAN .. .. if we can create - LAND - of ART's ,, with our hands then we can create - also - - /&walk -on that - LAND - of - THE - " AREAs - of THE - R E A L " also , with - our FEET . . one day .


..BiLL - why can not you come to that: .political -LEFT - and - political RiGHT ; was a game - for people to play ,internationally - to learn , the " Mirror - image " , .. and - " mirror imaging in their - brains " - - also ,.. can you imagine " A - THiNG - " /or-ıSSUES ,, from LEFT - to the right , ; or - From RiGHT - to the Left - occur .

.. in Making - arts , /( not like - in POLitic acts - &tactics ..) we do not need to be - lost in the conversation - like in politics . . because nowadays we have -photo - EDiTiNG - programs in our computers and we can , take - " mirror - images " , and , that - includes , both , from RiGHT - to the LEFT - and - Left to the RiGHT . if WE HAVE A - USEFUL-THiNG - ofTHE" Abstarcted - art " .SO - we can - use , that ,, LEFT and RiGHT- images both in ART - FiGURiNG . then , no need to talk acts in the politics .
,,

IDEAL -CAPiTALiSM ; is Unique . it is to PRESENT-REAL-EXTENDED - VOLUMES /( and - SPACE -for -freeWiSDOM-USE- -also in)4US



































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