29 Temmuz 2012 Pazar


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WHAT W i LL    B   E;   a"   N E W  "; -i n A R T-;  aC R i T i Q U e  ..

SO;      ;  D   O   ;  "  the WORK  "  w   i   t   H;        ; the     " ARRANGEMENT  s " ;  
( t h e Orcestration     o f  the  M e l o d y..     -whli e Melody    is a gift      ; from theGOD-) 
....    of  an  art work,      
......  as       ;"   artwork   "         ; can      " c r i ti Q u e "     ,  i t s e l  f  ..


THE  ORiGiNAL  ART W O R K..  ( the painting )
  

 ARRANGEMENT O F    "   THE CRiTiC s "
   
"      TWO         L O E P A R D  s      "     .. ( -with  2  yellow  " B i b e r o n  s "  -  )
    
    
L E O P A R D      " G U  A  R  D   s  "  ..
MEET       W i T H  THE                     "  L E O P A R D i A N s  "  ..
MEET        "  M      E; "           ; i  N        t  h    e;           L  e  O   p  A R D   i  A  N     s.....
"  MAGNETiC F i E L D      e    X    p   a n   S i ON   "  ;         i   n     "   LEOPARD i A N s  "  ..
  
 "   T R U  E;      B    E   i n g   s   "  ;        i   n    L E O P A R D    s.. 
  "The  B E i n g.."
                                            
  "    D  U  A  L   PERSONALiTy   "   ; -M    E-     ;   w   i  T   H;      t h e    "    B     E    i  n  g...  

SO;        the      "   CRiTiCs "                ;d i d   ;         ;C OM E..   ( o r  they  w e r e always, -and ALREADy-  i  n   the  painting;     w h i l e   I      b e gun    ;  to   P A i N T;      ;   the   P a i n t i n g..

THE  " CRiTiCs " HAS COME  to;   " CRiTiQUE "  ;   m y   painting..(i n through;  m y  original p a i n t i n g..  o  f    the;               O r i g i n a l      -A R T  that is  A B S T R A C T-   
S   O;         "   I  can    S   E   E;   U  "         ; (from the Avatar film)  ;        ; " t h e  PAiNTiNG  "
 (although  i t   seems  , I m a d e   the  painting,  I  n e e d    to  s e e ;  i t;   TOO..  theGOD; i n  m  e,  has established  t h e  " e q u i l i b r iu m  "   o  f   the  " art system  "  i n   m   e.. -that means ;    I am not a person  to MAKE;    what has been  tought  to me  a s    the" system  o f  arts "..-
(SO e v e r y  O N E;  m u s t  have an individual   " art system "   o f   his  own  ;   (so it must b e " martial "   to include t r  u  e    talents o f the person)      ; to  a d d;  theGOD;     ;   as  w i l l    p r o v i d e ;   t h e  T r u e;   " e q u  i l i b r i u m "    ;  to   t h e    " ART W O R K.. " ))
 ...  a n d  " CRiTiCs "  has    p  r  o  v  i d  e d;      this  " SEEN "   ;    to    m   e.. ( what else better a critic  c a n  provide..)

ME:..


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" a   n     o t h e r ";  METHOT ;    O N  C R iTi Q U E  ing..  ART  W O R K S..

I think, the honest critic   will   b  e ;  i f I  s a y;  
" I think that  ,  ; I    did  t h e s e  W o r k s;   -o f  U'r  s-  ...  and  critic them as they  w e r e ,  m e;   -&  m i n e-..  (   -b r o t h e r ..-  )
F i r s t  of  all,  this improvisation   style  of    U' r s  ,    i s similar to      m y;  s t y l e;  o f   improvisation..  t o  o..( otherwise I wouldn't  make any   critic  o n. )..On m y  WAY;  I  made;  thousands  o f   these, improvisations,  s o  I can say,  I  have  experiance on  h o w   they  make " c r i t i c s  "       o  n them..


WHY I DO NOT GO TO ART HiSTORY CRiTiCS
1-  ( on this kind of impro,   w e DO not n e e d,  critics from, regular,,-or rational-   art critisism;  I  think..)  ( I prefer to go to my m i n d  Dr..to give me tactic o n my  feelings  to develop them in  any  W A Y;  m u l t i     w a y s-    ( because s h e has a  total mind that  rational professionals can not reach; she is totally a  " w i s e "  person).. as   " I  can  D O;  ANY THiNg "..and this will work b e t e r than  regular  art  c r i t i c s  of  the  " rationals  "  ..
2-   .and  I shall go to play a basketball match;  that is a  " martial a r t "  ,  with strategy and tactics to b e created on the f i e l d..
3-   .. o r  I  GO;  to the " ALPHABETH "  and w r i t e ;  it' s  letters to s e e; how these  " drawings "  find  n e w  WAYs  t o  m  y;   D  O; i n G s..   or  I go to  MOTHER P i A N O;  to listen to m y; HAND;  i f  there  o c c u r e s;  any;  s o l u t i o n s;  or n e w  WAYs; to  m y  feelings..(these all are art DOings; instad o f, DOings  i n L i f e.. -in daily  l i f e- ..) 


L  e t    m e;  explain,  m y  point  o f  wiev  ;    how I  " c r i t i c ";  t h  e s e,  Abstract eXpressionist   " i m p r o v i s a t i o n s "     ; with  the  P a i n t.. "  :
I n my  thinking,  i f  "  U  "    DO;  n o t     l o o s e; " U'  r  "    " conscious "    -U' r Ratio must b e shut-  ;  ( free feelings of the  BODy  &  thinking  , and the  quick HAND;  m u s t  take   the L e a d..  )  (just like in martial a r t s..)  ( U know these already because U' r   Work   has these improvisations, ..)  S O;  some t h i n g;  c a n;  escape  f r o m  the  control  o  f   the RATiO;   (that can be said a s;  RATiO can not catch m e ; or RATio will fallow  m  e;   only when my HAND;   r e a c h e s  at  n e w;  discovers  n e w   THingS ..)  ( but they still will b e   dressed  with the ratio.. after w a r d s..)  c  a  n    O C C U R..  i n  t h e PAiNTing..( PAiNT is real  m e  d i u m;  - b e d -   to the  ANGEL-L i k e  things  o f  ART;   s    ..,, to  swim i n..)
...b u t,  first  o f  all;  HAND; o f  the " T h i n k i n g "  with  " tHiNgs ";   i s  faster than RATiO can  a c t;  
..s o  RATiO;  o f   m a n;  can  b e;  apart   from;  his  DOiNGs...(the LABOR o f DOings & feelings, and thinkings , will produce art, first ;t h e n  RATiO; shall add; F O R M  to  these DOings; a f t e r w a r d s..)  (but in the Western Rational ARCHiTECTURAL; PLANED  thinking, RATiO  h a s  to  come  first, then some will find the w a y;  to  DOing art; i n  some  " ism' s "  ..  I am not against, this architectural approach;  b u t,  w  e  mediteranian  p e o p le;  a r e;  sensual,  - emotional, sentimental, affective, romantic, emotive, feeling, sensational, sensuous, soulful, susceptible, susceptive-  and  then w e can  not  g o, in these  regulatians;  o f  RATioanals.. t h e n, it  occures; a s  " w e can  not  M A K E  A R T " ...
.....but  o u r,  being  emotional; can include; m a n y;  " ism s "  naturally  i  n   US.  and  I  think;  there  is  a  DOOR;   that  OPENs   t o;  t h e  " CONTEMPORARy " ..p a i n t i n g..(and remember postModernism; they have confesed;  " the painting i s  DEAD " ..this w a s  because;  they could not  u  s  e;  contemporary  a c t s;  i n the  p a i n t i n g..SO; acting " martial " in painting;  is the way, to  paint i n " contemporary "  behaviorals..  & COMPUTER EDiT  programs;  w i l l   complate;  this  m a r t i a l ;  a c t;   with the  ;TRUE iNSTRUMENTing;  with  the geniune  MACHiNE; o f  " CONTEMPORARiANi s m.."
I  t h i n k.. 

T  h e   s e  ;  ABSTRACT  WORKs  are rich  -& fertile-  to b e ;   STUDiED;   i n  the computer, e d i t  Programs, b y  only arraging them...  No n e e d;  to a d d ; any line ,or any color to, t h e m.. these are basic to all arrangements..S  O;  t h e y  have;  " h i g h   V a l u e  "  ...
T h e i r   computer  arrangements,  M a k e   M O N E Y..I  guess..and this may produce " MONEY ", (the origins of money in fact goes to a  " picture ",  and money predicts the new e r a  of  the  visable knowladge)..
T h e;"  original PAiNT i N G "   produces  " sucsess "  acording to how many  contemporary WORK; has b e e n;  a c h i v e d ;   f r o m;   the   original..  The original painting is a DOOR; to  an  " UNDERWORLd  L A N D..( I may name i t; the L a n d  - s-    o f;    , the  IDEAL CAPiTALism..)
SO;  i  f   someone has to  " price "  the  , original PAiNTings;  then;  some " critics "    has to  WORK;  the arrangements, o f  the  original..  ( if U' r child has been  K i n g, then U are the,  MOTHER QUEEN..)
THE CRiTiCs  O F TODAY..
S  O;  SOME  CRitics   o r  COLLECTORs;    only  feel,  or  has,   intuition  a b o u t  -or on-  some original " a r t  H i s t o r y; -patented-   WORKs "  -     (paintings made by paint)   o f artists..T  h  e  y;  predict  that; there are  -or may be-  many    " edit arrangements "  that can produce; o r   i n c l u d e  ;      the many  charactors o f "UNDER WORLds "..  (but w e are in computer a g e, and computer e d i t programs can carry these o r i g i n a l s;  to  the  " a b s o l u t e  Volumes " to o p e n  them  to  t h e;   UNDER ATOMic  W O R L D s;  o f  the  MATTER..and capitalism says, U are MADE o f  A T O M s;f i r s t   ,     before  U  w e r e  made  o f  biological  c e l l s..  -from heaven..-  S O; ;  a r e  the   area f o r  ART;  of  M A N    ;too..LANDs   o f   the  UNDER MATTER  w o r l d s  o f   the capitalism' s..       i  f   U  DO  not  F  A  C E;   with  U'  r   ATOMiC  LAYERs;  t h e n   U  will always b e  a f r a i d     ; of  t h e;  DARK..
..Conficius of China says,    
" there is no bad thing like looking for a black cat in a dark room..-where there is not  ANY BLACK CAT..-   "  ..
...and  SOME;  s a y;      
"     art    ;  o f the man      ,has been  a weapon;  to  f i g h t  against  t h e  ;  DARK;LANDs  that come  f r o m, " the a r e a ,    " o u t   of   c o n s c i o u s  ness "      i  n   fact  ..(SO  art is not a  story o  f   L i g h t; -or  ; nature o f  L i g h t- ..)      Social life gives us light,, b u t;  e v e n P u b l i c  gives us the  feeling  o f  DARKness,  and the   u n known..(  that  in fact      is hidden     i n atoms..   and molecules      that w e are based  on;  -or  i n -  ..)


These   a  r  e;  some,  "  " a r r a n g e m e n t s "   " orchestrations "   ;  that  I made on your m e l o d i e s,,..(painting s)..C O N T E M P O R A R y;   arrangements, that shall  intoduce U' r  culture;     t o  m e ;   ,   S  O  , I  could;  s e e ;  the culture i n U' r  paintings  -from my wieving-..  n  o   w..  (because u n i v e r s a l;  art style;    "  abstract expressionism improvision "   i s  an universal c o v e r ;( a socialist method in universalism)  then   " contemporary "   ;  o p e n s  the undercover..to  t h e   I D E A L  L A N D s..   (that are  r e a l;  I think..)  ( what HAPPENs;  i n the   R E A L;   s  i  d  e;  I  g u  e s s..)
W h a t   I will  s a y,  i  s;   this , universal  " Abstract expressionism "  i s; a  DOOR;  t h a t;  r e a c h e s ;   to  the IDEAL CAPiTALism,L A N D s ..because, when U apply;  c o n t e m p o r a r y,  (from the basic computer  e d i t s),,i t  directly O P E N s;       to  b a s i c;  CONTEMPORARy Painting of,    the i D E A L  CAPiTALism..L A N D s..   (  who can not make " abstract expressionist impro. " they had to  i n v e n t, ; " CONTEMPORARy ART "  i n;  architectural;  m e t h o d s..     -of Today' s  CONTOMPERARy  ART   fields...-
 (my thesis is   ; if they could continue on modern painting and study painting in contemporary planes  and layers  ..(such as installation art, conceptual art, performance art,hapening, e.c.t.)  t h e n,  these  idiot-like works       -so brain itself  can act like a computer  to learn that brain is not a computer;   - that is brain can teach the brain-  -    o f  architecturally planed  contemporary a r t;  wouldn't  ;  o c c u r..      -although  M o d e r n i s m;  has been  applied  to  the painting,, o n l y.    -.in the theoric planes o f relativity i n quantum mechanics scientific lavels-..-that i s  ; including the methods o f the  quantum mechanicila  science that has a DOOR  o p e n i n g  to  the  L a n d;  o f  the  C o n t  e m p o RARy..-

 I  h o p e;  U  c a n;    s e e ;  what;  I   SAW;  i n U' r;   WORKs..
..because  U  M A D E;  them,  i n  fact.. I only  r e arrange  t h e m,   with  o n l y,   " m y  RATiO "..   they are all;  U' r  HAND has M A D E..(ratio is the property of capitalism i n fact..Muslims say this   a s ;    ALLAH;  o w n s;  every thing..and his IDEAL Capitalism will occur when RATiO i s  United..)   

M y critic  i s ;  :       there  a r e ;  some  valuable;   pieces  (these peaces are very high in value..)  and  abstraction is being made to reach to  these pieces..(these pieces are priceless,  b u t  art work can b e put into prices..)  ...abstract expression creates  a  fast  flow  and in that river U have to  c a t c h;  incredable  " f i s h e s "  ..  i f  they swim; in the   " a r t   work "      ; then this art work is  v a l u a b l e; too..
..these   T R U E;  WORK;  o f  " abstract  expressionist "  paintings  a r e ;  the most;  valuable things in  a r t ;  I  assume..

21 Temmuz 2012 Cumartesi


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WHEN "  iMPROViSED; A B S T R A C T i o n; at O N C E; "     ....HAPPENs
...t h e n,  objects -that are real in L i f e-  are " P A T C H e d "  i n the  PAiNT -WORK..
SO; t h e y  have to BE; M A D E;  "  REAL "    f   o   r   ;art's US E, -real 4 art use, this T i m e..-  .. on the complatation with computer..
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OBJECT; i n s t a l l a t e  d  ; i n t o;  

 " a b s t r a c t  iMPROViSATiON " with paint..but ; in the  STYLE o f ;  patch-W O R K..
..t h e n  will BE;  REAL; and COMPLATE; e d ,  a g a i n ,
.wth the computer ; " miror -WORK " ....

..but this T i M E;  i t is universal; i m a g  e  M A K i n g; process i n a r t- W O R K ..
" universal  OBJECT..   -i o n-.. 
..... (object m a k i n g; " 4  art " ..us e s ..) "
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..to make  ,   n e w Objects;
-  f r o m, t h e
the, "  h e l f s "  , AND  q u a r t e r s.. e.c.t.. - 
( by using computer WORK )

...that h a s ;"   H  A  D    OCCURED   "    
 ;  i n the O R i G i N A L;   " a b s t r a c t  improvisation a t  O N C E - W O R K.. s " with PAiNT..

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" THE ART- R E A L   OBJECT " ,           "   i n STALLATiON;  o f;  "the Object; O                                                  C C U R E D.., " into the                                                                                UNiVERSAL i M A G E..i n                                                                                g.." o f " improvised P A i N T  WORK; o f  a b s t r a c t  A R T "  i n g.                                                         
.....

p.s.
..if           ;  " universal abstract    d e r i va t  i n G   HAND "   ;  ;  T O U C H E S ;        than                       " THE OBJECT "  may  b e   "  i n s t a l l e d       i n Universalism  ( universal object)  ;  "   a  s;  s e e n   ;  at the  r i g h t,  ..   I  guess..  ( the HAND; has    ;projected     -d e r iv a t e d-    ; SO..)

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REVERSE;  (MiROR)      "   i N S T i T U T i O N   " ..  to   M  Y;               A R T      S T Y L E..

I f  I  have  graduated  f r o m  an  ART;  S  c h o o l;    then I  w o u l d  have  learned;   how t o  ; picture  m y;  " thoughts "..       -and my feelings and my     i n t u i t i o n s.  &my   imagination s.. e.c.t..-
T h e n   I    w a s   to;  begin;  to draw  and  p a i n t  some  preliminary s k e t c h  s.
L  e  t  '  s   say;     I     w  a  s    SO;  and    I   d i  d;   these   S K E T  cH e s   ;  
  
      
       
            
  

FiNAL  S T E P:
T  h  e  n,  S u p p o s e  that;    I   m a d e;   that   P a i n t i n g;    to  p u t,  o  n    a   n  exhibition..  o  f    m i n e.
T    h   e  n;   this   m  a  y  have  been   t h e;  achievement;  I   could   r e a c h..(as an art scool graduated)
...and  t h e n,  sell  i  t;   to   a   convenient, and a  h i g h   price;      (that means what I did    w a s ;  to b e  better  than others..)

...... b  u t;   then   m  y,   evaluation  b e g i  n  s
;   i  s  there  a  w a y;    t o;   p  u  t     all that  I  did;    i   n   t   o ;     a    " u n i v e r s a l; abstraction "  ;t  h  e  n;  t h e r e   will  b e    " THE T O U C H "   o  f;   t h e    G O D' s;       b      e       i  n  c  l u d  e d ;  i N..      .(I made  m y imagination  b e  on  " concrete objects "; but reverse has to go to abstraction.. )
..I      let    the  control of        ;m y  intellect,  intuitions, feelings,  thoughts, DOings,  my RATiO,    - these are all, m y  BODY-;      -all these-   to   the  GOD;   i  n   m   e..
..T  h e  n;  GOD;  will;  M A K E;  the  " universal  A B S T R A C T; BODy "  o f  ;  m e..(the universal abstraction of my body in art field..) (God may take derivatives;of the    o b  j e c t s     - in the  s k e t c h es-     ; that has been  made  as paintings;again and again; t h e n; when universal   m i x ture ;that GOD's HAND  i n   m e;   M A D E;  (as a multi derivated; avaraged avarage, n o r m a l   T H i  N  g..  -that is u n i v e r s a l   thinG..-)
..appears;  i n    " s e c o n d s " ..  (that is a spatula  w o r k,  a shake  o f  a  HAND in the paints on the tuval..)

T  h  e  n;  if ;  I    MAKE;  SPORTing;  w i t h  m y  BODy;  then;  SYMETRy  o f   the  B O D Y;  shall  go on adding  TOTAL;  U N i V E R S A L s;   a s  intellect,  s a y s;  ;   t    h  e     n..
. 100X70 cm oil on Paper, 1990 by murat danis.. 
t  h  a  t,  " u n i v e r s a l ; i  m  a  g  e  " 
  "abstracted by  d e r i v a t i o n s  ;      -of  calculus maths  of  the science-     ; taken by  ; "  the GOD' s  HAND;  "  ...
.....   "   O  C  C  U  R  E  s.."   or HAPPENs  as a   "  PERFORMANCE;  b y   the GOD.."
(artist s   BODy   ;    i s   " t h e  WAY  ";  -or  the road- to  that; ;  " hand o f the GOD' s.."   i n  art..s)
...can  I say,  I  w  a  s;   the   asistant,  o f   ; " the GOD' s "  ;  while this  t o u c h;  o f the GOD;  OCCURES..   t   h e n..    (that means I    l e t ,   m y  BODy  b  e  i n  the  f r e e  U S E;    for  a r t   to HAPEN..  as  god  would  touch to the paint and tuval,  t h r o u g h  my; BODy and HANDs..  I could l e t  god, act i n  m y  hands,  I  guess..

L e o n a r d DO;  w a s; an  uneducated;  t o  o..(by the school..)  SO;  h  e  could  reach;     to  this;  " abstract universalism;  "  as  his paintings has b e e n mysterious,  and mystical.  H e   should  paint the  GOD' s  book' s tales  to call GOD into his paintings..)   that m e a n s, when GOD  w a s  in  the LeonarDO' s painting;  than GOD  should  act  i n  L E A N A R do' s  HAND;  to  t o u c h  any thing, o n  e a r t h..


20120424113918-image00003
murat danis
Zeitgeist;   " the soul of  the T i m e " . i  s;   
...  "  S P O R TinG.. N O W..   " 
(..to MAKE; SPORT s )
....( the n e w HOME; to " B E L i E F " is, SPORT,,these D A Y s..)

EMPTY F i E L D;  i  n    t  h  e    ;   C E N T E R: 
      -if U have JOB; in M i n d;  then center i s  full..-
M a k i n g   S P O R T;  is other than, working  o  r;  being busy; w i t h  a  J o b..  (When U DO so, U put U'r intellect o r,  RATiO o f what you will m a k e ;  in  the  center..then U'r BODY has to become the body o f that t h i n g;  i n the c e n t e r;   named as a  " j o b "..)
W h e n   m a k i n g  SPORT;  f i e l d         is   "  e m p t y "    in t h e  begining.        t h e n  U ' r  body,  (all U' r body functions; like, ratio,mind,thinking,intelligance,arm hand,l e f,  belief, imagination,  rememberance,  strategy, doing, making, intution, e.c.t.)  b e g i n s  to  fill  i  n   t h e  "   E  M P T Y    F i E L D  ",   b  u  t  ,  i n  a    s y m e t r y...(N a t u r a l, symetry o f  l i v e; & biology..biology has a unic symetry for a live-being..)

SPACE 4 U'r   " OWN B O D y "  ...
SO  SPORT;  needs  an  e m p t y,    f i e l d     located     in   " the center " ,&  this emptyness will  fill in U; as U make sport..  SO  there will  b e  m o r e   space;  more room, for U' r  OWN  BODY..(that  means; U' r BODies; a  r  e;  full of  many  other kind  BODies;  -that we are rational beings in the PUBLiC..-      and only SPORTs can give e m p t y  space  4  our  OWN  B O D i E s..)
W  h  e  n  making  SPORT;  w  e    m a k e  ;  OUR BODiEs;    sontaneously,    and in the symetry o f  it' s  B i o l o g i c a l;  B A S E s.o f  the n a t u r a l  BODy..(even s e x, has that symetry  two bodies become totally  simetric  with  a  " n a i l "  like a x i s..   ..on the surface & to deepen it w e fall into the hole.    -many symetric parallel bodies are created..with comes &goes..) 

SPORT is N E W  RELiGiON..
Religion i s  in the  hearth o r brain o r in t h e  body o f  thinking.  b  u  t,  w h e n   w e   make  SPORT; GOD  OCCURES;  i  n  us;  with  h i s   UNiC  S Y M E T R y.  S  O    I;  say;     SPORT  i s; "  N E W    RELiG i ON.."    (so s e x is the ancient  o n e..sex is like Euclid Geometry..   if U' r art has  e u c l i d   G e o m e t r y, than it is ancient. too..)

DO WE NEED  AN  " EMPTY  P L A C E "  in the C E N T E R..          4    A   R   T;   ; TOO..
Y  e s ;  art  b e gins   w i t h  a   empty  place,,  i n the center..(a tuval, empty page, or an empty sound recording band, e.c.t.) A  R  T; begins to fill i n;   t h e  emptyness step by step,  &they s a y that art has a symetry of it' s  o w n;  and  t  h  i  n  g  s   C O M E;  spontaneously,,  t  o  that  empty  a n d   S O;  free-space  C E N T E R..this time   "the t h i N G s "  of  ART' s;   w i l l   ,  fill i n the empty  c e n t e r;        (  N O T  OUR OWN  BODY; L i k e  it happens in  SPORT..in sport our biological body creates itself;  but,  in a r t ,   the  bodies  of  things  make  their  Bodies i n the free-empty space  of the c e n t e r..WE NEED  A C E N T E R;   so symetry c a n  BASE; itself  to  that  c e n t  e r..)

CAN  W E      ;PLACE;    -or insTaLL-   ;S P O R T;  ....  i n t o  A  R  T s...(that means can we install our    " SPORT M A D E; sponteneous B O D y  ";  i n t o ,  a r t ..)
....then; w e have to  m a k e,  SPORT;  first..(to free our body and let it happen in it's b a s i c  symetry..).... t h e n   we  begin to m a k e  art..(that means our BODy will be located in -or installed in- the nature o f  art' s;  b o d y..   first.)  SO we will have human BODy, i n art; as a b a s i c  OBJECT..S  O ;  spontaneous  symetry  of   the       t h i N g s  of  a r t;  has    to   b e  ; "parallel "  to  t h e  symetry  o f  the  human BODy..             -because B o t h  will  b e  in;  the  a r t   m e d i u m..-

   " the  TOTAL  B O D Y;  o f  A R Ts   "  ;  has  to  H A P P E N;   in the BODy o f  the ARTisT;that has MADE; SPORT;  ;  t o o ..
if w e combine   both,  the " Biologically   BASED B O D y   T H i N G  " -this is the body of the artist m a d e  in sports-      ;"    " &the  a r t;  t h i n g s  from t h e  art L a n d s; "       , i  n    the  same      a r t     m e d i u m;    t h e n;    a  r  t;   has   to  b  e;   with  it' s    TOTAL  BODY;     - L i k e  a SPORT M A D E  B O D y;   i  s..-   (what is TOTAL BODy of art:  ,,art has been put into pieces,  b y  basic cassical branchs, like painting,music,dance,literature, theatre,sinemae.c.t.  and  modern classifcation, a s;   classism,romantism,barok,expressionism ,impressionism, fovism,surrealism,realism, e.c.t.TOTAL  B O D y; o f  ART; combines  t h e s e   a   l   l;    i n the   B O D y;  o f   an  -sport made-  A R T i  S  T..)

T  O;  REVERSABLE ACT TO     COMBiNE;        "  ART' s   B  O  D  y.."
i  f   R e l i g i O N;  (& ideologies ) c a n   b  e;   instaLLed  , into  OUR BODies;  a s  daily habits  &b e haviors     ;    ;   t h e n;   
  t  h  e,  b i o l g i c a l    B O D Y;  of  human c a  n   b e;   i n staLLED;  ; into  Tradition; and     r e l i g i o n  made;     i d e o l g y M a d e;     RATiO  M A D E;   t   h  i  n   g   s..in t h e  BRAin..   b y; m a k i n g;   S  P  O  R T..o  n  l  y...
if RATiO;  & m i n d; (these are in the BRAiN)   ;   devides  our  BODies,  into  parts, o r pieces;      t  h  e  n,  BODy  has  to  C O M E;  into  BRA i n; (by making SPORT; continously and spontaneusly,,) a  n  d;  b  e   installed   into   t h  e  m..reversabley..


WHAT  D O   U;  instaLL   i n to;    U' r  ART:
S  O;  this   c  a  n    b  e ;    CALLED;   a   s;  "  installation o f the  HUMAN  B O D Y  SYMETRY ";     i n t o  the  BODY  o f  "  TOTAL  ART; B O D y.."  ..   C  a   n    " symetry o f  art "   b  e;  depend  o  n   the   symetry  o f  the  B O D Y..   I  think,  i t  is  t h e  ba s i c   thing; that has to b e     i n   A R T..(art has b e based to  Human BODy; symetry , because art is a river that flows in the BODy of ARTist' s..if art' s symetry will make a difference ;         t h e n   i t  must  b e BASED  o n         the HUMAN;  SYMETRy  too,,
THEY iNSTALL;  THE FiGURE oF the MAN; the HOUSE;  the CAR;  the TREE; or  any OBJECT;  into their art works..(still into their BODiES; from their  BRAins..)..they install their  RATiOs;  THOUGHTs; behaviors, PUBLiC; any thing that has been planted into the Brain.(their expresion,depression, anxiety,hapyness, sarrow,romantisism, realism, dreams ,,imaginations  e.c.t.they install these, into, a r t medium..-the bodies of all  t h e s e..i  n  s t e a d;  o  f ;   installing  i  n  ; their   O W N;  SPORT MADE BODies;  NATURAL  S Y M E T R y..-

PROBLEM  iS;  DO   U   iNSTALL  WHAT iS in U' r B R A i N  ;   ; into  the  BODy  of U' r  OWN;        still i n  U are M A K i N G   A R T.. too..so u found, the body medium of art to spoil it, with the Brain..
BRAiN iNSTALLED iNTO the    B O D y;  o      r;  B O D Y; insTALLED ;inTO the BRAiN...
..i  n   CONTEMPORARY; A R T; o f TODAY's  ;   t h e y  are  a f t e r ;  to  install; t h e i r  ; RATiO  WORKs;   onto -or i n t o-  the  BODY o f  " te THiNGs &OBJECTS..  (from their Brains ..)
...  b  u  t,  the Z E iTGEiST; o f   t h e    E R A;   is  " MAKiNG  S P O R T; f i r s t  "      in this CENTUry..  I  g u e s s..

 H O W  CAN  U   CLASSiFy;  or   WHAT  i   s;  the   CATEGORy;  o f   t h i s  PAiNTing;  i  s..
I  may  s a y;  there  i s  a  HUMAN  B O D y;  that  has been instaLLed  ,into;  RATio;  of the BRAin THinGs..( because I made s p o r t, my biological body has b e e n  installed into m y brain; S O; when I made art, a r t; has  to  b  e;   i n that ;  BODy;  TO..
T h a n  I  may, investgate;  all  a r t;  categories, and classifications,  i n  that;  TOTAL;  B O D y, o f  M i n e.  )for example, I can lookfor an expression, or impression, or can b e surreal; with  t h i s  BODy TOTAL; -in art- ..
S  O;  this  i  s  a  (SPORT B A S E D; PORTAL -BODY-  )    ;  that ,   all art history   ; will b e  put  i  ..n..afterwards..(because this is a BODY;    -a v e r a g e- ,,there a  r  e;   a     dance, a story,a   music, written letters, symbols, theatre, cinema,  a r t s;  m i x e d,  i n this  BODy;  then i f BODy is TOTAL;  then I can  b  e ;  expressionist, fovist,impressionist, surrealist, romantic, classic, all in the same BODy;  (because, basic art bodies; -dance,painting,architecture,theatre,literature,cinema,e.c.t.-  -they exist i n that m i x e d ;  painting-  ;   c   a  n;  h e   l  p,        to   be  multi  " i s t "..  at the same time in  a r t..can U be impressive, expressive,surrealist,& romantic,and classic; simultaneously; ....    a     r    t    can;   i   f   U    can   P   U   T;      U  ' r     ;   B O D Y;   i   n  t  o;  t h e  ART;  M E D i U M..  -of course to put U' r all BODy  i n  ART;  needs U to make all these branches o f art' s..i  n   U' r  L i f e..  and that is a  TOO; hard a T H i N G;  to   PUT; in  art;  t h e n  to;  e a i s l y  put;  U' r  panis b o d y,  into  a  Woman' s pussy..-

.....this  painting has been  M A D E;  by  a  spatula.. T  h  e  n;   there  i s  a  n   OTHER  SPATULA;  i n   edit programs;  o f  computer' s..SO;   SPATULA; i n  A R T;   has   a  velocity,  when sliding on and i n PAiNT..(altogether with the t h i n g s  of  art;  f l o w i n g..)..  b  u t    the  SPATULA;  i  n    COMPUTER EDiT the Picture;Programs;  a  r  e;  ABSOLUTE;  S P A C E;  M A K E R s...(my spatula in art has p u t space in the obviously poured paints; b y  sliding paint,  i n different dimensions  t h e n;  a r t   t h i n g  s   of the art L A N D;  has e n t e r e d;  ; i n    the M E D i U Mo f  painting )  THEN  I W iLL;  PROCEED;  o  n;       -ARCHiTECTURALLy-,         with the  " SPACE " maker, SPATULA; EDiT PROGRAMs..
S O;  architecture h a s to;   p  u   t,   a  r  t;   i n an  o t h e r ;  indipendent, SEC intoTiON.. (RATiO can b e PUT i n ART; afterwards; not during, painting..M e d i u m of RATiO;  i s  not the M e d i u m;  o f  hand using in paint..)
..computer' s       e d i t   SPATULA;   will  proceed   o  n,   to  open   s p a c e ;    to  t h e   art W O R L D;  creatures to  H A P P E N;  i n  E A R T H..  o f   art;  in the sport m a d e  artists;  WHOLE;   BODY;    and in the  ARTs  TOTAL;  B O D Y;  including,  this, painted, painting..
........of   c o u r s e ,  w e   have to  add, HAPPENing; ; perforance art, installation art, conceptualism,improvisation, abstraction, absurdism,  and e.c..t   ..........to this expressionism,impressionism, surrealism,,i and .e.c..t.  ...these  all  a  r  e ;   i n that;  spatla painted  hand m  a d e;      ;  P a i n t i n g..

  
  
  
  
  
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ıı

LOOK  WHAT  LeonarDO;  w a s  p u t;  into..   S O;   h e   had  to   put them  first;   i  n   his    ART;  t h e n;        ( what  he was put into)    ;     b  u   t;    t  h   e   n       WHAT h e  COULD;  install i n  ALL  T H E S E;  T H i N G S;  (as  the ART of his BODy)    ; asthese things in his paintings  ; t h e y    s  e   e   m;    a s  they w   e   r   e ;           his  a  r   t.. 

    ..

  
..can  w e say,   b o t h  are
, (  {A} mysterious, enigmatic, enigmatical, secretive, mystic, secret, sphinxlike )  ...
They b o t h;  h i d e  ;  the   " b a s i c "    c o n c e p t;   -underneath -     - o r -   ;   b e h i n d..