17 Mayıs 2012 Perşembe

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murat danis   GOD' s  " the M O V E" ..

 


W h e n; I  think; about; L e o n a r d o  DA V i n C i;     ;  Process;  " THE MOVE "  o f;  GOD' s;    i s  to  b  e;    r e a c h e d   at;  it  s e e m s..
This means, every BODy  M O V E;.. but this move o f     " every Body ";     a  r  e    ,  their  m o v e ;          ;N O T;  " THE MOVE " of GOD' s..
SO;    L e o n a r d o;   i s     a f t e r;    the  L i g h t  of  the  GOD' s;   o r the " MOVE OF THE  G O D' s"    .. ; (   " one centered, L i g h t ";   in his paintings;  & a perspective e n d s;  i n  infinity, with no details & color would go pale...to the tuval b a s e m e n t ,,.)
He w a s; multi telented; and because he was after the" light o f GOD' s "   ; h e didn' t   finish m a n y  workes;h e begun.. (i f he couldn' t see; the L i g h t;;  i  n    it he did not go on)...(i f I am; after " the L i g h t ";  then it is normal; I will  paint;  a 20 quick t u v a l s  ; i n  a  session..m a y  be;  the next can catch " the L i g h t ".)

W H O   i S   ;     T O   CLEAN  ; "  THE  M O V E  ";
W E; c a n;  s a y  ;  ARTiST;   h a s to  D O;  multi -THiNGs;    -MULTi -MOVEMENTs-;,    - in multi deciplines -     to  c  l  e  a   n;   "the L i g h t";  o r      ;" THE MOVE"..& when;  t h e   MOVE ; o f the;  GOD;  i  s   R E A C H E D;  t h e n;   L  e  t;   t h i s "  M O V E  ";   show  US;     "  EVERY; t h i n g  "   ;  that ; "GOD  h a s ;      i  n    M  i   N   D "..  (  that w e will;  l o v e   to  w a t c h..)  (   NO; art history; o r  NO  i s ms;    a r e needed;  t h e n ..  because  a r t; deciplines a r e like; " isms"  ; & m u l t i  isms; c l e a n  the  MOVE;  little by little..   .........instead;  every   " ism ";   shall claim that; one  " ism  "   s h o u l d   DO;       t h e  whole  cleaning..)  (artist has  to  DO; in  m u l t i  ;deciplines..to clean the MOVE; -of GOD's... b e c a u s e;   w h e n  w e act;   it is a complex move; that means our ordinary m o v e s  a r e; not  c l e a n;  or  refined  a s a GOD'  s;  L i g h t -L i K E;  MOVEs..)

A r t ;  has deciplines      ;&when an  artist  ;     DO     i n     ;  every decipline ,    it    i s       ; to  c l e a n  ,   
  " t h e    M O V E.."  ..   ( with a SPATULA; surf o n poured  paint s   -colors-  ; - i n  s e c o n d s-     a r e ;  enough for      ;educated; and deeded -RATiO;    t o  draw it' s    " simultaneous  ; &spontaneous       ,4 Pictures "..:
  ( U can not belive       w h a t  a clean  MOVE;      i s  capabl e  o f..      -i n any field  o f  art;   that U are not educated  i n-    U can touch    any m e d i u m,      with that ;  MOVE..     & U can not belive     what    happens     ; t h e r e..  w i t h   t h i s  CLEAN   M O V E..if there are 7 arts; than U must have cleaned the M O V E;     ; 7 times..      .........art' s  deciplines   cleanings  a r e; t r u e; cleaners , b e c a u s e;  they all a r e based o n;  m a t t e r;      ;m e d i u m s  ;  o  f;       the  " R E A L  A T O M s"..   -of the substance-)


W  h  i  t  e     L  i   L   y; ..

" WHiTE   L i L L y  ";           w  i  t H;    i n    " tHE  ABSOLUTE  DARK;  C   R   A   C   K  s  "...
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"  L i L  y;   F l o w e r;    CRACs  "  ;    i n    " the  REAL;  A  b  s  o l  u   t  e ".  ( D a r k;    a r e ;   the CRACKs..L i l y  is white i n fact; b u t,  L i l y  has been  c r a c k e d ; -and reduced-       i n t o;  the  R E A L;  Z O N E..                          -by  making L i l y; drawing ,     f r o m;  t h e   c r a c K s-         -that  m e a n s;  L i L y; has been  " c o ll a p s e d "  into  "  the  REAL  ZONE  ";       -o f    t h e  BRAiN;-        where darkness i s  a b s o lu t e-    ....)
..............and;   &; MODERN;             ; because; i t  is;      "  4  S i D E D "..
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murat danis
 MY;  ETHNO-M O D E R N;    CONTEMPORARi e s..









Leonar d o;  did not make these; m o d e r n & contemporary paintings  a  b  o  v  e..     ( as I m a d e  them; v i s a b l e..)


On the Contrary;  H  e;   m a d e,  them  all i n;  o n e  SiMPLE  & MODERN;     portrait; (    that is LADy with a Nermineep  ,, )..

T  h  i  s    w a  s;  the   " COMPUTER "  i n;  L E O N A R D O ' s;   h e a d;   -brain-  ;  SO; h e could M o d e r n i z e;  the whole; ETHNOLOGical t h i n g s..N   o  w;    w   e    have;   real computers;   s  o    w e;  can  w a l k ;   b a c k w a r d s;     to   do  what Leonardo' s  "computer "   ;   has  DONE;             y e a r s   ago..H e has made it  simple..from ETHNO..N o w  we make it ETHNOLOGical; from the Mo d e r n..(  this  is not French Modernism; o f course..this  i s; ITALian;  R e n a i s s a c e; MODERNism; -a contemporary-modernism, i n art; not modernism i n science; e r a..)

N O W A D A Y S;  ; after  w e  have;  "  R  E  A  L "  ; MACHiNE;   C O M P U T E R;  w    i    t    H     ; US;      S  O..L e t'  s   s  e  e;   HOW DEEP C A N  W  E;   G  O..



.. o   n   l  y;    w   i  t  h;  copy-paste strech, and turn;  I  have  M A D E;  the contemporary;  UNDER ATOMiC ETHNOLOGical;  P i c t u r e s;  -or PaintinGs.
.(SURREAL; can b e walked  b a c k  to  the  REAL; i n COMPUTER..)

S     O;  t h i s     i    s; a  contemporary MODERN;  painting;  M A D E  by;         ;CUT & PASTEs..only..
...because i t  i  s;  MODERN;         ,w  e;  c a n;   turn it;  o n                  " 4  S i d e s "..
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t  h   e  n;   w  e;  can  go  ON;    w i t h;  t h e;  CONTEMPORARy;   P R O C E ss...

NAME; o f the ;PAiNTiNG:
" NiGHT W A L K;   - ON  "CUT HORSE "   -  ;  W i t  H; a   FRENCH ARMy  OFFiCER..UNDER A BLANKET..é



  


I   UPSiDE DAWn;
I