murat danis
..i F W E ; M E L T; a " P O L i C E S T i C K "...........
....M U L T i P L E L i N E s; tO;2 D R A W with.......(ContemporarY D r a w i n G)
....t h e n, w e c a m e to;2 " MU L T i P L E -1- Li N E s "... that A R E P A R A L E L L... if U have a "" Spatula " at the d i a m e t e r o f a B A S K E T B al l ; t h e n hold it horizentallY, then p o u r some paint on it; t h e n paint will begin to D R i P ;;,,, -from the S i D e s of S p a u L A..spontaneoUS L y.-
. M o r e than " ONE F l o W L i n e s " o c c u r.. and t h e y begin t o f l o w dawnwards t o the p a p e r -or canvas- that l i e s ON tHe F L O O R.... -L i k e a P uppe t ee r; 's H a n d; H a n G e D Up ; then strings - r o p e s- touching i n t o th e P A P E R; -or canvas- (there is a flow SOUND L i k e a heavy rain flows o r silance of a snow -f l o w - F A L L ...when strings touch P A P E r..)
..Possi b l ities ; "A B L E itiEs " O F;-or FroM- 3 Dimensi O N aL; L i N E s..to TH E F R E E DOM O F T H L İ n E ..............i F LiNE İ S " A B L E D " THEN IT I S E A S y 4; ART T O;2 C O M E i N; f r e e d o İNgS..............O F DAiLy L i F E.......................................
..A r e these sculptureS ..because what I was DOing with the " spatula; in my H a n d " w a s F o r m ing; a sculpture i n the a i r; to S H A P E; - the A i R- or s h a p e the P A i N T that w a s D R i PP i n G from the SpaTULA..or ON the spatula still... S o the L i n e s has C U R V e D; -because my hand made a m o v e (3 dimensONaL) ; to s h a p e..-
S A Y , I am a S c u l t u r er; and I am shaping something -t h a t w e can n o t s e e- with a spatula in my hand..A Spatula h a s many parallel " L i n e s " O N it w h e n M o v e d.(I D O my PAiNT i n g s with a spatula too..on the p l a n e..)if I am a sculpturer than this spatula moves 3 dimentiONaL and these lines ON it are 3 dimensional L i n e s. (So these 3 dimensiON give f r e e d o m; to t h e L i n e S.) T h e n although the sculpturer's L i n e s M e a t with t h e P A P E R; -L a y ing D a w n ; on the floor- they b e c o m e 2 dimensiONaL..on the plane of P a P e r.. but t h e y s tT i LL h a v e the " opportunities " & possiblities; and freedoms of the 3-dimensiONAL.. - w e a r i n g O N-..SO; if a Sculpturer DraWs a sculpture o n a plane P A P e r.Can w e say he has D R A W N something, as a d e s i g n to a painting..M A i N thinG here i s what e v e r U 'v b e e n DOing, -dancing,painting,sculpturing, playing basketball, driving a car, e.c.t.- i t d r i v e s and d r a W s; L i n e s,; and L i N E S must b e L i b e r a t e d; or made m o r e F r e e.. -if I was; a L i n e, I would act; ONLY to b e free..N O metter i f it should b e 4 ;For painting or dancng or sculpturing..- A R T has it's F O R M; and it w i l l come t o what I am DOing ,S o m E How , b u t I DO not knoW; from where,-TO WHERE- w h e n or WHy.. if I am painting then ART FORM -OR form o f Art- should come into PAiNT; t h e n... T h e n I shall r e a l i z e; W H A T has B e e n A R T; or What A R T has B E E N.. SO ;this c a n B e; definatON O F; "C O N T E M P O RARy " i n A R T... L e t A R T; to;2 come; w h a t U 'v been D O i n g; i n Y o u r DAiLy L i f e; -a s it-ART- L i k e s to b e or h o w or when to COME- too stay 4;e v e r, " stable " i n U'r M i n d, & can b e Recalled e a s i l y by U'R R A T i O...
SO; i f U went to ART SCHooL; t h e n " U have to DO "; -or MAKE- -or M U S T- something d u e to ; some t h i n G-s-.. ( you can not l e t U'r art lay i n U'r D a i l y l i f e ; and m e l t in your b e haviors.. t o;2 (here, 2 is U as, U live i n U'r D a i l Y L i v e) c o m e surface intrough your feelings and f r e e D O ings. U can; m e a t any " i s m 's " ;-eXpressioONism, impressiONism,Cubism,Symbolism,Surrealism;e.c.t.- o n y o u r w a y to surface freely -h y b r id s or m iX tu e of ism's- but that does not m a k e U artist from this ism's. (but U still have to l e a r n them from M A S T E R PRoFESSors of ART HistoriANs...w i t h the MASTER PiEces of ism teacher ARTists; that w e all know them 4 they are famoUS..) - i f U have b e e n CONTEMPORARy in the b e g i n i n g; w i t h U 'R D a i l Y L i v e s..t h e n U are CONTEMPORARy ARTiST; - o r S a y, o r U are L i v i n g in the same " A G E " or E R A ;withall the m a n lived i n History, and even c a v e P a i n t e r s, they all w e r e CONTEMPORARiANs; " 4 " ; w h a t e v e r they D i D... -Y O U can n o t R E F i N E; U' r S E L F; as U ARE a iSM M A K E R; i f U ARE N O T; A T E A C H E R................
...WHAT A R E P U T;inTo The " P O L i C E S T i C K "; ( PREssD by P R E S S U R E ) -black elastic r u b b e r;- while a d e m o n s t r a t i ON ; S O; U are T o; take them O U T of i T (the Police Stick); a s U are a CONTEMPOrar i A N.. or w e can say, a P O L i C E STiCK; i s a CONTEMPORARY O B J E C T; to P U T anGry M A N i n.. -& as a CONTRAry AcT; - S O M E ONE; U N E E D;i S A CONTEmpo rarY ARTiST; t o F R E E T H E M.. (artistt has to f r e e o t h e r s; n o t himself, not with the feelings o f his OWn..SO you do not n e e d beauty a e s the t i c s to m a k e art w i t H..)
..They F o r C E; U; to draW ; (because Uare t h e driWen) w i T h; M U L T i L i N E s....because ; That w i l l t a ke U A W a y; from b e a uty a e s the tic s; to;2 U'r k i n d; to the synthe t i c ProductiON o f L i b e r t y...i n L i n e s..U h a v e to;2 accapt to;2 b e synthe tic o r " Contemporary " ; i f you have t o R e a c h to the f i e l d of L i B E R T Y; (instead of freedom to;2 Yo U..) "4" Lib e rTy ,can G i v e U " A B L E iTiEs "... i n ART A r e A ; TO;-2-o.. C A N U D R A W; wiTH 5 P e n C i L s; S i M U L TANE O U S Ly; - the S A M E; P i C T u r E.......- S a y there are 5 floWs -dripping- from the S P A t U L A;; then U have 5 L i n e s that will b e d r i W e n b y U'r H a n D..
..can U t h i n k " w h a t U will D R A W " while t h i s 5 continious f l o W s..(S o U must t h i n k 5 times f a s t e r than U draw with a computer mause...)
.....t h i s is Contemporary w a y o f DEAWing I T h i n k.. i f somethinG i s driWen i n U before , t h e n it will c o m e O U T, w i t h a S p e e d; L i k e that...
....... g i v e any O N E; this " Spatula with m u l t i p l e dripping L i N E s " and a P a p e r; t o S E E,, what H E/S he R E A L L Y C A N D R A W... D o not tell m e; I can draw U l i k e miror D O E s... I m u s t be a " moron t o shorten m e to what a miror c a n M a k e.. t o picture a M o r o n that can b e p u t into a M i r o r...
p.s. was Picasso contamprarY o r M O D E R N; when H e D r e w; t h i s p i e c e..
