5 Eylül 2012 Çarşamba

20120424113918-image00003
murat danis
this is abstract..  
1-      (ATOMunderABSOLUTEspace; ABSURDity BASED;   ;     ;ABSTRACT..)

Although they say abstraction begins with W.kandinsky;    ; U.S.A.  " abstract eXpressionism " ;     begins with J.Pollock..Maybe art has came toUSA;     -from Paris-     because of J.POLLOCK..(of course this i s my looking to; art history..)
T h e y  tell; (may be; I am making i t;UP;)  a story about J.Pollock.H e is against image figuring -as made in Europian art- -draw what U see with U' r eyes-   ; H e   goes to a car cemetery.with a " sledgehammer " .Begins to smash; " car images, there ", (" & expressions i n  him;   will o c c u r;w i t h;  acting on -or to-  ;  a n ; OBJECT); SO; the images " c h a n g e;  into unknown shapes.From the well known to unknown..From r e a l; to abstract;-maybe-.  ......but interesting t h i n g; happens as a side product to that; a c t i on.A  g r e a t;  " SOUND " to the artist's E a r s..  A b s t r a c t i o n; GOES W i t h;  a highSOUND; to the E a r s..SO; the M a i n; perception; changes.. i t  comes mostly  t o  the  E a r..  -to the e a r center of the brain.-  ..S O  art is NOLonger;  with the main perception with the E Y E; ever s i n c e;  t h e n. &this is the main Concept;that art has changed the continent. I t has   c o m e; to USA.
SO; J.Pollock begins, t o  pour; WHAT HAS BEEN Located; -or accumulated-  i n  his E A R; -or hearing center in the brain..-  S  O;  these pouring-paint;  to a surface; i s  with the circles.(because sound goes with  -emits- with the enlarging   c i r c l e s..SO; endless t u r n; o f curcles in Pollock W o r k s; begin; -&he couldn't pass beyond that effect; in all his carrier...to brake dawn this circles; he was to hit his car; to a tree; by the road; with the high accelerating LADies; -the deep circle-generater sexy Ladies-..All the way to his bASiC start ;    i n car cemetry t o; t h e;  MANs  C E M i T R y..    b u t ; this time;he flew his car;  -and his statue i m a g e-  as a huge statue; has been made by him. car has crassed; to a FiXed   ;sladehammer HaNDLE; (a tree) .. but this time, h e had His   -C i r c l e; STATUEs-  C i r c l e  M a k e r s,  w i t h ;  him.  SO; HE DiD; H i s t o r y..from a p r i v a t e   h i s t o r y; (that was Iam interested; i n) & to a     ; national statue; O N E..   (I have a HollyWood  film; "POLLOCK"; by EDD H a r r i s..by the way..)
SO; J.POLLOCK;  has demaged the " EYE influence; i n a r t; "  ..w e could; express; w h a t  w e had; i n our; E A R s..which are more natural; " &genuin i t y; and natural f a c t;  can sleep i n the e a r section o f our brains; "  ..That m e a n s; natural; art pulp sleeps i n o u r ; B r a i n; c a n  b e ; spontaneousLy; b e  P O U R E D;  o n the C a n v a s..  (naturally; it is not real..i t can be described as abstract; because     " objects smashed into themselves; "  a  r  e;   -or can- b e defined as; " theABSTRACT"..
....D i d; POLLOCK; POURED;  t h i s  PULP; -untouched  PULP; this is PAiNT; from the can-   ;  to the; CANVAS.. o r  has he M a d e ; -added- C i r c l e s;   to; this Pouring;  attempt  .and call i t ;  a c t i o n; -not expression-  painting.. BASED; o n  the L i n e  M aking.. ACTiON;  m e a n s;  these turning lines w e r e ; the trace o f; an acting thing.. finaly this a c t i o n;  comes to the  " under atomic " electron a c t i o n s "  .... and  POLLOCK;  h a s  M A DE;  a b s t r a c t i o n ;  i n  the  ;  A T O M;  structures..  the drawings o f, abstracted ATOMic; i n s i d e s...should b e  POURED; i n t o;  the  ; PUBLic L i f e;  and this e l i t; social socieity. -because it was, too deluted; and corrupted of this delution.
.
POLLOCK; i s  in  T H E  ATOM;  N O W;     -in the P a i n t i n g-       ;m a k i n g; an ATOM; inner space;      as he fallows the path; o f a " black f l y ", in his studio; (supposing that little black fly is the " antimatterFORM " 4 a n ; " electron " obJect   turning ; in the " absolute volume; o f  t h e  ATOM; Architectural;  knowHow..
BUT; the MAiN GOAL; is,  to fallow the;  f l y;  and  " be able to      -get into AtomUnder Absolute SPACE; (not into the BLUE sky above)-   get into; &  A C T; with the  " ATOMiC-style ACTiONs " ; w i t h ;  H i s  OWN; B O D Y..   to    s e e;   himself; in the ABSOLUTE; VALUME;  ; how H E;   A C T s; inthere with his BODy-orSOUL..as he becomes an ATOM..  this is L i k e; asking;    "  ARE W E; ATOMs; too.?  "  ...
Tuval; -canvas- -fabric- in his mauth; (that is a cigarette) ; there is a  " smoke SOUL OBJECT "  -just MADE-  f l y ing; and standing; i n the a i r;..in front of his EYE; -just gave a LOOK at i t-  this smoke made ORBiTAL THiNG;   L i v e s; i n the ; canvas; -fabric-      ..
............ ; then;  knowing     " WHAT "   ;  L i v e s; i n  " underFABRiC-space-"      -shall come on the surface with the  " white paint;that has been put; o n the Fabric -  ;  HE iS THiNKiNG;  HOW  H E  COULD; P U T;  i t;  into  ;  t h e ; " Absolute; VOLUME; o f ATOM; UNDER;  space..                                               I think; UN EXPECTEDLY;  he discovers  ; that h i s  E G O;  and his BODy;   TAKEsPLACE;  as; they;  w   e   r    e;     that;  S M O K E;  MODEL; OBJECT; t h e m  S e L V E s..     SO;  he, d e c i v e d ; his;  " p u r e Natural; BODy; to L e a k into that SMOKEmadeOBjECT;  and SO;  H E COULD; g e t into the ATOM UNDER SPACE;  by the MEANS;  o f  this     ;         "  SMOKE-MADE;   - WHiTE-DRAWing;-  OBjeCT ;  D   O   O   R.. " ..
... 4 that to HAPPEN;  H  e  WAS;  to ; PUT;  his;  E Y E; pupillarries;  -Like the dark EAR WAY; s -   FiXED;     ;O N;   to  that;  timeLy;  and ACTiVE;  Live;    -but with NO; VOLUME; making.;as a statueOBJECT; d o e s...       -               ;    drop; o f  the;  "BLACK; L i n e;       that is POURing; "    or  PUMPing-   the  " a b s o l u t e; VOLUME;  4thisALL; to HAPPEN; i n.  WE can SAY;  H  E;   i s;  GETTiNG; i n T O;  the Absolute volume SPACE; as his Pupils are the place this black L u q i d; i s;  flowing ; i n t o;   h  i   s;    B    O   D Y;    in  fact..
I   W  i  S  H;  WE  H  A  D;      t   h   i   s;      P  r  i m  a  l;   -primitive-  ACTiON;  P  A  i N T i N G s;  of H i s;  -WHOLE;  BODies..-  -inthe PAinting;SPACE; as well as in the " Absolute;inner ATOMic ; VOLUME..-   (these W E R E; i m p r o v i s a t i ON s AT  O N CE;  STATE;  of his works; but HE; surpassed! them all;  -ERA; o f that should came , afterwards; H e must have thought..)
....t  h   e   n;   H  e   was ;  to;   C O V ER;  -these primitive acts- ; that his PERSONAL;  BODy;  A C T s; &THAT;  his PERSONAL ART H i S T O R Y     by  ; the  PUBLiC; MOVEMENTs; o r ACTs to BE; given to;  t h e  PUBLiC; L i f e..  H  E; MADE;  SCULPTERES;   o u  t; o f;  ;-from-  his Paintings.   H  E;  added  C O L O R S;  -Colored L i n e s-   ;  .......
.........HE  M A D E;    CAOS L i k e;  PAiNTiNG-SCULPTURES;  that  were the miXture o f; indivi D U A L;  & the PUBLiC; Hybrids..   (I think; H e  WAS to<; PUT;  some HUGE-C A O S ROCs;      (MADE; o f ATOM, PLASMA; SO; ATOMs of our BODies; can not b e;  DRAGGED A WAY; by the PUBLiC; PRESSUREs; o n the indivi D U A L i t y..)   ; to  MAKE; a DEAD; E N D;  that;  H u m a n;  BODy;  should  b e ; cought; there;  from; these DRAGGiNG; F o r c e s ;  o f ;  "theCapiTal is M "  ..
p.s.  (as I am to; b e 4 the OFFER; same thing; in r e a l; picturing F o r m s; 4 BEinGs; to L i v e ; in the WALLs; L i k e; Pets L i v e; in our Apartments; -but they a r e ; still;  statues; o r; Sculptural ; V o l u m e; using; Creatures; L i k e  US..H u m a n..Human has to be able to STOP; 4RATiO; to begin toM O V E;,,)


...but  ;  h e r e;   o n that;P i e c e ;      ...   COLOR;  addded;  L i n e s;   t o;  the " ABSOLUTE;  VOLUME;  SPACE  A C T s;"        ..Colors hasn't  HAD MADE; CaOS;  y e t;       only, Black L i n e s; has changed;  c o l o r.    .-the nature o f the Absolute Volume; has changed a Little-      , w e can say..
H e; left; this;    ; in the     -Primitive; a c t  of-;       " impro at O N C E ";  stage..    HE; did not; the WHOLe; " PUBLiC' s   ACTiON s " on that  p i e c e ...   an OBJECT; o r    a  T H İ N G;  - from the WORLD;-     has J u s t;  G O T;  i  n  the  " underAtomic  Absolute space.."  -primitive   y e t..-      ..b u t;   UNFORTUNETely; ; this state o f naked; ABSOLUTEness;  -  this -     MAKEs;  i t  ;   " ABSURDLy-A B S T R A C T E D; "   (ABSOLUTE; VOLUME; makes the thing  ; b e abstracted;    -Language of the figure is ,SO-     , i n ABSURD; manner..)  ..
... b u t ; s t i l l ; POLLOCK;  tries; to;  s h a p e,   a      ;    B L U E;   " F a C E ";  there..  as  it should;  turn ; into;  t h e  REAL;  in the Future.                          ........(AS I try; to FORM; these  REALated; T  h  i n  g s;  HAPPEN;  a s I  PROViDE;  M i n d;  SOUL;  and;  RATiO;   to   t h e m..  -of course all these are provided b y  M  e;  but;  I am not owner o f; these universal intellect;  m a t e r i a l s,  t h o u g h ..   i   n  the  SPACE; o f  underatomic ABSOLUTE; c o m p u t e r ; spaces; and w i t h ; the universal ;   " e d i t Program " ;  a c t i o> N s..  ) 

M Y;  W O R K S;   PARALELL;   t   o,          "      POLLOCK'      s..   "


M  y     W A Y;  ; to  that;  " ABSOLUTE;  V O L U M E; "  " BLACK L i n e;  A  C   T  i     O   N; "     P  a  i  n  t  i  n  g   s. is differed; in   s o m e;  W A Y..
I    U  S E;  A   B i G;  and LONG;  SPATULA..   I  POUR;  BLACK PAiNT; from the can ;ONTO this; Spatula METAL; when it is horizental..T h e r is a Bristol Carton Paper, on the graund; and I stand still, o n it..  T h e n,  black-Paint; begin D r i p p i n g;  with;  M ulti;  L i n e s,  flowing out o f The ,Spatula; " n i e  a g a r a  n e g r o;   falls " ..
...this  is  " s i m u l t a n e o u s;  parallel; black-L i n e s;    falling on; the   w h i t e; S u r f a c e;  (with a sound o f S i L A N C E;(   that is very interesting;U can h e a r;   the V O i C E; o f  the things  o f   ART' s  ; PASSiNG; AWAY; into   -&inthrough-   ;  the Absolute Volume..  -of Atoms..)   as simultaneous  ; Lines   ;    B e e i n g; driwen;..     or L i k e;        someone with TEN-HANDs; & ten Bra i n s;  D r a w i n g; simultane o u s.L y.  or Painting ABSOLUTE; VOLUME..to its PULP..)
S  O;  D O U B L E;  V i S i O N;   becomes;  M u L T i- V i S i O N..   and;  " the  " D  U  A  L  i T y;  BOURDER; -or ThREShold; -  has been;  o v e r whelmed.. e i t h e r..  now;  artist; c a n,  b e;  in the ABSOLUTE;  V O L U M E;  with his REAL  BODy;  and ; ..     these  a r e ; ADDed,  to,   the A C T i ON;  painting; because;  i t is ;   w   i  t   h;      the   " impro AT  O N C E;  STEP " included.. TOO.
...Some; eXamples..
2008  by Murat Danis ..100X70 cm. oil on paper. 
   
finally;   " J.POLLOCK;CLimb i n g,    in Action P ai n t i n g.."  ; B e l o w..
..

SO; J.POOOLOCK too; has Commited; -devoted;- , himself; t o ; t  h e ;  s e r v e;  of; ;  REGULAR; ART HiSTORy; teaching; processes..2..  w h e r e ; is; his;  private; -primitive-  acts o f;   "  indiviDUAL; based; personal h i s TORY..  should w e digg i n to find o u t, his  " primitive black -paint, private a  c  t    i      O N;     s..  by  scraping h i s,  P a i n t i n g s..  NO;   ;  shall answer REgular PUBLiC-LAYER; PAiNTs;   SHEET;   o n the surFACE; o f these     ; WORK s..


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