17 Nisan 2012 Salı

..the " R E A L LETTERs "; -i n- -of- A R T; i t s e l F.

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murat danis
  Adrian,       -at l e a s t;-      Alan can t o u c H;  the ceiling  ,w i t h  his L e G -sole.(this i s happining OUT s i d e and it is a eXpression o f the BODy;  -just like ART is-   ...he is       a ABLE;   - b y  the B O D Y-  PERSON. that m e a n s  he can DO this same  p e r f o r m ance; i n the   ART  , t o  o,, ..
.(ONE LEG   ;on the FLOOR;     and the other,  ; O N the ceiling;      I  w o u l d ' n t  T a l k   about   " what is not, inbetween..-the whole Body links    , ;   floor   to the   ceiling-        w h a t else should      a body     DO  m o r e ..    ..... i n b e t w e e n  is  included i n, (the BODy..I do not n e e d;    should  h e prove himself     outside;   additionally..   -b u t he is in the ART F i e l d  too,  ..only b e e i n g there is  enough m e ; t o depend o n him..because h e can  DO;  or M A K E;  that KiCK any time,, with his all BODY..     a s others    can not touch even   ,both floor and     ceiling ...)..                              (Iam a person smashed in   in  the floor   and in   the ceiling; my BODy tries to fill i n be t w e e n..but most of my body i s  installed in the floor &ceiling..and     can not b e seen,  s  o..  even I am looking 4 it, in between..)
...and he says he can b e; in girly b u t s;  too..C a n U  do the  b o t h.(.Kick to ceiling & kick to Girly buts..)(girly b u t s; the WALL o f  WOMAN;   can be      ; b a s m e n t;  or ceiling..depending on needs..S  O  he has;  beaitiful V e n u s,,  4 aestheatics.. t h e n  NO_Name;  girly b u t s  to w e a r   to  B A R E;  FOOT..)
i  f  a    L i b e r a l;  is "  hidden in the DARK"  ;   then what h e  does  can  happen,  i n the a b s o l u t e   SPACE..U wouldn' t fallow his foot traces to find o u t; what h e can  DO or ;  WHAT  h e , can not DO..  W h e r e ;  d o e s  it  appear.. and where ;  When h e appers; that can tell;  w h o  is  too...W i s d o m;  is not L i k e to be clever; o r  intellectual..It's steps are covered b y ; t h e  ABSOLUTE  D A R K...ness..  ( U must b e able, t o s e e ; in the DARK;  and stay i n the DARK; t h e n; U can FalloW  t h e  W i s e;  O N E..

  "  ()  ( knows without knowing...knows without intellect only) Reality."
"  know without knowing  "  ; i s  the state o f  eXpression(i s m)  t o  m e..and it is to m a k e art; with p a i n t...to be in art work, to see; how " color and L i n e ", interact with each other;  and turn intellectual thinkings to   " artistic F a c t s "..S  O  this is the LABOR; o f ART; b u t  i n the P A i N T..(on the socialist side; o f the i d e o l o g y; artist  , as  a worker )..I STAND  ON  this  SiDE;  t o o..(I am a painter; that m a k e    "  improvisations  a t  ONCE "  (no lines on canvas; begin with paint poured on canvas..) improvisation  i  s; (knows without knowing...knows without intellect only) basically..
...b u t  U  USE;  reality, (term) just after,  ( knows without knowing...knows without intellect only)..
knows without knowing = improvisation  a t  O N C E..
REALİty = what can OCCUR;  i n  in the computer..(i n  the  f i e l d ;  o f  ;  WiSDOM; & RATiO -NO  color(paint) or a single  L i n e  is added  to  the  R E A L;  T H i N g; i n computer oparations..)..only  , the RATiO is operation " d r i v e r  "  i n this REALiTy S i d e ;  WORK..
...S  O     , ALAN;  is on that  s i d e ;  basically;  b u t  U  do not use" computer's REAL AREA" (the absolute Valume that ratio can act in a Computer in l i b e r a l  means..);  as Alan d o e s..That is the problem i n between.." U &Alan I hink..(because U DO not use computer to produce the r e a l;  U M i n d become s the place o f  this Absolute; Volume and act..R E A L  is  PURE; because it is produced in computer.. b u t  then, because U tend to create REAL; i n U' r  M i n d; then  i t  is;  d i r t y; -mixed with Human flesh , or material of the brain-  so it is  "  REAL ity " ,   not  REAL..
U  must a d m i t;  that,  t h e r e   OCCURES;  two OTHER;  F i e l d s ;    in art.   .the socialist; S i D E;  and the; Liberal s i d e; (to produce r e a l  things in art, for    REAL..).. I  should s a y    ,b o t h      h a s;   equal, importance..T h e  REAL  thing  h a s to be,  oparated; i  n  the  machine..(& U DO NOT  DO  this  SO; do not try to  p u t ; U' r  BODies;  REAL i t y ;  a s;   REAL..(PURE)..  (do not be a hibrid, m i x e d inbetween )  I,  T h i n  K..

..the    "  R E A L  LETTERs  "; -i n-         -of-    A R T; i t s e l F...(L a t i n alphabeth; l e t t e r s    are models;  t o be  transFORMed  i n t o;  " R E A L  THingS "  i n  ART;      -a s  the  " letters o f  ART' s "-  ..)
I  am  the  ONE;  W H O  tries  t o;  i n s t a l l   ; the  REALity  Machine;  i  n   to   M Y   B RAiN..so that I can eXpress b o t h; REAL   and  PAiNT;     simultaneously;  ; (nested in )         , to  theOUTside..
SO when I can ExPRESS;  R E A L  , out;    then there must OCCUR;  new L E T T E Rs;  (may be new painted ,Chinesse L E t Ters..-I  guess-)
T h i s;  w  a  s; a " improvisiON a t  O N C E " PAiNT Work..d o n e, ...( it has a sensitive  t o u c h  of  ARTisttic; aesthetics..& clues o f the R E A L  T h i n g s;  but ONLy C l u e s ; ( because a e s t h e tic s;  has melted them  i n..)
...to  M A K E;  them  a g a i n;  (to MAKE,R E A L  THings;  I  have  to; ADD; ABSOLUTE VOLUME;  -computer  i s   where I can supply ABSOLUTE VOLUME; from-...........
...then  t h e r e ; OCCURES,  " R E A L  ThinGs."   a s  N e w  LETTERs..

   
"  A R T     LETTERs "  o r  " R E A L  THiNgs "  ...
       

A  r  e;  t h e s e;  " REAL THinGs "; produced from the original art work;  a s  " p i c t u r e s "  or  estimated; d r a w i n g s;  (but computer itself estimated them all; -m y m i n d did not  t o u c h  them-..)
...o r ;  these drawings (or LETTERs) (or Words)  w e r e ;  MADE;  F i r s t ; t h e n;  m e l t e d  in;  t h e  " black Paint "  to b e  eXpressed;  a s an original art work;  by  d o ing a " improwised a t  ONCE "  ;  W O R K...
I  c a n  say,  I  am  a  " W R i T E R " ; f i r s t; t h a n  a  P ai n t  er..
S O;  after the painting;  I can turn back; (to   the   " reversable process of m y writing "   t o  F i N D  OUT;   t h e  N e w ; (TeRMs)..(the ORiGiNAL;  L E T T E R s  of  the  PAiNTiNG; it s e l f..)  (t h e LETTERs  o f  A R T;  i t sel f..)
4 m e..
1. REAL( w r i t i n g)    +      2 .  PAiNT(eXperimental improvision a t ONCE)        then+      3.  R E A L i z i n g  the original ;    (P u l l i n g  OUT;  the L E T T E R s;  that HAPPENED i n ART..m e d i u m  ..)    (AUTOmatically, i n the absoulute space, o f the computer machine..only using  R A T i O..)
 
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