24 Şubat 2012 Cuma

to F E E L ; U must; T O U C H, continuousLy

20101104010236-dsc06033
murat danis
A l a n,    S O  w e      GO   O  N;       "     e   X    P      a        n    D   i n g,   "         ; the    C O N C E P t..
...to  F   E    E     L         ;  U   must;           T O U C H,    continuousLy,,  .....-  and then to t o u c h  to a painting, -while creating- is not to touch i t every day 4 a   few strokes..-  "  SO how can  W e    MAKE a S i t u a t i O N;        ;   "       to  T O U C H  continuO U S L y  "..
..M y  WAY;  to  e s t a b l i s h,  this  s i t u a t i o n;  is  to  USE a   " SPAN-W i d e"  SPATULA..  (a span of a H a n d is  an element of   B O D y..) ..   i f  U   DRAW;  -with the pencil-  then thinking   b e g i n s,      - which W a y ;  to  G O,  o r  H o W ,,-...  b  u  t  with  a  SPATULA;  your drawing i s  highly  bloc k e d;  -or p r o h i b i ed-    (J.POLLOCK has begun dripping the paint, 4 the s a m e  reason,, h e did not want to d r a w  with his  H a n d..
p.s.  1-  ... becaUSE I play basketball, m y  s p a n  always "   t o u c h es "      ; the BALL -OBJECT- and L e a d s;    -or comands-  it..   SO W h e n it comes to P a i n t i n g,  instead o f  the B a  l l;  there   is  a  SPATULA;  to  present;  m y  S P A N;    O  N  the P A i N T. 
2- I  write m y "  w r i t i n g s "   with    m y  H A N d...      that  m e a n s;   I  have     " e n L a r g e d "; - eXpanded-  " M Y   D r a W i n g  I D E A S "   ;  -or my thinkings o f D r a w i n g-  with  t  h  e   drawing of  A l pha b e t h   L E T T E R s,  alREADy...  t  h   i  s    i   s;  I  am  READY  4 the second  S T  E P;    o  f      e X p an d i n g;  m y    "  thinkings o f  Drawings "  ;  w h i L e    U S i N g;   SPATULA; i n s t e a d   of  USiNG  A L P H A b e t h;   t h i s   T i M E...
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S  O;      I  P o u r,,           -instead o f PolloCk' s    dripping the painT-       PAiNT;       -all the colors that will constitute the painting-    TOTALLy,   o n  t h e  CANVAS..    - or T u v a l-...  then,   S P A T U L A;   T O U C H E s  all  t h e P a i n t;      -or let' s say;  spatula touches to the whole painting at the same time-       ;
....S  O      ;  FEEL  A L L  the Painting,      all t h e C o l o r s,       all the  figures, or L i n e s   - that are constituting the picture-  ...  i f   U  can  T O U C H;   all the painting,        t h e n;     U ' r    thinkinG         shall   O C C U R    simultaneousLy;        witH i N; the ACT of SpatuLa..(U' r  thinking  shouldn' t comand  the paint  b e c a u s e;  U 'r  thinking      h a s Commanded    ,  to  U 'r  " W r i t i n g s " ALready.       -or U'2 r thinkinG has been;  A B S T R A C T E D;   i n  TO;      the " Spatula of ALPHA b e t H ";    alREADy-
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W h e n     I  begin to      P a i n t;SESSi O N              -with  a       span-wide   s p a t u L a-        then , " I  h a v e   A   B L i N D   E   Y   E  ";       -thisBlind e y e    i s " SPATULA.."  -   so,  I c a n  not  s e e;         the  " things"  o r  O B J E C t s         -that are in M E; my BODY-        i  n  T h e paintings,   -o  r   P a i nt   - (because I did not M A K E them, b y the m e a n s  o  f  MY  thinkiNgs..);     T    h   e    r  e    OCCURes  a n O T H E R;  P O S S i B L E  itY;   OBJECT c a n  T U R N;  i n the painting;       - with parallel  to   the +4 SiDES of  theCANVAS-  that  m e a n s   i f  U  A V O i d  U' r   s e l f;  f r o m  thinking;  t h e n;   R A T i O  begins  t o  T A K E    P L A C E;   to d e v i d e Object    i n t o 4 V i s i O N s....   -+4Sides of Object can OCCUR.-.  M O D E R N    A C T....RATiO begins the J O B; directly i f U avoid  T H i N K i n g....
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I  f   U;  begin A B S T R A C t  i  n g;   do not  STUCK  i nthe  step 1 or  2;   - U  shouldn' t  STUCK-    ...(i f U stuck i n first steps then, U go to Idealism; " thinking o f   thinking "..   S  O  there  i s  M O D E R N;  to proceed   O  N...  to USE RatiO;  to devide  T h i n g or OBJECT; i n t o,      "  +4 S i D E S  ABSTRACTed.."
H O  W   Do  you;   LOC A T E;  " S C i E N C E "   i n  A R T...  (MARx ism; says,,abstract & concr e t e; are to stay very  c l o s e..to eX a m i n e  if abstrACT;      g o e s  SCiENTific ALLy ;  - SCHOLarLy-    -or AChedemiC-.. )     S  O  my; Paintings  that has " 4 Sided eXpansions"   o f  MODERNLy U s e d ; RATiO;   t h e n    T H E Y   HAVE   T O;  G O to " CONCR E T E;   OBJECT  f i g u r a t i o n s.."  ..
an Ex a M P L E;


..T h i s   PAiNTinG;   h a s  w e a r e d;    the  ABSTRACTi O N;   o r  " T h e B L i N D   E Y E "  of    " A  S P A T U L A "      -or say  BLinD E Y E  of A  WOMAN;"  V a  Gina  TUBE, (instead o f U Tu b e)  "..-
L i k e  ;  a   V i O L i n i sT;   sLiDE s     h i s   BOW;  o n the  strinGs;          Painter m u s t be    ; V i R T u O S O      with the SpatuLA...   (S O,,      L i k e the music FORM;      sYmPhonY; with  4 PARTs;      a n d  A P a i n Ting; with 4 S i d e s;       ........... A PAiNTER  W i t h  a S P A T U L A;  i s  L i K E  a V i o l i n  Player   with t h e B O W...h e r e..)  (Paint i s what they call industrial O i L  P a i n t,   t o  paint doors or windows, o r O b j e c t s ;   to  defend material..J u s t l i k e  J. PolloCk has used to p o u r,too but not ALL POURED   at the begining ;&, but he prefers  acrilic..)
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...When  M y  A R T;        A B S T R A Ct i O N;   m e a n s,  t o    PUT  i N;     to;2   " 4 S i D E S "...    (in thecnical drawing    u make 3 sides o f an object to d e f i n e  it ;      so mechanic can m a k e    ;this  p i e c e of O b j e c t..  just like   i t is...)  
...o r  if  U ask  m e, what i s  Abstrac t i o n  in art;  then I might say,,   d e s t r o y i n g,  " to b r e a k into pieces ",     s m a s h  and   s w i n g  ahead;  o r     a r o u n d..When b r e a k i n g,  p a r t s  o f  this  OBJEct  w i l l  apear,  s e p a r a t e L y..(My writing STYLe with a machine -a computer- i s to b r e a k; e v e r y  W o r d; and t h e n  SWi N G  them A R O U N D;  to  collect these P a r T s; and L E T T E Rs,,   a f t e r W A R D s..)         (so I can r e cycle; BY PASS;  the L e t t e r s that has been written, i n the teXt..   while I go O N , writing i n TeXt..)
S O  ABSTACT i O N;  is  to     ; " H i D E  ONLy "      to   M E...  i f   U   Could      H i D E;  something,   -b y AbstraCt i O N-;   A N D;  i f it is  S C i E N T i F i C;     then      they  s h o u l d  T e l l   U    to;       M A K E   it    CONCR E T E;  afterwards,  a G a  i n..... i f  U ' r  abstaction,  i s ScientifiC..       ( o f  course after religion and   I d e a l ogy  ERA;      there CAME;    the E R A  of Science; & thecNOlogy  -E R A-..  A R T i S T    H A S  to    P  U  T;   S C i E N C E;  LABOR, or M E T H O T;  i n between;  his acting i n A R T..witH h i s R A T i O; ,  too...)
...S  O  if  A R T;  i s  to b e  s a i d;     to  include   ,   S C i E N C E;;    i t  must   H O L D;  both  AbstraCt; &CONCR E T E;     very N E A R,, a n d the w a y  to  DO  this  i  s;  to  U S E   SCiENCE  tifiC  R A T i O;  instead o f,    " thinkinGs ABSTACT i O N s "  - that constitudes indicates WHAT i s   , M O D E R N..   
........as an eX AMPLE..  (a   SiMLE icity  producing     ; Process  STEP   ;&architecTURE)







S  O;  I C a n,  S E E;   w i t h   M Y     E   Y    E   S;  these  R  E  A  L  T  h i N G s..(these  a r e to b e s e e n  by  E Y E S; and the " RATiO related E Y E s "  -so they  a r e R E A L by the RATiO-)

S   O  ;  using o f RATiO      ; i n  MODERN  4SiDED eXpansiO N;       o f  I D EA L     O B J e ct        -from    I D E A  Land o f PLATONs-   i s  SCiENTiF i C;  (with the a i m s of MARx     ;ism     philosopy..)   P r o d u c e s;   M A N Y;   i n BetW e e n; (L.W. B ETWEEN)  STEPs  o f  ;  E N T i T y,,   P i c t u r i n g...PAiNTiNGs...
F i r s t   P r o b l e m;   i n TODAYs  A R T;   is they can not find  w h e r e to  p u t;            S C i eN C E;  i n    A R T   M A K ing.
SEConD;  i s  ;  ABSTRACTiON;   but  they  t h e y  trawel  i n      I D E A L i sm;  b u t  they can not LAND ; on    -or i nTO-   to;2  IDEAa L A N D of Platon' s ;   to   F  O  R  M;   IDEAL  O B J E C T    F  O  R  M  i n g;   " the    -i d e a l-   the iMAGE as a T H i N g "...
...(so A l a n ; I can undersatand why U stand i n  PORTRAits; o f M a n  F O R M;  b a s i C allY..outside is  " dirty "     i d e a l i s m, a r e a.  even i n ART  too...& only SPORT ACT can clean this I d e a l isM, in our Brain &inOUR BODies..  to reach clean waters o f God's L a n d..  o r  b e li e f   L a n d,     - this i s O U R  B O D i e s-..)
SPORT i s;      -includes-     SCiENTiFiC;       because,   there i s,  abstractiON; in U' r thinking; t o  D O something -some ACT- ;        t   h   e   n     there comes CONCR E T E;   S T E P     ;eXperiment    ; when D O this ACT with your BODY;     -o r B A L L-;    i t  is  a  " basket "   o r  not .........       -U' r shooting abstractiONs-  just after t h e assumptions o f  ABSTRACT i O N....so e X p e r i m e n t a t i O N  takes place i n sports, & this makes i t;  s c i e n t i F i C...  T H E R E   is RELiGi O N; i n sports, b e c a u s e  if  U' r  b e l i e f  is  geniune;  t h e n   U  can SUCCeeD..-with U' r DEEDs-  S O   SPORT ; b o t h  is SCientiFiC  & religioUS.. a b r i d g e between, religion &-to- Science..
W h e n  I  TOUCH  P A i N T;    there   a r e ;  20  Tuvals   -canvases-   t o b e painted,  every d a y  to b e satisfied t h a t   t h e   I d e a l  O b j e c t  has  be e n   included,  i n the P a i n t..this w i ll  continue

for weeks or monts m a y  B E..   to TOUCH & F E E L, the automatii s m  o f  the  SURREAL...
SUMMARY; :  when abstracted; to " 4SIDEs " (Scientifically) then it is a SLiDED ,Ereased,broken i m a g e   ;situation  OCCUREs    -i n The ART T R E E-      with  a " B L i N D  EYE ";     S P A T U L A.....
...t h e n;     abstraction has to b e eXamined b y,      M A K i n g  it  CONCRETE; - R E A L,-      o n   t   h e  Computer..    U can C U T  this BODy (ART TREE); &PASTE;       and LOOK  i f there is any thing that can be d e f i n e d   as; CONCRETE;   - o r R E A L,,-........this will bring  U S;  t h e  REAL LOOK  o f the  E Y E...  - realized b y RATiO process i n  the painting    &in the computer.-
 
Yorum Gönder