23 Ağustos 2011 Salı

ANCHOV Y " E T " ARANJU " E Z" - i n m Y R O O M

3 OF 13 PERFORMANCES T A N D E M.

fingers are s h a k i n g &; v i b r a t  i n g   l i k e  the fish   "T h e   A n c h o v y "..                                                                                    
MUSiC  -or melody-   w a s   to   -or   A S S U M ED to-   BE  INSTALLED; 
1-" iN  The S O U N D " and " 2-iN the  Piano and "   3-" i n The H U M A N "  itself,  t o o ....
and an intellectual -or intellect-  m u s t    R E A D  this  "installlation process " i t s e l f   ; f i rst;  
O T H E R  than; the melody- OR M u s i c-   that can be f o u n d  in all that m a s s..
(-that can be reachED- in this C o m p l e X  ,SOUND-SOUP or Jam..session.that I m a k e as a work of ;say," SOUND A R T "  -or " ART OF SOUND "-..)

I am an i n t e r f a c e ,between;  " H u m a n, Piano &;; the ART ". These 3 all ,should liberally BE installed to each &; OT HER.I am not b e h a l f  of any of these 3..

p s  1:
----------(if I  w a s to be  b e h a l f   of these 3 I should be behalf of P i a n o  first, because ı do not know any thing about piano that means " no piano lessons t a k e n ",second I would b e behalf of  s o u n d  located in me -sound is an element of matter in final act that is f a c t -  than third M E MYself that I think I know me well than others..) (this 3 steps of 3 OBJECTS -3 different nature L A V E Ls  or shape of knowladge - is needed for a t r u e  or genuine " i n s t a l l  process "..).,,SO THiS iS RELATED TO the " ASUMPTiON OF H U M A N " and H U M A N HAS L A Y E R S;  LiKE :  1- MATTER ( h e r e Piano)2-CELLS (that is my body,me myself)  3-SOUND (that can b e in eit her  in m a t t e r  or  i N m  e.) for this kind of i n s t a   DOingl l a t  i o n   p r o c e ss, you need 3 times m o  r e " music notes "  than normally used in music..this remindsd; me the film Amadeus and " too many notes " for the music of W.A. Mozart..----------------
  
T h e y   act freely for i n s t a l l a t i o n  process to B E-come.and it becomes in both 3 media, Human ,P i a n o,and ART..simultane oUS ly.

A genuine i n t e l l e c t;" c a n   WORK"     (-i n F a c t- )  ..;  On lY  i N a  " p e r f o r m a n c e "like this.. ;  (this kind of  " r a w   Art  m a t e r i a l "  ) -ART  MOD ,ART MOod, orART  FORMAT-  ..(said MODdanis..)

SO we can Say; these kind of " installation based  ART Works " need both Artists intellelct and the intellect of the " reader " -of ART WORK-  ..(2 sided intellect instead of " 1-learned " intellect as 2)  t o reach the melody or sound of the " ART-THiNG "..

L  E  T,, your  intellect B e   U S ED;  by  A R T  occur i n g process..(if you are not using your intellect keenly attentive to your own interests ) i f  you  need a true, and g e n u i n e  ART W o r k.to BE installed inTO U'r B r a iN.  directly..(if all is being done by artist and you while watching it again &again..(4 intellect to be t h e " driver "..on art f i e l d.)
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added 1 feb. 2013..
if I critic m y DO ing s , i n these sessions..
1- ..first of all; they are v e r y  fast played.
2- secondly, the playing technique i s, u n ic..
3- The "  S O U N D; q u a l i t y  " ; ( or the d e p t h; o f sound;   or  "  the absolute side depth " ;of sound; i s  " happening  "           ;t    h e r e .. )although there is normal side, there   ,too.
4-  ARE ,these, improvised ; c o m p o s i t i o n;  WRiTiNGs.. Y e s ,they a r e.
5-  i s "  h e "     ;A  , V i r t u o s o;  when playing , P i a NO.
6-  T E S T;  what I told, h e r e.
...please , f i n d    a,p i a NO;  p l a y e r,
then; a s k  him/ h e r;   to play the same s e s s i o n s..
...a n d ; , then, w a c h ; these sessions o f  M i n e, again..-afterwards-  ..

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ps.
...there is noting L i k e,     l i s t e n i n g,TO;     t h e  "  composers    "; p l a y , their w o r k s..originally..( ..although,   they DO, not need to b e; Virtuoso ; when to play their original works.. b u t here ı am trying to b e ; -or act L i k e - a v irtuoso, t o o ;  

..S O;  i  t   a  THiNG;  -a hard thing-  to w a t c h,  this   S  e  s  s  i  o  n  s;  o f   M i N E..


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