28 Eylül 2011 Çarşamba

WHAT iS H E D O iNG ?

                                                                                                                                                                 



( ViDEO; &written words, are in 2007 I guess )  ..

(  P.S. I Love     ..U.. )
....every O N E; has m u l t i ,  B O D i E S; nested, i n. his/h e r ; spirit..(or installed into U' r   m  i n d s..L e t  them ,enter U' r BODy; SO;  ; they  geniunely b e install to U' r M i n d s -BODY ; W h i l e; t h e y, c a n  ACT; with & i n; U' r B O D Y.. otherWise, U C A N  not b e; UNiFiED ..
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SO  W H A T  i S  H  E;  D  O   i n g..
..
0 : -  " DRAWiNG - HiS - BLACK - LiNE - 
 " - ONE-BOOK - - PROFiLE - PiCTURE  " ..
-  into the AiR - - to the  " - 6.Dimension  " ..

1-WEARiNG,; PUTing O n his R a i N C o a T..
2-HE is ConDucTing the; M U S i C   Pi E c e..
3-H e  is   F U C K ing; H i m Self..           
4-H e  is  FUCK ing ( a ) his   ;D i N o S a U r..
5-HE is Putt ing EVERYTHiNG -that has came OUT ofF  r  o  m  ATOM-  ; iNTO the A T O M Where They all b e l o n g.(SO He is repairing the FUCKed  A T O M; so it can  gain it's MASS ,,aGAiN)
6- HE is M A K ing L O V E  to  tHe;  M  i RR  O R..
7- HE is Coming O U T of  THE DOOR;  NaM e D  " MUSiC SET "..THROUGH the BLACK  B U L L  HORN..-WHERe  iT iS A B S O L U T  D ARK-  ...
8- HE is  M U L T i PLy ing ; H is B O D Y..to make TWENTY..( 20 )..

9-HE is shoWing a DiRECTiON;  to  HimSELF..(He iS BORED of being a ROLLinG STONE NOW H e is becoming a " S Q U A R E  "  STONE..-THAT HAS CORNERS PREVENT  ROLLing..
10- he iS A sCULPtor AND;  MAKiNG A SCULPTURE  O F  THiS M U S i C  PiECE..
11- he iS ViSUALiZiNG A human figure O the BLACK curved; Vibrant SUR F A C E ; of " ROUND SPEAKER "..(Thinking , that v i b r a t i o n    on the BLACKHORN  c a n not achieve a HUMAN BODY O U T OF the v a g i n a  of  MUSiC SET.)(He is a dancer BASED O N ; in  the BLACK SPEAKERs ViBRAtin g  D R U M::)
12- HE; is TRYing   T O;  E q u a l i Z E; The " VAGiN A " of  Li G H T (this is the Objective of an photograph machine ) &; t He  V a G in A   of a  S O U N D-  SPEAKer..(of a Music set..)  ON his SUN GLASSES..( as a interface me diUM..)

14- HE is M A K i N G;  S P O RT  because; H e  couldn't  go to the sports center TO DAY.
15- H e  is; ROLLiNG  H imself as a  Huge BALL; Although H e ;stands Where HE is AT,,(say there is a rolling road wher he stands )
16- He is " SQUAREing " Himself; that is coming OUT of his " R O U N D -turning & curved-  S E L F "..(U must count 20 square stones -SCULPTUREs-  made from y o u,, r " turning  S E L F "..)

17- HE is T O U C H i N g   the   " B O D Y  "    oF  M  U  S  i    C..
18-H e is DANCEing w i t h   the;  V i s u a l    C am  E  R  A..
19-H  e   is  BECOMiNG T H E    "  M  O  O  N  "   of    T he  R O O M..(He is the MOON MASS of his R O O M  & HE is realiziNG and MATER i a l i z i n g;  his MOON  M A ss..carrying s u n light on one side..of his BODy..)
2 0- HE is  AN;       " A T Om." (Bounded by mater b u t  his HANDS are not tied BY ,playing a MUSiC iNSTRUment..)( This is the show of a JOY; because my hands are not t i e d  -that is I do not need to BE a MusiCiAN; t o     t   o  u   c   h;    the   B  O  D  Y    o f  the  M U S i C..  l o v e..)
( If I own my soul; I can  t o u c h  all  the BODiES in ME; & MY  S O ul..+ add meat, bones,blood and m a s s;of  the  MOON or space of a  ROOM;    to  r e a l i z e   these  B O D i E S...)
 21-He is CHANGing His " P E N  is "   to the ARM STiCK of   " T R i POD  "..( to the cam ERA)

22- CAMERA L E N S; is a    " GLASS  V A G i N A  "..
.... and all i s being TOLD; to that E Y E..(not E A R )
 (being carried; on the t o p of the Tripod -if my penis has been expressed as ; " the TRiPOD " ; t h e r e..-)

THANKS to;"   " S P i N  O  z A "..   M    E.  "..   (I;Write,I;Paint, I; Sound, I;move. THiS iS;  ;if line is in me then I am in the l i n e  when writing letters, if colors are in m e -or pain- then I am in the paint ;painting , if s o u n d is in me then I will be in the sound with my improvisations ; if I am m o v e d by something then I will be in the m o v e m e n t   mySELF..I  wouldn't n e e d   D E A T H   to pass O V E R   T h i n g S..SO THiNGS ARE F R Ee , i n   M  E ;   too;  and  so  i s  M E  is a T H i Ng  in  MY  B O D Y..

ps.   12 12 2012..
W h e n; U  a r e; to ; F l o W;  that  " ART R i V E R "  ;   ; there must b e; many branches; -streams- being a d d e d ;  to that R i V E R.. (we can not control; a r t  T h i n g s;  ; 4 what they are;  o r how they react; with other things and with; t h e m s e l v e s. all we can DO; is to keep them i n a FLOW; and to collect them toget h e r,    and let them r e a c t; with each-o t h e r.  & t h e n,  , to put that river on  a  r  t;  M E D i U M s; and  ,  f i X ; t h e m   , t h e r e.   then  b e gins    ,   to LOOK4; A R T;  PROCESS.. then w e can U s e; ART-History; Knowledge to; DEFiNE;  " W H A T  i s A R T; there "   a   n   d;    H   O  W;   can   t h e y;  b e   defined;  a s;   " A R T- O B C E T s " ..)

S  O; h e r e, there is a  s o n g;   (installed; i n  m  e, a s an a r t stream..)  i n  m e.. and that song - stream,  is a b o u t  to;  c  o  m  e; O u t  of;  M E..(with m y movements; that has been located i n me; while I was in sports-center..)   T   H  E;  T  H  i  N  G;   i   s,   ,
..t h i s , action w e see h e r e;  i s an  " O P E N "  p r o c e ss; itself..T h e r e  are  "  t h i n g s  "; coming i n my BODy-&BRAin; n o w; too. T h e r e  are things, that change their " O R B i T s " in my; BODy-&SOUL-&BRAin. i n these,  a c t i v e  B O R D E R s..
  .... a   r  t  is   O C C U R i n g;   ; i n  the P r o c e s s;  b e c a u s e; there is  " REACTiON;" happening i n  my; BODY-&BRAin; a s my my s o u l; evolves..  (4 I am a chemical e n g i n e e r..)

...things come i n, & t h i n g s GO; o u t, and also they react,(with each o t h e r )  while this d a n c e happens.


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..
..

.. thanks - "TANRI " - ..

..

" I have , 2 arms, and 2 HANDs " ; 
,,
..( and - I can, M O V E, t h e m ..) ..
L i K E; " thousand-PENiSES;  - ı - c  a  n  ) ..

(  and a symetric, body; al S O;  )
(as i f ; I can , think of,
 my FE-MALE-PART-ALSO ..
in m y , body -symmetry ..)

I can, " create ", my, " TWiN-S O U L " and,
m y; " WHOLE-spirit  " -MY-shelf ..a l s o .
..( with my, OWN-body- D E D s ..SO. )

..J u s t, l i k e; 
"  2-contra-spin- electrons  " ,,
,,that shall turn i  n, 
t h e, O N E- " ORBiT " ,, ( united )
o f A ,  ,
 " SiNGLE-A n - A T OM  "  .  -B A S E s- .

..every human body i s, to be taken as, 
" ONE-ATOM " .. though ..

if U are, to be human, then, produce,
 both-symmetric-parts, together ..AT ONCE ..
and LOCATE, t h em, in U'r SiNGLE-body ..
by the means, o f, a single, " MiRROR " ..
" A basic-MiRROR; MADE; o f, ATOMs, T H O U G H  " ) ..


...   s o ı have to begin from t h e  START;
 every time,,
to create ,,
 " m   y , UNiQUE;  s  o   c   i  a    l ,  BODY,,  " ..
that has to b e, " UNiQUE " ;
4- m y-social-l i f e , ,
&-for(4) ; m y, art-making-standards, ; also ..





 " m y-ATOM " O R B i T s, has 2 b e, labored, 
,, w i t h , m y, BODy-WORK-only ..

and w i t h, MY-Body-in -movement; Labor, a l s o .
( then, m y;  "  symmetric -MALE;&Female-sections "  
, can, b e in separated, " MOVES " also , and
can act, f r e e l y, and, b  e, also, " in their unique-deeds " ..


 .....with  my BODY-MOVEs; i n the ViDEO;
" contra-spin ", electrons,, 
..and two other , n e s t e d, in,  BODiES ,,
( moving in, e a c h other ,in the ViDEO; ) 
.. has to b e added,, "  2 my body-ATOMs " ,,also ..

as -i  n- they (electrons ),, a r e,( can b e )  in, 
 ,    m    y, HANDs, ,,
( Also, just Like BUDHHA; can Hold; and command,
these -L i f e, energies ,  , i n, his, HANDS..

 as I can point them, to spin,  " which W A Y " ,,
because , I am 2 be, a leader, to these, electrons, also ..

( even electrons, 
a r e, not, free-given things 
,to human) ..

and to my human-body, ,  also ..
( that WiLL; HAPPEN; ; only-WiTH-my-using-MY-BODy-DEEDs .. )

..that will make m e, a human, i n
" BASiC ATOMiC-structure-NORMs; & BASES .. " 

( that is even-how-lovers,  has to be, labored,
 -produced- CONDUCTED; b e-installed-  ,
 into, h u m a n-ATOM;  s .

-,in(by)   " labor o f-one unique -human- body-deeds " , only ..
then LOVERs; can ,  b  e  , 
i  n that BASiC-human-ATOM structure,B A S E S, 
also ,  t  h  e  n  ..e v e n-together ..)

..e   v  e   n, social-l i f e, has to b  e, BASED; to,,
  "  S i n g l e -TOTAL-BASiC-ATOMİC; structure ;


..  ,, if not;
SATAN; i s, in us, t h e n ..
e v e n,  i   n;  ,
,,  i n OUR;
"  daily -life -social -behaviors  " ..




..THAT is, even, U'r ATOMs; 
and U'r social-l i f e- structuring ,,
a r e, to b e,   " MADE-h u m a n " ,
 only by U'r,   " UNiQUE-1-body-LABOR " ..

..U can not say,
these  ATOMs;(in my body)  a  r  e  , ALREADy-there .. ,,
..and I can USE; t h e m,, as they a r e ..-put in ME-
,,also as , they are  put, in the  " MATTER-NATURE "..
as if they are, , " READy-ALREADy ", things .. .. ..
i t ; also has to b e, converted, into, human ..
..so then, .
w e can u s e, them, as ," READy-MADEs "
as  w e, can,  e a t,  f r u i t s ..

(  N O-human, is eXisting,R e a d i l y,, 
 i  n ; L i f e,  -o n, earth- . 

...i f ideal-socialism of human-body-labor
has not been, produced ..(by the WORK) ..
totally, b y,  " at least ONE-human-body  " , i n t h e,  " TRUE- WORK "  ..

.. that is, 
ladies, can depend, o n ,their,
.. " MALE-body-PARTners "  .. t h e n ..
and hold-ON, 2 these  " BELief-POiNTs " ; that t h e y, produce ,, .. 
,, 2 (be able 2 ) ; 
,, stay-NEAR- "    their-MAN-AT-total-human-WORK  "  ..-) (28.06.2014) ..

..

15 Eylül 2011 Perşembe

ROOM WiTh t H E L i G H T

R  O  O  M      &     " The  "       L i  G    H      T

11 Eylül 2011 Pazar

" K A A B A " inSiDE Space.iNTERi O R Design. A NEW E R A TO THE " SCULPTURE " MAKiNG in MUSLiM aesthetics





Posted by PicasaMeKKa 's    K  A  A   B A  interior Design.Proposal

I f  it is M u s l i m   aesthetics; you can not photograph the " three dimensional "things. ..If  Y  O U  are to make a picture in the " M u s l i m  F i e l d "; - or in the " I s l a m i c  A r e a "- then you need " V o l u m e s " created by " 2 dimensional " pictures.. Every C a n v a s  is  a  " S l i c e " and every  " existance (being ) " shall be  " c o m e ing "  to  us in  a " p a t e r n "  or a  " c o r r i d o r "..Revers a b l e off course..You can go to the " existance " through a  c o r r i d o r  too..as is in this " p i c t u r e "..

ps:  every " slice " of " V o l u m e "  or "  Corridor "; e x i s t s
, because e v e r y   slice is   a n  other  " P a i n t i n g " e x i s t e d  " in a new perspective ";  s i z e.


                                           


















                                                                       conCaVE ( i n w a r d )       convex. (out w a r d)

23 Ağustos 2011 Salı

ANCHOV Y " E T " ARANJU " E Z" - i n m Y R O O M

3 OF 13 PERFORMANCES T A N D E M.

fingers are s h a k i n g &; v i b r a t  i n g   l i k e  the fish   "T h e   A n c h o v y "..                                                                                    
MUSiC  -or melody-   w a s   to   -or   A S S U M ED to-   BE  INSTALLED; 
1-" iN  The S O U N D " and " 2-iN the  Piano and "   3-" i n The H U M A N "  itself,  t o o ....
and an intellectual -or intellect-  m u s t    R E A D  this  "installlation process " i t s e l f   ; f i rst;  
O T H E R  than; the melody- OR M u s i c-   that can be f o u n d  in all that m a s s..
(-that can be reachED- in this C o m p l e X  ,SOUND-SOUP or Jam..session.that I m a k e as a work of ;say," SOUND A R T "  -or " ART OF SOUND "-..)

I am an i n t e r f a c e ,between;  " H u m a n, Piano &;; the ART ". These 3 all ,should liberally BE installed to each &; OT HER.I am not b e h a l f  of any of these 3..

p s  1:
----------(if I  w a s to be  b e h a l f   of these 3 I should be behalf of P i a n o  first, because ı do not know any thing about piano that means " no piano lessons t a k e n ",second I would b e behalf of  s o u n d  located in me -sound is an element of matter in final act that is f a c t -  than third M E MYself that I think I know me well than others..) (this 3 steps of 3 OBJECTS -3 different nature L A V E Ls  or shape of knowladge - is needed for a t r u e  or genuine " i n s t a l l  process "..).,,SO THiS iS RELATED TO the " ASUMPTiON OF H U M A N " and H U M A N HAS L A Y E R S;  LiKE :  1- MATTER ( h e r e Piano)2-CELLS (that is my body,me myself)  3-SOUND (that can b e in eit her  in m a t t e r  or  i N m  e.) for this kind of i n s t a   DOingl l a t  i o n   p r o c e ss, you need 3 times m o  r e " music notes "  than normally used in music..this remindsd; me the film Amadeus and " too many notes " for the music of W.A. Mozart..----------------
  
T h e y   act freely for i n s t a l l a t i o n  process to B E-come.and it becomes in both 3 media, Human ,P i a n o,and ART..simultane oUS ly.

A genuine i n t e l l e c t;" c a n   WORK"     (-i n F a c t- )  ..;  On lY  i N a  " p e r f o r m a n c e "like this.. ;  (this kind of  " r a w   Art  m a t e r i a l "  ) -ART  MOD ,ART MOod, orART  FORMAT-  ..(said MODdanis..)

SO we can Say; these kind of " installation based  ART Works " need both Artists intellelct and the intellect of the " reader " -of ART WORK-  ..(2 sided intellect instead of " 1-learned " intellect as 2)  t o reach the melody or sound of the " ART-THiNG "..

L  E  T,, your  intellect B e   U S ED;  by  A R T  occur i n g process..(if you are not using your intellect keenly attentive to your own interests ) i f  you  need a true, and g e n u i n e  ART W o r k.to BE installed inTO U'r B r a iN.  directly..(if all is being done by artist and you while watching it again &again..(4 intellect to be t h e " driver "..on art f i e l d.)
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added 1 feb. 2013..
if I critic m y DO ing s , i n these sessions..
1- ..first of all; they are v e r y  fast played.
2- secondly, the playing technique i s, u n ic..
3- The "  S O U N D; q u a l i t y  " ; ( or the d e p t h; o f sound;   or  "  the absolute side depth " ;of sound; i s  " happening  "           ;t    h e r e .. )although there is normal side, there   ,too.
4-  ARE ,these, improvised ; c o m p o s i t i o n;  WRiTiNGs.. Y e s ,they a r e.
5-  i s "  h e "     ;A  , V i r t u o s o;  when playing , P i a NO.
6-  T E S T;  what I told, h e r e.
...please , f i n d    a,p i a NO;  p l a y e r,
then; a s k  him/ h e r;   to play the same s e s s i o n s..
...a n d ; , then, w a c h ; these sessions o f  M i n e, again..-afterwards-  ..

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ps.
...there is noting L i k e,     l i s t e n i n g,TO;     t h e  "  composers    "; p l a y , their w o r k s..originally..( ..although,   they DO, not need to b e; Virtuoso ; when to play their original works.. b u t here ı am trying to b e ; -or act L i k e - a v irtuoso, t o o ;  

..S O;  i  t   a  THiNG;  -a hard thing-  to w a t c h,  this   S  e  s  s  i  o  n  s;  o f   M i N E..


5 Ağustos 2011 Cuma

P RO P O S A L TO Stiftung Kunstlendor Schöppingen PROPOSAL

TO  C O M M U N I C A T E    A  R  T;
Or  “ A R T  “ THAT CAN COMMUNICATE..  W I T H   H  U  M A N..

“  C O N T E M P O R A R Y   & M  O  D  E  R  N  “  P A i N T i N G  s  :
First of all,,          ” painting must be able to “ communicate  “   WiTH  “  i t s e l f  “..(An  Apple; devided by 4 and e v e r y  quarter is related  to   the  " whole "  spirit and ForM..);(in our times, people try to seem like " multiple apples "  instead of d e v i d i n g  himself  " by "  4  to be ;  M O D E R N " )..
(IF A PERSON  DOES NOT “ COMMUNICATE “ WITH HIMSELF,,,,T H E N  W H O   E L S E  CAN COMINUCATE WITH HIM…)

A  “SCIENTIFIC “  ACTION  IN MODERN PAINTING   :
Turn a painting on it’s 4 sides..D o e s  this art work “ comunicate “ i  n   “ 4 Sides “ ;
like  a   SYMPHONY.(Music has it’s highest FORM ; Symphony with 4 Parts  and painting must be in the same  FORM Standart , in this contemporary age..)



H E R E  İs  a PAiNTiNG NAMED  “ QUARREL “:,
And  IT’s “ 4 SiDED “ M O D E R N  COMMUNiCATiON: WiTH  U S :
 








"E X P E R i M E N T A L L Y "  EXP R E S SE D :(This  is  a  photograph -t a k e n by me; -N a m e d ;     " Anatolien L A D Y "  ).









   





(my  “ breasts “ are currently  MADE of MY  “ C H i N “..-contemporary way(AWAY  from religion's human) to produce breast in ART..)


9 Haziran 2011 Perşembe

PAiNTER; PiCTURiNG " S O U N D M O D E L " 1.

   

ELECTRiC GiRL ; COLLECTER i n PAiN' T

US inG;
T he " S&;M SONG "BY RiHANNA;  As  A  " S   ound- M   o d e l. "

Painters are known AS ;

T h e y    u s e   " human -WOMAN " models or " N a t u r e  , as a M o d e l ",,  look at a model ,then draw yourself on this "  s e e n " first and then paint the drawn. B u t, here we have m e, USinG a S O N G as a " S O U N D & Letters ;  M o d e l  "..(because a song can be seen as "a  M O D E L " , and a painter can use this " -" mixed W O R K o f sound and letters " ; -   MODEL ,.instead of  a raw meat-human model  - a SONG-Model that has been worked as sound and letters ; double  deciplines..for  making  ART- ,.-this double deciplines has been worked out already in a SONG. ;coming to a painter through a       r a d i o  "  screen "-..

- LETTERS HAVE THEiR O W N  SOUNDS AND a song is a "interactive" and a "interdecip lineér" area..-

A Pure SOUND ART (a melody, or a pure sound with no words ) can , go a TRUE path, in ART F i E L D..(but a song has "words", extra letters other than & near pure sound )
(A Painter and a painting can go a TRUE WAY; TOO ; -,by Using PAiNT First, in ART F i e l d,,too-..,, but,,they are still w e a k,, if t h e y are T R U ely WORKED O U T.-weak because it is a single work ,you do not draw first; then  to P A i N T the  drawn..-.)

B u t there is a chance for T R U E WORKs     of A R T can be ADDED...
.......-O f course, " i n t e g r a t i o n " is hard, and; You must be ABLE to SEE with your ears then put your E A R in The Painting, - While picturing what is said in the song, -   a s you DRiVE Y O U R SPATULA,, with your arm..-to form and picture the painting-
(This means,A R T can Freely W A L K in you & in  your senses,,
and Y O U can W A L K in A R T; spontaneously...So ARTist is not a dictator to
the others that  s h o u l d watch ARTWORK..A n d A R T is not a dictator to the Artist..-as a know-how learned by artist  ," to make "  ,ART-)

Can y o u P U T a " SONG " or " S O U N D " ,into P A iN T..
" WHO CAN " MAKE a P a i n t i n g,, i n  a F e w S e c o n d s..(DRAWing and PAiNTing included..)
S O; You g e t help from other p u r e l y  worked art deciplines,,writing,dancing,listening, e.c.t.     i n t e r a c t i v e l y
to shorten the action t i m e  of  ART M a k i n g ..


M o d e r n  Action; creates "the" N E W.(-and-  " Making it M o d e r n "  is making it " 4 Sided thing "; that can be seen from  4  other but " n e a r "  S i d e s ..)

 M O D E R N     M A K i N G ;:in  t h i s   V i  D   E   O
 I n   t h i s   v i d e o ;, U are looking at the painting -happening- from the LEFT; with the camera..I am looking at the PAiNTiNG from the R i G H T S i d e(While making it)
T h e n I took camera and s h o w Y o u; What I S A W when painting..i t..
My camera looks at the painting from the F R O N T too,,for " WHAT iS THERE " in the front S i D E
S O there OCCURS 3 Other v i s i o n s, in ONE HAPPENiNG,,that is GENuinE..
DON't "CLiP",let NEWbeINbraIN,Love


Song has WORDS and there is a story PUT IN your MiND,w h e n U listen to it..
WORDs are O.K. STORY is O.K. too..(I can cover it combining with my stories..)
...but, song makers d o not stop; t h e y make c l i p to the SONG..
( PUT MANY " T H i N G S " MORE into our B R Ai n S.)
I hate, w a t c h i n g clips,,it is better U create a image f r o m your own M i N D s..when listening..
H e r e , there is a song,A u d i o ,to my eyes ,while I m painting..WORDS and LETTERS &; SOUND suit to my MAKiNG ,so I ADDED them to what happens, H E R E.(because I am writer and I can d r a w letters
i n s t e d of  drawing  figures -with my SPATULA that is suitable with letter writing and i not a BRUSH for painting-  -and figure can c r e e p  into the Paint ing  from the s o u n d  madia-..

S O  There is  "a  FE M A L E "; -assumed to b e-  in my Painting, from the song ( A Creature ; that has been created by the work of t h e song, and has been added to the PAiNT ing by interactive& inter decip l i n e ar acting..)

Let's LOOK from an other V e r si on -angle- .I n fact, I w a s, singing this "my" song (think as if; I was singing the song) while making the painting a c t i ON.and if this song was m a d by M E, I should underSTAN it  iN my  WAY, and  make the c l i p of this S O N G  ; will   b e  just  like, in this w i d e o..of  M i N E.

23 Şubat 2011 Çarşamba

MEKKA P I A N O

 Moddanis MEKKA PIANO
Şşşşşş....! when are we playing?
Make a P l a n..
M a k e a Mekka " P l an " ,Pro d u c t MAN A g e r..!
M a k e a Mekka " Pl an " O " ;(PIANO) ,PRO d u cT MAN a g e r..Pl ease..
M a k e " A MEKKA PIANO ", PRODUCT MANAGER

25 Ocak 2011 Salı

2 CONTEMPORARY T H i N G S; " A T A T i M E "

i  f   " someTHiNG " ; " A CANVAS ";      has " 4 Temporary T H i N G s "  in it, t h e n
IT iS  REALLY  A    " T H i N G "....
tHAT   M E A N s     ;" MY   i n t e l l e c t U S " 
is not in MY A R T,, to   f i l l    iN....( T h i N G s )
So  someone can BE in MY ART; A L O N E  With his " i n t e l l e c t ".. 
.....BECAUSE,,  i n t e l l e c t u s  iS an OTHER  O B J E C T,,too..




4 SiD E D " CON TEMPO R A R Y " " C A S E "..

                         " cON TEMPORARY " i S a highLy  efficient  SYSTEM..
i f   SOMEone can T u r n   , a Canvas,  then  every S i d e is  TEMPORARY..
T H E N,,there is s p a c e; " 4  temporary s p a c e s "  on a  CANVAS..
U can not KNOW; "What are 4 TEMPORARY T H i N G s " in oNE  CANVAS  ART..
A  R  T     HimSelf;  C H O O S E; 4 equal " t e m p o r a r i e s "....on canvas..
S O   CONTEMPORARY  A R T,,  i s  Un ToucHeD;   b y   M A N...
.....and w i l l  BE,  UN t o u c h e d; w h i l e   U S   A  G E..
contemPOrary T h i N G  i s, j u s t  a  T h i ng..
There is SOMEthing i n it, A THiNG,,U're " intellect " can touch..
D O  NOT;  T O U C H,, someONEs  "i n t e ll e c T U S.." i n  ART work.




Eğer biri tuali çevirebiliyor ise,her kenarda olan " geçicidir "
o zaman t u a l  " 4 geçici resim "  içerir...(bir tualde 4 kenar var..)
bir Sanat T u a l i n d e " 4 geçici Ş e y i n " ne olduklarını Bilemez siniz.
SANATın Kendisi seçer, " 4 eşit geçici Ş E Y i "  t u a l  üzerindeki..
BÖYLEce çağdaş sanat , iNSAN E L İ   DEĞMEMİŞTİR..
V E  DOKUnulmamş Kalır,, KULLANIMI Esna s ı n d a..



CON T E M P O R A R Y P A i N T i N G s

What is " Con temporary " ART.
ERASE      ;"   EVERYTHiNG  "...
E r a s e  things,  by USEing  O T H E R   T H i N G s..
W h e n  You DO  S O,,are there something LEFT,,  to   S E E..
 T H i S  iS  A  DAiLY SEEN... WHAT U SEE...
U  NEED  ONLY  D A i L Y  S E E N s TO LiVE A DAY.. 
cAN  YOU,  write anything, WHiLE ; u  ERASE  T H E M..

I f  you are someone   W H O  wants TO liVe  D A Y  by D A Y..THEN  You would't Want TO SEE,,M O R E  THAN  " T E M PO RARY "
cONTEMPORARY  iS  " h a r d "  but,,     N O T    " H E A V Y ..(We can say contemporary is L i g h t..)